A 12-year-old from Manchester has won the inaugural Johnny Marr Award from the Salford Foundation Trust. Get in there, lad.
Salford schoolkid, John Denton, has played the guitar since the age of eight and has been developing his skills ever since, busking on the rainy streets of the city centre and even playing gigs at Salford Lads Club.
Now the aspiring teen has been presented with a prestigious honour by one of his musical heroes, as the foundation dished out their first-ever Johnny Marr Award to the dedicated young performer.
Having met the legendary Smiths guitarist and songwriter previously at a signing of his last album, Fever Dreams Pts 1-4, where he asked his idol for advice about starting a band, we dare say this latest development is up there with one of the highlights of his career so far.
I’m pleased to be announcing John Denton as the winner of the @TheSalfordTrust ‘Johnny Marr Award’. It’s a privilege to be supporting a dedicated young musician. Well done John. pic.twitter.com/HoYXIY0IVY
Issuing a message of support on the Salford Foundation’s website, Marr said: “It’s a pleasure and privilege to give some assistance to a young musician especially when they’re as dedicated as John. Well done brother.”
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John has been delighting the streets of Salford and Manchester city centre for some time now and regularly pulls in sizeable crowds with his covers of songs by popular local bands — The Smiths being one of them.
With videos of his performances often being shared online and regularly gaining thousands of views across various social media platforms, he has already started to build a passionate following.
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Come rain or shine, he still belts it out all the same:
The Johnny Marr Award is chosen by a panel made up of members from the trust which supports talented young people in the city. The scheme will run for three years, selecting another young musician from Salford each year for financial assistance, each of whom will be awarded £1,000.
Peter Collins CBE, from the Salford Foundation Trust, said: “There couldn’t be a more worthy recipient of the Johnny Marr Award. Even though John is only 12 he’s already proven he’s committed to making a future in music and we’re delighted the Trust can give him a helping hand on this journey.”
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John has said he will be putting the funds towards more singing and guitar lessons and future music projects, as well as hopefully levelling up his performances.
Better still, after his first chat with Marr, John has since formed his own band called, The Height – named after an area in Salford near where he lives – and the group released their first single, ‘Go’ just before Christmas. Well in, boys.
John’s dad Phil said of his son’s award: “John’s ambition is to have a career in music. He will be using the funding to have music lessons to help both his guitar playing and his singing. In these tough times, it’s a massive help and means that he can progress in his passion.
“Music is not a hobby for John but just who he is and a creative outlet he hopes to enjoy for the rest of his life. He is incredibly grateful to Johnny and the Salford Foundation Trust who have provided this opportunity.
“It is a real privilege to get this award and he is determined to make the very most of the opportunity he has been given.”
Speaking on BBC Radio Manchester following the well-earned recognition, Denton told John Sweeney that after having started out asking cafes to let him play, “it’s going great now” and that he has another gig lined up in March.
“Not being big-headed but we hope to be like Johnny Marr and go on tour and get a big following.”
We wish you and your band every success, John — go out there and keep killing it.
We are absolutely loving how much this city is doing for its wonderful pool artists at the minute.
Featured Image — Johnny Marr (via Instagram/Twitter)
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
1st February 2023 
