10 of the best art and culture events happening in Manchester this summer
Looking to fill up your diaries and support the region's arts and culture venues over the next couple of months? Here are some of the top events happening in Manchester.
Manchester is a city with so much to be proud of – and our renowned arts and culture venues are no different.
Now that the county’s so-called ‘Freedom Day’ has brought with it the most significant lifting of restrictions since the COVID-19 pandemic first began – with changes to mask wearing, social distancing, and mass gathering – some much-needed normality has been restored for our arts and culture sector.
From museums and art galleries, to theatres, pop-up festivals, music venues and comedy clubs, there’s so many venues throughout our region that are now thriving and in full swing, and to show our support for these venues, we’ve rounded up 10 of the best events happening this summer.
So if you’re looking to fill up your diaries over the next couple of months, here’s our pick of the bunch, in no particular order.
The exhibition also examines the period 1978 to 1982, revealing how the label grew and thrived to give the city an authentic voice and distinctive identity, and visitors will be guided through the pre-Haçienda years to uncover the history of the label and how it earned its status as a catalyst for innovation through rarely or never-before-seen objects.
The first 50 artefacts from the official Factory Records catalogue are on display, including creations from Joy Division, New Order, The Durutti Column, and so much more.
Beat the Frog is the legendary amateur comedy night that takes place every Monday at Manchester’s iconic Frog and Bucket Comedy Club, and has helped to launch the careers of some of comedy’s biggest names – including Peter Kay, John Bishop, Johnny Vegas, Smug Roberts, and more.
At the start of the competition, three cards are handed out to lucky members of the audience, and up to 10 acts will then take to the stage and each try to do five minutes of material. If within those five minutes all three cards go up, then the act has lost and must leave the stage – but if the three cards stay down, that act has successfully ‘Beat The Frog’.
They are then invited back to the stage for a clap off at the end of the night – which will determine the overall winner.
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It’s been named the “most unpredictable comedy night in the north”.
You can find more information, and grab your tickets here.
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3. At Home With The Pankhurst Family
Pankhurst Centre
Geograph | Wikimedia Commons
A new permanent exhibition titled has been unveiled at the Pankhurst Centre for the summer to coincide with the grand reopening of the venue.
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Having been temporarily closed since the first lockdown was announced all the way back in March 2020, the museum and birthplace of the Suffragette movement has begun the process of welcoming the Greater Manchester public back through its doors for “a brand new visitor experience”.
Local community groups will be given a four-week preview of the new exhibition – titled At Home With The Pankhurst Family – before it opens to the wider public later in August.
Entry to the museum is free, with a suggested donation of £5.
Renowned Manchester artist DJ Paulette is currently hosting a jam-packed show called Together on The Bruntwood Stage at HOME MCR’s brand-new, festival-style outdoor events hub, Homeground, this summer.
The weekly event is said to “shine like a beacon of hope into our community, social lives and calendar.”
From 5pm – 7pm every weekday evening, The Bruntwood Stage hosts a stellar array of talent old and new from Greater Manchester’s homegrown, rich, diverse, and musical heritage – including the brightest stars from the club, alternative, pop, RnB, soul, and electronic arenas.
You can find more information about the acts on the weekly lineups, and book your tickets here.
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5. English Football Hall of Fame
National Football Museum
https://www.instagram.com/p/CR3lgWiIzPG/
If you’re looking for somewhere that’s packed with interactive activities, the National Football Museum is the perfect place to grab your squad and head on down to.
The iconic Cathedral Gardens-based venue has announced a number of exclusive new exhibitions, galleries and objects for the summer, including the stand-out English Football Hall of Fame – which is the first time the museum has put on a full-scale exhibition showcasing some of the people who’ve made an outstanding contribution to the beautiful game, both on and off the pitch.
You can find more information, and grab your tickets here.
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6. The Play That Goes Wrong
The Lowry
The Lowry
Mischief Theatre’s multi award-winning international smash hit comedy The Play That Goes Wrong is returning to The Lowry following its sell-out success in 2017.
The Cornley Polytechnic Drama Society are putting on a 1920s murder mystery, but as the title suggests, everything that can go wrong… does. As the accident-prone thespians battle on against all the odds to reach their final curtain call, hilarious results ensue.
Hailed “a gut-busting hit” by the New York Times, The Play That Goes Wrong has won a host of celebrity endorsements from the likes of Joanna Lumley who said “we laughed until the tears ran down our faces”, to Ant & Dec, who branded it “the funniest show we’ve seen”.
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You can find more information, and grab your tickets here.
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7. The Long Waited, Weighted, Gathering
Manchester Jewish Museum
Alys Williams | Michael Pollard
Manchester Jewish Museum has finally reopened its doors to the public following two years of forced closure and a huge £6 million refurbishment to the original Grade II-listed Portuguese and Spanish synagogue building, and as part of its grand reopening, the museum has partnered with the Manchester International Festival (MIF) to commission a new film and art installation by Turner Prize-winning artist Laure Prouvost.
The Long Waited, Weighted, Gathering installation aims to explore the long-lost voices of Manchester’s Jewish community in Cheetham Hill by transforming the historic synagogue’s The Ladies’ Gallery an immersive space.
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Prouvost has explored the museum’s extensive collection to discover the stories behind past congregants of the synagogue.
Top Secret: From Ciphers to Cybersecurity pores over a century’s worth of secret communications and intelligence in an exhibition containing over 100 objects from GCHQ and the Science Museum Group.
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The exhibition includes, for the first time, objects related to Alan Turing and his team’s work intercepting German comms at Bletchley Park.
Visitors can also explore how Britain protected its skies during WWI, how codes were cracked in WWII, and the ways in which intelligence agencies foiled one of the most successful spy rings operating during the Cold War.
An exhibition of works selected by renowned artist Grayson Perry during the popular Channel 4 TV series Grayson’s Art Club is currently on display at the city’s flagship art gallery.
All the works on display are very personal visual representations of lockdown, made by the public, well-known artists, and celebrities. This celebration of creativity in people’s homes chronicled the changing moods of Britain in isolation, providing a unique record of this globally experienced extraordinary time.
“This show is a crystallisation of the feelings and obsessions of artists from all over the country,” Grayson Perry said.
You can find more information, and grab tickets here.
Described as “the world’s most visited immersive, multi-sensory experience” that exhibits the life and work of the seminal Dutch artist, and having welcomed over eight million visitors in 70 cities around the world, the art and culture experience is now destined for Salford.
Opening from 22 October, Van Gogh Alive takes people on a trip through the periods of Van Gogh’s life that defined him as an artist – showcasing 3,000 images including iconic works like Starry Night, Sunflowers and lesser-known paintings inspired by his love of Japanese woodprints.
The exhibition also features state-of-the-art gallery technology set to an evocative classical score delivered via a 3D sound system.
There’s so much more happening across Greater Manchester this summer, and you can find out more about what’s on at 21 of the region’s arts and culture venues here.
StreamGM and The Manc have teamed up to show some some serious love and support to the region’s renowned theatres, nightclubs, and live-music venues with the launch of SeeGM – a digital campaign to shine a bright spotlight on many of the amazing events, club nights, gigs and shows in our region.
Featured Image – Visit Manchester | Science and Industry Museum
Art & Culture
Manchester’s historic connections to slavery will be at the heart of a major new exhibition
Emily Sergeant
Manchester’s historic connections to slavery are to be explored during a major new exhibition coming soon to the city.
The Science and Industry Museum, in the heart of our city centre, is already known and loved for telling the story of the ideas and innovations that transformed Manchester into the world’s first industrial city.
But now, a new free exhibition is set to “enhance public understanding” of how transatlantic slavery actually shaped the city’s growth.
Produced by the Science and Industry Museum, in partnership with The Scott Trust Legacies of Enslavement programme, and developed with African descendent and diaspora communities through local and global collaborations, this landmark project will put Manchester’s historic connections to enslavement at the heart of a major exhibition at the museum for the first time.
Featuring new research, it will also explore how the legacies of these histories continue to impact Manchester, the world, and lives today.
Set to open in early 2027, the exhibition will run for a year in the museum’s Special Exhibitions Gallery.
Alongside that hub at the Science and Industry Museum itself, the project is also set to have a collaborative city-wide events programme, and a lasting legacy – with a new permanent schools programme, and permanent displays in the future too.
As mentioned, the new exhibition is part of The Scott Trust Legacies of Enslavement programme, which is a 10-year restorative justice project launched in 2023.
Manchester’s historic connections to slavery will be at the heart of a major new exhibition / Credit: Science Museum Group Collection
Through partnerships and community programmes, the project aims to improve public understanding of the impact of transatlantic slavery on the UK’s economic development, and its ongoing legacies for Black communities – with a strong focus on Manchester, the city in which The Guardian was founded back in 1821.
The museum’s existing gallery content and ongoing work around sharing the inextricable links between Manchester’s growth into an industrial powerhouse and a textile industry reliant on colonialism and enslavement will be developed through the project.
Through a “collaborative re-examination of the past”, the exhibition will also share a more inclusive history of a city that prides itself on being at the forefront of ideas that change the world.
It’s opening at the Science and Industry Museum in early 2027 / Credit: Science and Industry Museum
Speaking ahead of the exhibition’s arrival in early 2027, Sally MacDonald, who is the Director of the Science and Industry Museum, says: “This will be an exhibition about important aspects of our past that are profoundly relevant to the world we live in today.
“Revealed from the perspectives of those who experienced enslavement and whose lives have been shaped by its legacies, we will foreground stories of resistance, agency, and skill.
“The exhibition will explore themes of resilience, identity and creativity alongside exploitation and inequality, and will feature a specific focus on the ways that scientific and technological developments both drove and were driven by transatlantic slavery.”
Further details on the project will be announced in due course, so stay tuned.
Featured Image – Science Museum Group
Art & Culture
Better Man has bombed at the box office – but is the Robbie Williams biopic any good?
Danny Jones
So, Robbie Williams’ biopic Better Man has been out for a little while now and the question on many people’s lips – you know, apart from ‘why is he a monkey?’ – is, quite simply, is it any good?
Many of you may have already seen it, others may have absolutely no interest in hearing about Robbie‘s already well-publicised exploits (be they in ape form or otherwise), or maybe you’ve just been waiting to hear whether it’s any good before heading out to the cinema.
Well, if you’re judging it purely by the current headlines circulating online, you’d be forgiven for thinking it’s absolute rubbish. So far, Better Man has ‘tanked’ at the box office, making just over $1 million compared to a budget of nearly $110m (£90.8m).
However, given how pivotal the US viewing figures are, a big chunk of the commercial disappointment has come down to Americans largely not knowing who Robbie Williams even is and it’s no surprise that it’s done a little better here in the UK – though still not stellar. But again, ticket sales aside, is it good?
Better Man – Review
I wasn’t sure a (very good) CGI monkey Robbie Williams film was going to be any good either based solely on the trailer, but they nailed it.
*Once again, some spoilers ahead – though it is his life story, so we’re not really spoiling anything…
I’ll start this off by admitting that for all his foibles and controversies of the years, I am a Robbie fan; his music was always on in my house as a kid and well into my teens. Being born in the mid-90s, he was probably one of the first big pop stars to ever enter my world.
Growing up obsessed with football too, a charismatic, mainstream rock and roll-spirited figure in the mainstream who also loved the beautiful game and even took influence from chants heard around the grounds in his songwriting always made him extra appealing to me.
All that is just to say that I’m fully aware there’s probably some bias here, so I’ll still try to be as impartial and ‘objective’ as you can be with a film review. But back to the point, the short answer is yes: it’s good – very good, in my opinion.
If you’re similarly fond of the frenetic, funny and ferocious showman, you’ll obviously have a vested interest in looking back on his career thru a (somewhat simian) Lens, but even if you’re not, I still think you can get a lot of of the film and a greater insight into a captivating life story.
Monkey see, monkey do—make me sad, very sad…
This scene (among many) had us welling up. (Credit: Paramount Pictures)
For starters, put simply: as daft as it may seem, the monkey thing does work. It may come across like a strange gimmick when you first see the trailers but it doesn’t take much digging to realise that there’s quite a well-thought-out three-pronged approach behind it.
One of the first things the 50-year-old singer said on the press tour for this film is that he’s always felt “unevolved” and it’s something that’s brought up a couple of times in the film itself, so making him an ape rather than a modern Homo sapien is one way to way to communicate that.
Plus, not only does it obviously make any sad moments – and there are a lot of them – even more emotional and tear-jerking, especially during the scenes during Robbie’s childhood, but it also plays into the sad reality that he’s felt like a performing monkey for the majority of his life.
When you stop and think about the reasoning behind it feels a lot more considered than on first impression, and it certainly helps you empathise and, more importantly, sympathise with the troubled character you’re seeing on screen.
Robert vs Robbie
A very clever movie poster to boot.
And that’s pretty much the rub right there: this was always going to be at least a somewhat self-indulgent watch, not just because it’s a biopic but because it’s Robbie and that’s what his persona is about – but it is and always has been a performance in every sense of the word and the film does a great job of trying to distinguish ‘Robbie’ from Robert.
From seeing the origins behind being given that name specifically, his younger years and affectionate albeit mostly fraught relationship with his father; how the boom of Take That engulfed his entire world and even more so once he went solo, as well as the version of himself he’s shown to the world for last three decades, it’s clear he’s often struggled to find the line between the two himself.
It’s also very important to state the cheeky, cocksure Robbie Williams you were expecting to watch the rise of throughout this biopic has wrestled with a much lower opinion of himself than you could ever imagine. It’s a driving force behind the film and manifests in all manner of problematic and unpleasant ways, just as it did in real life. You see him see a lot of them in the crowd throughout the duration, in fact.
Because for anyone who isn’t aware, a lot of Robbie’s experiences are problematic and unpleasant; the early days as a boyband commodity, his substance abuse, struggles with mental health and beyond are all laid bare on screen in fairly graphic detail at times. A lot of the situations these issues spring from would feel hard to believe were it not for the fact it’s a true story with very little embellishment, if at all.
Manchester references are a bonus
One of the things that did stand out as a particularly surreal aspect of the film was the handful of references to Robbie’s intersection with Mancunian culture, which simultaneously felt familiar and somehow like going back in time to peep behind the curtain at a world that very few saw first-hand.
Again, the behind-the-scenes examination of how Take That transpired and those very dangerous, inappropriate and frankly unlawful series of events in nightclubs over on the likes of Canal Street feels like a fever dream (as it did for Robbie).
Perhaps the biggest buzz we got was the not-so-surprise appearance by the Gallagher brothers and ‘The Robster’s obsession with Oasis. The look is exactly what you’d expect and Liam‘s accent might not be perfect but it still gave us a thrill without feeling like pointless lip service.
All that being said, is the much-talked Robbie biopic a good enough film to warrant popping out to the pictures? Well, I’d certainly say so. Not only are the visuals and the CGI itself pretty flawless, but the motion capture is done so well that it never felt like I was taken out of the film at any point – even the very particular Stoke and Cheshire accents of Robbie and Gary Barlow are very convincing.
We knew there was going to be lots of humour too but there’s also a lot of impressive stuff the director does that I wasn’t expecting.
One of those is the transitions: there are lots of clever tonal switches done with great camerawork and effects (particularly during one driving sequence and some of the flashback frames) and they really do help covertly shift the mood so some of the darker moments don’t give you full on whiplash.
And lastly, the director’s fingerprints can be felt all over the movie as Michael Gracey’s The Greatest Showman pedigree certainly makes sections of the film feel more like a musical than I was expecting – but in a good way. Big bold cabaret choreography fitting of the man himself.
After all, we all know most Robbie tunes are bangers but seeing them brought to life in these new and interesting ways really does make Better Man a better film than we’d even hoped for and it’s certainly good enough to be performing a lot better than it is at the box office right now. Maybe give it a go.
As far as I’m concerned, big stunning set pieces like this are just the tip when it comes to what makes the Robbie biopic a good film.
Emily Sergeant -
30th July 2021 
