One of Greater Manchester’s most popular festivals will be back in the Stockport countryside this weekend, as Moovin Festival 2022 heads back to Etherow Country Park.
With its biggest line-up yet – featuring Orbital, Shy FX and DJ Jazzy Jeff – as well as its stunning setting at the eco-friendly Whitebottom Farm, it’s gone from being ‘Manchester’s best kept secret’ to a staple on the region’s events calendar.
At Moovin Festival 2022, you’ll find all the usual countryside stages, including The Barn, a converted cow shed with a massive bar and hay bales to sit on.
Festival-goers are welcomed by a magical canopy of trees, a lake with waterfowl, and a breathtaking gorge, with a limited capacity at the festival itself to ‘keep the friendly, intimate (adult only) family vibe which has helped to make this boutique festival so special’.
On top of the music, festival-goers can take advantage of yoga classes, gong baths, massages, circus and dance performances, poetry, magic, ethically-sourced food and drink, fresh juices and smoothies, treats, sweets and delights.
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Here’s everything you need to know.
Moovin Festival 2022 tickets
Moovin Festival is back for 2022. Credit: Claire Angel
Early bird tickets for Moovin Festival have been snapped up already – no surprise – but there are still other tickets up for grabs.
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Friday day tickets are priced at £38.75, while Saturday and Sunday tickets cost £60.75.
Weekend tickets for Moovin are £132.25 this year, with an extra £27.75 for a camping pass.
Prices will creep up slightly once this next batch of tickets sells out, so move quickly.
This summer’s headliners include dance pioneers Orbital, funk and soul from Roy Ayers, dancehall vibes from Sister Nancy, and the party-starter that is DJ Jazzy Jeff.
Hip hop heavyweights the Sugarhill Gang and Jungle Brothers, Alabama 3, and a theatre show from Slamborees will all also be on the bill.
The Udder One stage, a club in a field, will showcase Shy FX, dance legend Louie Vega, and Soul II Soul maestro Jazzie B.
Craig Charles will bring his ever-popular funk and soul skills to the fields, while the Mad Professor will bring dub and reggae vibes.
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Then Moovin resident Krafty Kuts will ‘blow your wellies off’ with a back-to-back set with the Plump DJs and Freestylers.
Across five stages there’ll be a mix of music and performance that supports upcoming and local talent as well as established artists.
Graeme Park, Jon Da Silva, DJ Paulette, Micky Finn, Dillinja and DJ Randall will all join this year’s Moovin line-up.
Stage times
Moovin has just released the stage times for its 2022 festival – flick through the gallery below to see who’s playing where and when.
How to get to Moovin Festival 2022
Moovin’s picturesque countryside location in the village of Compstall is actually only 15 minutes from Stockport, and 30 minutes from Manchester.
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Those who are driving should use postcode SK6 5HZ, which will take you to the Post Office in the village, where signs will guide you the rest of the way to the three car parks.
The closest car park costs £15 for the day or weekend, with an alternative car park at the entrance of Etherow Country Park for day ticket holders – this is also where the shuttle buses pick up from.
Shuttle buses cost £1 each way and you’ll need cash.
If you’re arriving by taxi, it’s best to get dropped off in the Etherow Country Park official car park, where there is either the option of the beautiful 20 minute walk through the country park or the shuttle bus.
The nearest train stations are Marple and Romiley. Stockport train station is also nearby with buses every 15 minutes.
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Gate opening and closing times
Motor Home Ticket Holders Only – Friday 26 August – 11am -9pm
Camping Ticket Holders Only – Friday 26 August – 1pm -9pm
All Other Ticket Holders:
Friday 26 August – 2pm – 9pm
Saturday 27 August – 10am – 9pm
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Sunday 28 August – 10am – 9pm
Featured image: Voodoo_Imaging
Audio
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Daisy Jackson -
24th August 2022 
