Donald Glover, a.k.a. Childish Gambino, has revealed that a stroke caused the cancellation of his Manchester gig and the rest of the shows on his world tour last year.
The multi-talented artist, actor, comedian, writer, filmmaker and jack-of-all-trades, who goes by the Gambino moniker in the music world, was scheduled to play a UK leg as part of his globetrotting series of live dates in 2024.
However, just over a month into the run, which kicked off in August, the 42-year-old musician didn’t just postpone the tour but had to cancel it altogether for the foreseeable future after falling ill on stage.
It has now been confirmed that the reason for this was a stroke, and also a serious problem with his heart, which required surgery.
At the time, he could only confirm an unknown ‘ailment’.
Detailing the incident to a crowd while playing at fellow rapper Tyler, the Creator‘s Camp Flog Gnaw festival this past weekend, ‘Gambino’ delivered the shocking news in a very matter-of-fact manner.
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Confirming the stroke and a hole in his heart live to the LA audience on Saturday, 22 November, Glover began by stating that he was having a really good time on the tour, before adding: “I had a really bad pain in my head in Louisiana, and I did the show anyway.”
“I couldn’t really see well”, he continued, “so when we went to Houston, I went to the hospital and the doctor was like, ‘You had a stroke.'” Yep, as simple as that.
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He even went on to joke that he was copying fellow actor and singer Jamie Foxx, who also suffered a stroke back in 2023, which presented as a bad headache – one of several sudden signs of a hemorrhagic (bleeding) stroke.
You can see the clip down below.
Childish Gambino reveals that he had a stroke and a hole was found in his heart and is why he had to stop his tour pic.twitter.com/YxeQYBWDBA
After visiting the hospital, it was then discovered that he had a hole in his heart, sometimes referred to as a septal defect.
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The Stone Mountain-raised musician ended up needing two procedures to fix the problem and is now, thankfully, in good health and able to perform live once again.
Nevertheless, he’s not taking anything for granted after the severe health scare, telling fans on the night: “They say everybody has two lives and the second life starts when you realise you have one; you got one life, guys, and I gotta be honest, the life I’ve lived with you guys has been such a blessing,” he told fans.
His Manchester show at the AO Arena is still yet to be rescheduled, as are any of his UK dates, but we’re glad he’s not only back on the mend but back doing what he does best.
Featured Images — Amazon Music (screenshot via YouTube)/Press shot (supplied)
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
24th November 2025 
