Matty Healy might be one of the biggest frontmen on the planet right now but he’s also one of the most controversial figures in the music industry too, as those watching Glastonbury found out after Rina Sawayama called him out live on stage in front of thousands.
The 32-year-old singer, actress and model was performing on the Woodsies on Saturday, 24 June, when she decided to dedicate her song ‘STFU!’ to The 1975 singer, songwriter and guitarist following a number of offensive remarks he made or was involved with on a recent US podcast episode.
Healy, 34, appeared on The Adam Friedland Show back in February, during which he made a series of comments that many labelled inappropriate and racist, such as watching a porn genre which degrades Black women as well as joining in speculating about rapper Ice Spice’s ethnicity and discussing her body.
The Wilmslow-bred musician also went on to laugh when the hosts mocked the artist with attempts at Chinese, Hawaiian and Japanese accents, to which Sawayama — who was born in Japan before moving to London as a child — responded by screaming “I’ve had enough!” to the Glastonbury crowd.
As you can see in the clip below, the recent John Wick 4 star said, “I wrote this because I was sick and tired of these micro-aggressions. This goes out to a white man that watches ‘ghetto gaggers’ and mocks Asian people on a podcast.”
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She then went on to say, “He also owns my masters” — with Sawayama and The 1975 both belonging to Dirty Hit Records, of which Healy was creative director and is one of multiple shareholders — before adding defiantly, “I’ve had enough!” before being met with rapturous cheers and applause for the crowd.
It is worth noting that Healy’s role as a director has since ended in the time since the podcast controversy, with online records showing that his contract in that capacity was terminated after five years back in April, though it’s unclear if the decision is linked.
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Elsewhere in the podcast, Healy also suggested that Harry Styles of “queerbaiting” fans and also made jokes about women’s synchronising while on their periods, which also upset many people, fans or otherwise. Regarding his Ice Spice comments, he apologised on stage this past April.
Nevertheless, The 1975’s 2018 single ‘Sincerity is Scary’ seems fitting here, as many still feel that there wasn’t much genuine remorse in his apology, especially given his comments in an interview with The New Yorker a month later where he said, “it doesn’t actually matter.”
He went on multiple-award winning musician insisted, “Nobody is sitting there at night slumped at their computer, and their boyfriend comes over and goes, ‘What’s wrong, darling?’ and they go, ‘It’s just this thing with Matty Healy.’ That doesn’t happen.”
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He even went so far as to say, “If it does [offend people], you’re either deluded or you are, sorry, a liar. You’re either lying that you are hurt, or you’re a bit mental for being hurt. It’s just people going, ‘Oh, there’s a bad thing over there, let me get as close to it as possible so you can see how good I am.”
Neither Healy nor Dirty Hit are yet to issue a response following Rina Sawayama’s comments at Glastonbury but it’s certainly sparked quite the discussion online surrounding a public figure who is well-accustomed to being amongst the headlines for his antics, being on or off-stage.
Featured Image — Rina Sawayama/The 1975 (via Instagram)
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The Script announced as latest Co-op Live act as they head back to Manchester
Danny Jones
Irish rock pop band The Script have been confirmed as the latest artists set to play Co-op Live arena as they prepare to make their Manchester return later this year.
Announcing the Co-op Live gig as part of their upcoming Satellite world tour, in support of their new album which is set to drop in just a few months’ time, the noughties and 2010s hit-makers will be coming to Manchester’s newest venue this fall.
With the trio having not long lost their lead guitarist and best mate Mark Sheehan during their run of Greatest Hits shows, this will be the first full tour they are set to play without him in the lineup.
Having gone back and regrouped, made a new record and now dropped their latest single ‘Both Ways’ at the same time on Friday morning, it’s full speed ahead for the boys with a massive world tour now on the horizon, including 20 European dates.
After being reduced to just two of the original found members, frontman Danny O’Donoghue and drummer Glen Power, the Dubliners have since doubled, inviting bassist Ben Sargeant and guitarist Ben Weaver to join the band earlier this month. They’re also still out on tour with pop legend Pink.
Their new album, Satellite, will mark their seventh studio LP and the first material released as a four-piece and is scheduled for release on 16 August, promising to deliver a whole new energy from the band.
Taking inspiration from the likes of The Black Eyed Peas and Bruno Mars, bassist Glen admitted that the sound “maybe not what people might expect from us but we’re The Script, and now we have something to prove: that there’s life and light after the darkness. It’s why we’re coming fast and strong with that one.”
Lead singer Danny added: “The album cover is silhouettes of me, Glen and Ben Sargeant, our bassist, who’s been with us from the beginning. Then we have a hooded silhouette, because the air of Mark is still there.
“He always will be, but it’s also giving a tip of the hat to the future. It’ll never be the same Script. We’re just trying to get on and do what it is that we all feel is the next right thing to do and that’s to keep making more great music.”
As for the show itself, The Script arrive at Co-op Live on 30 November – the final show of their UK leg and over two years since their last visit to Manchester at the AO Arena.
For those looking to grab tickets, fans who pre-order Satellites from the band’s official store before5pm on Tuesday, 21 May will receive access to an exclusive pre-sale for tickets for the UK and Irelandtour dates.
Pre-sale opens at9:30am on Wednesday, 22 May and general admission tickets go live at the same time on Friday, 24 May. You can grab yours HERE.
We’ve had the luxury of popping along to the brand-new arena a few times now and we have to say, it didn’t disappoint.
Black Keys at Co-op Live, Manchester – huge venue’s first taste of the blues
Charlie Watkinson
As a huge Black Keys fan, when I found out they were set to be the first band to grace the stage at Co-op Live, I just knew I had to be there.
Of course, it didn’t turn out that way.
After numerous cancellations and rescheduling, Elbow managed to nab the first spot, with the Black Keys taking to the stage the following night instead (several weeks later than their original show date).
Let me tell you though – they did not disappoint.
Having been one of the starry-eyed fans at Elbow the previous night, and been properly impressed by the sound quality inside the massive new Manchester venue, the thought of hearing Dan Auerbach’s epic bluesy riffs had me beyond excited.
Entering the stage playing the heavy-hitting I Got Mine, followed by one of their most well-known tracks, Gold on the Ceiling, it was evident we were in for a great show.
I have to admit, though, as a die-hard Black Keys fan, I couldn’t ignore how static the crowd was throughout the whole performance.
It almost seemed like the room was filled with people who didn’t know their songs, perhaps due to rescheduling and Co-op Live dishing out tickets to say ‘sorry for the inconvenience’?
The quiet stillness of the crowd did a great disservice to the electrifying talent on stage. Luckily, this didn’t matter too much.
Closing with their most popular song, Lonely Boy, I almost forgot how still the crowd had been as I watched the entire stadium howling, “DAH DAH DAH DAH DAH – DAH DAH DAH DAH DAH.”
Although I wanted more from the crowd, all in all, the Black Keys played a setlist fit for a super fan and gave Co-Op Live its first taste of the blues.
I just wished the audience had been Howlin’ for You all night, not so Tighten Up’… As you were.