One of the summer’s biggest and best-loved music events is now well underway, with a roster of massive names performing at Sounds of the City.
Next up at Castlefield Bowl will be Sheffield Britpop legends Pulp on 4 July, performing in Manchester for the first time in two decades.
Fronted by Jarvis Cocker, the band’s massive hits include Common People, Disco 2000, and Sorted for E’s & Wizz.
With seven albums and some massive award wins – including a Mercury Music Prize and multiple NME Awards – it’s going to be a massive night for Pulp at Castlefield Bowl.
Their summer reunion tour is titled This is What We Do For an Encore.
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The stage is set canal-side in Castlefield, with other headline performances from Hozier, Blossoms and Bastille still to come.
Here’s everything you can expect if you’re heading down to see Pulp.
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Who’s supporting Pulp?
Pulp will be supported by British musician Baxter Dury at their Castlefield Bowl gig.
He has six studio albums and has recently, notably, collaborated with Fred Again on the single Baxter (These Are My Friends).
After his slot supporting Pulp, Baxter Dury will be back in Manchester in October for a headline gig at New Century.
The stage times have already been announced for Pulp, but are always subject to change.
5.30pm – Doors and DJ 7.45pm – Baxter Dury 9pm – Pulp 11pm – Curfew
Tickets
Tickets for Pulp are, sadly, totally sold out.
They were initially priced at £75.35 including booking fee.
If you’re desperate to go, keep an eye on resale sites but make sure you’re buying from a trustworthy seller so you don’t get ripped off.
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Weather forecast
Castlefield Bowl is an outdoor venue, with only a very small amount of cover by the amphitheatre seating.
The wet weather is set to mostly take a break for Pulp’s gig on Tuesday 4 July.
Temperatures are set to peak at 19 degrees, with a low of 14 degrees, according to the Met Office.
There’s a 50% chance of light rain at 8pm, but otherwise things are looking dry.
Expected setlist
A previous Sounds of the City gig at Castlefield Bowl. Credit: FAC51 The Hacienda
Pulp have already squeezed in another huge outdoor gig, at Finsbury Park in London.
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The below is the setlist they went for down south.
I Spy Disco 2000 Mis-Shapes Something Changed Pink Glove Weeds Weeds II (The Origin of the Species) F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. Sorted for E’s & Wizz This Is Hardcore Do You Remember the First Time? Babies Sunrise Like a Friend Underwear Common People Encore: Razzmatazz
About Castlefield Bowl
Castlefield Bowl is an amphitheatre-style outdoor venue in the city centre.
Although all tickets are billed as unreserved standing, if you’re quick you can take a seat on the large concrete steps that curve around the stage.
Many people also take a perch up on the grassy banks at the back of the venue too.
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Castlefield Bowl is located at 101 Liverpool Road in the city centre.
The closest tram stop is Deansgate-Castlefield, which is only a six-minute walk away.
You can also walk it from the major train stations, or use the 101, 197, 255, 256, 41, 50 or X50 buses.
Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Daisy Jackson -
3rd July 2023 
