Parklife 2023 is nearly here and if there’s one thing we know about this staple of the British summer and festival season it’s that it never disappoints.
There’s once again an absolutely massive line-up heading to the fields of Heaton Park, including headline slots from Fred Again, Aitch and The 1975.
The sun and warm weather seems to have arrived in the nick of time too, with what looks like a sunny, mud-free Parklife on the way.
If you can believe it, it’s been 13 years since the first-ever Parklife was held and since then it’s gone on to be not only a Manc music institution and rite of passage, but one of the most famous festivals around the world – we’re just lucky it happens to be right on our doorstep.
With that in mind, here’s everything you need to know about Parklife 2023, from who’s playing and where to how you’ll be getting there and back.
As you can see, Parklife punters are in for an absolute stormer this year, with the organisers bringing along some of the biggest names across various different genres.
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With headliners and local lads Aitch and The 1975 topping the bill, the bar is already pretty high, but with the likes of Fred again…, Little Simz, The Prodigy; Anderson .Paak, Nas, Self-Esteem; Skrillex, Annie Mac and even the Wu-Tang Clan all rocking up over the weekend, it really is going to be unforgettable.
We could literally go on forever when it comes to who we’re excited to see at Heaton Park this year – Peggy Gou, Charlotte De Witte, DJ Seinfeld, Patrick Topping and so on – but part of the challenge is always going to be sorting out your clashes.
If any of you ever figure out the magical power of being able to be in two places at once let us know but until then, here’s which Parklife artists will be appearing on which stages for 2023.
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Parklife 2023 festival site map
Parklife takes over a corner of Heaton Park, just to the north of Manchester itself.
With so many stages and street food and parties scattered around the festival site, it’s good to get your bearings beforehand.
And Parklife has just dropped its festival site map for 2023, which you can see below.
Who’s playing when and where?
Since moving from its original home at Platt Fields (2010-2013), Parklife Festival now stretches across several stages, many of which are exclusive only to Saturday/Sunday.
There is, of course, the self-titled main stage, as well as The Valley, The Hangar and The Temple – all of which span across both days.
It won’t surprise you to learn that there aren’t a lot of Parklife tickets left for 2023, with all Saturday and full weekend passes now sold out and only travel packages really available.
However, that isn’t to say there aren’t any: there a still a handful of tickets left for the Sunday, with general admission costing you £92.95 including the booking fee.
There are also VIP passes still going for £123.65 with upgrades also available for Saturday too if you’re feeling fancy. After all, summer is getting into full swing and it’ll have just been payday (hopefully), treat yourself – or don’t know, we’re not the boss of you.
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Travelling to and from Parklife
Speaking of travel, knowing how you’re going to get to and from Heaton Park is also something you should plan ahead for rather than just wing it on the day.
Luckily, Parklife’s famous Big Green Coaches will be running as per usual, all of which will be carbon neutral, will only set you back a £10 deposit and are running from all over the country.
As for public transport, the Parklife shuttle buses and regular TfGM bus services will all running across the weekend and into the early hours of each night to make sure everyone gets home safely.
The dreaded Metrolink strike has now been called off, so you can also use the tram to get up to Heaton Park – just hop off the Bury-bound tram at either Heaton Park or Bowker Vale.
For the shuttle bus, you can board it from the corner of Aytoun Street and Minshull Street (M1 2DD) near Piccadilly train station, with the drop-off site right inside the festival. For any further information, check out the travel portal on the Parklife website.
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The Parklife travel pass is £10 for the whole weekend and can be used on trams or the shuttle buses.
Last but not least, there’s not much point in turning up to the festival without your wristband. Here are the three official locations to have your Parklife 2023 tickets verified and receive your wristband.
Open on Saturday 11 June and Sunday 12 June.
Minshull Street (next to the shuttle bus departure point) from 9.30am-4.00pm.
Cathedral Gardens (in front of the National Football Museum) from 10am-4.00pm.
St Peter’s Square (outside of Manchester Central Library) from 10am-4.00pm.
As always, we’d also remind you to steer clear of ticket touts – not worth spoiling your weekend by being stung.
Parklife 2023 is set to be an absolute stormer and with the weather looking to be holding up too, all the stars are aligning as punters prepare to descend on Manchester.
It’s a great weekend for the region and for the UK music scene, let alone Greater Manchester, and we can’t wait. You’ll see a few faces from The Manc going along too, so feel free to come up to us and say hello – we don’t bite.
Last but not least, look after each other out there and, above all else, enjoy yourselves. Roll on June 10!
Five Greater Manchester-based artists we’ve been listening to this month | January 2026
Danny Jones
Happy New Ye—ah, never mind, we’re well past that; however, we’re never past soaking up new music and song recommendations from the best music city in the world – we’re pretty sure that’s why they really call it Greater Manchester…
If 2026 does happen to be your first year with us, this feature is pretty self-explanatory: every month, we round up some of the best tunes and Manc-based artists you may not have heard before.
Or maybe you have, and you’ve just forgotten about them. You don’t have to be a big name or an up-and-comer here at Audio North; you make it on this list if you’re good. It really is as simple as that.
So, without further ado, let’s get stuck into our very first collection of regional artists you need to try of the year…
Five Manchester artists we’ve been listening to recently
1. Spangled
First up for 2026 is a group we’re expecting big things from this year, and hopefully plenty of new music to back it up. They’re playing a huge Ritz headline show with some other Manc bands at the end of February, and it’s sure to be a party, especially when that new single ‘Barracuda Cadillac’ kicks in.
Spangled is a name you may have already come across, and they’ve certainly been working hard over the past half a decade, but we’ve got into a real groove with them of late. Post-punk, alt-rock, or straight-up Manc indie in moments; they’re given all sorts of labels – we just call it full-tilt rock and roll.
They’ve got a great swagger about them. Frontman Ben Johnson has a bit of Rob Damiani about him; the guitar work is excellent, they do a good music video, and they’ve even got a track that sounds like ‘The Only One I Know’ by The Charlatans. We’d say start with ‘Little Tom’, ‘Human’ and ‘Drift Away’.
Ok, off to a strong start, and while we’re hoping for those lads to finally release their first full album in the coming months, we’re hoping to see fellow rising rock project, PAVÉ, drop a proper lengthier sophomore LP sometime soon. If you fancy taking things up a notch in terms of heaviness, these are just the ticket.
Mixing plenty of distortion, electronics and wider effects to their overall sound, this four-piece (which was also formed in 2019) is great for anyone trying to keep their nu-metal and grunge-soaked younger selves alive, and they definitely know how to write a radio-friendly chorus.
Alanya Jade’s vocals soar over hard-hitting riffs and rapid drumming patterns, and the lyrics are appropriately brooding. We’d recommend their big single, ‘The Weight Of Letting Go’, another fan favourite, ‘Whatever The Cost’, and our personal favourite thus far, ‘aren’t YOU scAREd to be ALONE?’
Sticking with Manc rock but with plenty of US influences, we move on to Gallagher’s Green. Named after a cigarette brand and showing no shame in championing not only some post-Britpop, but unmistakable Americana and even country, this collective has roots in Oldham, the North West, Yorkshire and Ireland.
Their backstory and journey up to this point is as fascinating as it is moving, with founding duo Ian Gallagher and Jon Olphert first meeting whilst serving in Iraq back in 2008, before going to enjoy gigs together and eventually forming a band of musical brothers all their own.
They’ve maintained a clear mix of mainstream transatlantic sounds; it always sounds familiar, but there’s definitely more of a leaning towards the Stateside vibes. Put simply, your dad’ll LOVE these, and we mean that in the best way. ‘Just A Dream’, ‘Not My Day to Die’ and ‘Better Days’ are our standouts.
You’ll get a bit of Oasis, Shed Seven, Feeder, as well as bits of Foo Fighters, Incubus, and much more.
4. CQ Wrestling
Our penultimate pick is, quite frankly, a band that should have been named on our Greater Manchester artists of the month list AGES ago, but given they’ve had a bit of a sea change in the last couple of years or so, we held off to see what we’ve made of it.
We needn’t have worried – if anything, we’re more obsessed than ever. No longer Chappaqua but now simply CQ Wrestling, the local indie turned even grungier and more shoegaze than ever outfit definitely suits this particular writer’s general tastes, but it does help set them apart a bit more these days.
Personally, we will always have a very strong soft spot for older tunes like ‘Football’, though we do enjoy the growing aggression in 2023’s ‘Kulture’, but our favourite track at the moment is ‘Catherine Wheels’, which feels like the perfect advert for their relaunch as an even darker brand of modern alt-rock.
5. Oscar White
Finishing on a much softer note for this month, we head into February with the dulcet tones of Devon-born singer-songwriter, Oscar White, who has such a command of the acoustic guitar that we believe his intricate picking could genuinely lull a baby to sleep. Or, you know, a fully grown man…
This Manchester-based folk artist definitely enjoys dipping into the old Celtic and bardic traditions, so it feels quite quintessential for the genre, and best of all, we’re starting you off nice and easy, because he’s only got two tracks out on Spotify, but there is more to be found on his YouTube and other places online.
So, stick on ‘Debts and Dry Land’ and ‘Spencer The Rover’ – both of which show off that fingerstyle guitar, but also do a good job of showing two different ways he deploys his raspy voice – but do check out YouTube for his live version of ‘All Turned Out’ at The Whiskey Jar in NQ. Simply gorgeous.
A legend in leopard print – Magic Miles Kane at Albert Hall, Manchester | Gig Review
Harry Quick
There’s something poetic about seeing Miles Kane perform in a venue like the Albert Hall.
Beneath the stained glass and towering arches, he felt less like a veteran gigger and more like the high priest of British indie showstoppers – sharp-suited and equipped with what appeared to be custom, heeled adidas three stripes with a fully leopard print set to match. Carpeted floor, drum kit and all.
You can tell from the outset that, city rivalries aside, the scouser is adored by his Mancunian fanbase. His opening track, ‘Electric Flower’ – taken from his latest album, Sunlight in the Shadows – made for the perfect start.
Kane emerged to a roar. The track’s shimmering melodic edge got the two-tiered crowd quickly accustomed to Kane’s newest style of sound, and things kicked on easily from there.
It was a confident opener (not a greatest hit in my humble opinion, but a statement) before snapping straight into ‘Rearrange’: more familiar territory for most, which sent the floor bouncing within minutes.
From there, the set unfolded like a guided tour of Kane’s career, past and present blending seamlessly.
‘Troubled Son’ and ‘The Wonder’ leaned into his grittier side, while ‘Without You’ felt inspired by a similar jangly riff of ‘Long Cool Woman’ by The Hollies, famously setting the rhythm to a particular Britpop classic. If you don’t know already, look it up!
By the time ‘Coming Down the Road’ and ‘Love Is Cruel’ rolled around, Albert Hall was fully warmed up — and personally won me over on the new album with the latter.
It carries a softness that you don’t tend to expect with a Miles Kane track, but maybe that comes with a creative maturity approaching your 40s (sorry, mate).
Regardless, Kane stalked the stage with trademark swagger, feeding off the crowd and grinning like a man who knows he’s exactly where he belongs and continues to do so.
Then came one of the night’s first real eruptions…
Ahead of the show,‘Inhaler’ was one of my most anticipated listens. It hits like a shot of adrenaline from the opening chord, and the crowd sing every word back at him as if it were 2011 all over again. If you’re a Miles Kane fan, my money is on ‘Inhaler’ being high up your list.
‘Blue Skies’ followed, which shone a spotlight on not only the vocals but the complete shredding from the rhythm guitarist in the final breakdown. Having stood in the top tier of the Albert Hall, I got a prime view of the audible freedom he had to play with!
Mid-set, Kane doubled down on newer material with ‘One Man Band’ and ‘I Pray’, both sounding huge live – proof that his recent output more than holds its own alongside the classics.
The emotional heart of the night arrived with my favourite, ‘Colour of the Trap’. This track has been etched onto my playlist for longer than I care to mention. You felt it coming. The room softened, phones lit up, and for a few minutes, Albert Hall felt like a shared memory rather than a venue.
It’s almost as if he didn’t want it to end himself, with an echoing chorus of la la la la going on for a good few minutes after the band’s final instrumental chime. ‘My Love’ and ‘Walk on the Ocean’ kept that reflective mood rolling before ‘Better Than That’ nudged the energy back upwards.
From there, it was full throttle. ‘Coup de Grace’ and ‘Never Taking Me Alive’ were delivered with venom and volume. Straight from his 2018 catalogue felt like one for the dads, or at least it resonated with the 50-year-old bloke pointing his fist in the air with one hand and holding a double pint in the other. Legend.
As the main set drew to a close, ‘Don’t Forget Who You Are’ fittingly carried us into the encore — defiant, anthemic, and shouted back word-for-word by a crowd that had been banging this tune out long before they heard it on FIFA 14 (like me).
It was exactly the type of tune that made me whip my phone out and record it for the boys, saying, ‘remember this one?!’, to a chorus of thumbs up in the group chat. And when I mention the encore, it didn’t mess about.
Kane and the band picked up where they left us with a high intensity ending to ‘Don’t Forget Who You Are’ before the title track, ‘Sunlight in the Shadows’, gave the tour its emotional centrepiece: rich, expansive, and glimmering amongst camera flashes between bums on shoulders.
And then, the inevitable closer. By far his biggest song, if Spotify streaming numbers are anything to go by, ‘Come Closer’ sent Albert Hall into one final frenzy.
We saw bass guitarist Nathan get his special birthday moment when Miles and the band brought on a chocolate cake to celebrate, blowing out the candles – mid belter. Just ending the night on a euphoric high that left smiles plastered across sweaty faces.
Miles Kane at Albert Hall wasn’t just another date on the tour calendar. It was a reminder of just how deep his catalogue runs, how legendary in the indie rock game he is, and how effortlessly he can still command a Manchester crowd despite hailing from Merseyside. We don’t mind them, really!
Danny Jones -
28th May 2023 
