Poyton’s Party in the Park is back for 2024 and has an announced legendary disco act as their biggest headliner ever.
Marking the 20th anniversary of the cult favourite event, the old Cheshire town which neighbours the likes of Stockport and Macclesfield is hosting its biggest party to date at Poynton Park this summer in partnership with the local Rotary Club, promising a jam-packed day of live music and more.
Confirming classic New York disco group and vocal trio Odyssey and the main event, with millions of records sold worldwide and some of the most iconic tracks of the 1970s and 80s to their name, this little one-day festival is set for a massive year.
Better still, as a fundamentally not-for-profit event raising money for local charities and community groups, you can party all day and all night whilst doing your bit for a good cause.
They’re best known for tracks like ‘Native New Yorker’ and former ‘Use it Up & Wear it Out’ (Credit: Supplied)
Alongside Odyssey, the lineup for Poynton’s Party in the Park 2024 includes critically acclaimed cover bands like The Soul Providers and Soulvation Band, performing some of the greatest soul, funk, Motown and disco hits of the 1960s.
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There’s plenty of local talent from around the North West on show too, such as Manchester singer-songwriter Imogen Paige, Liverpool-based indie band The Garnetts and, returning due to popular demand, Party in the Park favourites and Poynton’s very own Monkey Harris Band.
Great name and an even greater stage presence.
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They’re the stuff of legend around the local area, regularly playing the likes of the Poynton Beer Festival and this is by no means their first turn around the park.
This year’s Party in the Park is being put on by local festival organiser and Hale Barns Carnival creator, Max Eden, working alongside Poynton Rotary – who founded the event two decades ago – to deliver what they’re calling a “refreshed and updated event for all the family to enjoy”.
The one-day festival also promises to feature lots of new and exciting additions for 2024 including traditional funfair rides for all ages, alongside an extended showcase of the amazing local food and drink, as well as a new VIP area offering premium seats, table service and exclusive meet and greets.
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Local station Happy Radio UK will also be covering the event as the official radio partner, broadcasting in Greater Manchester, Cheshire and across various other parts of the North West, with well-known presenters like Steve Penk, Darren Proctor and Chelsea Norris all set to be involved.
Speaking ahead of the fundraising festival, Odyssey lead singer Steven Collazo said: “We’re so excited to be headlining Poynton Party in the Park this June. We’ve heard you guys know how to party and we can’t wait to get our groove on with y’all!”
As for organiser Max Eden, he added: “I’m thrilled to be working with Poynton Rotary this year to stage the biggest Poynton Party in the Park to date.
“We have an incredible headliner alongside outstanding local musicians and performers, amazing family attractions and the best food and drink from the local area – it’s the perfect lineup for a really good party!
“We hope to raise vital funds for Poynton Rotary to enable them to continue the incredible work they do locally in supporting charities and community groups in our area.”
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Party in the Park starts at 1pm on Saturday, 8 June with tickets starting from £28.50 for adults and just £15 for 5-16s – not to mention kids four and under going completely free. You can grab your general admission, or VIP passes if you’re feeling a bit posh, right HERE.
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
27th April 2024 
