Thirty-something years after they first met at the University of Manchester, Ed Simons and Tom Rowlands, better known by their legendary electronic alias, The Chemical Brothers, returned to where it all began to kick off the Halloween weekend at the AO Arena.
Spending their formative years in the midst of the ‘Madchester‘scene, the globally renowned group got the ball rolling on their DJ career by showcasing their skills and enthusiasm for acid house and techno at house parties across the city and former club nights like Naked Under Leather at the long since closed Old Steam Brewery on Oxford Road.
For the pair of precocious producers, it was their uni days when they reached their music maturity; fast forward 30 years and here we are: ten studio albums and six Grammy Awards later, waiting for them to emerge from the smoke in a venue with equally iconic status.
With the arena floor filled from back to front and fans packed shoulder to shoulder across both tiers, the big-beat dance duo launched into a sensational set with two of their biggest hits, ‘Go’ and ‘Do It Again‘, signalling to the crowd that there’s been no slowing down even after all these years.
The Chemical Brothers made their Manchester homecoming gig at the AO Arena one to remember (Credit: The Manc Group)
In typical Chemical Brothers style, the visuals accompanying the music helped create a fully immersive audio-visual experience and almost alternate reality — at least for a couple of hours, anyway.
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With Japanese-inspired dancing figures, painted ominous faces and mesmerising artwork splashed across gigantic screens, lasers flying across the audience and disco balls sending blinding beams of light in every direction, there was mind-bending pageantry with every track.
Stopping halfway through their practically pulverizing set, the superstar DJs turn up the lights and raise their hands in worship of the loyal fan base they’ve built over the past three decades.
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The former Glastonbury headliners went on to showcase some material from their new album, For That Beautiful Feeling, seamlessly blending new and old tracks and reinforcing the fact that regardless of age or the electronic scene looking very different these days, they are still well and truly at the very top of their game.
WARNING: FLASHING LIGHTS — and lots of them.
A massive room full of ravers celebrating one of the best to ever do it.
After grooving their way through two hours of psychedelic visuals, deafening bass and plenty of reverb, 28,000 sore eardrums made their way to the exit already wondering when The Chemical Brothers will make their next homecoming appearance.
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One thing’s for sure, you’ll find us first in line next time they do.
If you ever wanted to learn more about how these two legends of the genre got their start and how Manchester served as their proving ground all the way back at the beginning, you can check our recent interview with Ed Simons himself, who made it apparent just how much love they still have for this city.
And last but not least, be sure to keep up to date with all the latest Manchester music news over on The Manc Audio.
Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
Audio
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
The Manc Audio -
28th October 2023 
