A 12-year-old from Manchester has won the inaugural Johnny Marr Award from the Salford Foundation Trust. Get in there, lad.
Salford schoolkid, John Denton, has played the guitar since the age of eight and has been developing his skills ever since, busking on the rainy streets of the city centre and even playing gigs at Salford Lads Club.
Now the aspiring teen has been presented with a prestigious honour by one of his musical heroes, as the foundation dished out their first-ever Johnny Marr Award to the dedicated young performer.
Having met the legendary Smiths guitarist and songwriter previously at a signing of his last album, Fever Dreams Pts 1-4, where he asked his idol for advice about starting a band, we dare say this latest development is up there with one of the highlights of his career so far.
I’m pleased to be announcing John Denton as the winner of the @TheSalfordTrust ‘Johnny Marr Award’. It’s a privilege to be supporting a dedicated young musician. Well done John. pic.twitter.com/HoYXIY0IVY
Issuing a message of support on the Salford Foundation’s website, Marr said: “It’s a pleasure and privilege to give some assistance to a young musician especially when they’re as dedicated as John. Well done brother.”
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John has been delighting the streets of Salford and Manchester city centre for some time now and regularly pulls in sizeable crowds with his covers of songs by popular local bands — The Smiths being one of them.
With videos of his performances often being shared online and regularly gaining thousands of views across various social media platforms, he has already started to build a passionate following.
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Come rain or shine, he still belts it out all the same:
The Johnny Marr Award is chosen by a panel made up of members from the trust which supports talented young people in the city. The scheme will run for three years, selecting another young musician from Salford each year for financial assistance, each of whom will be awarded £1,000.
Peter Collins CBE, from the Salford Foundation Trust, said: “There couldn’t be a more worthy recipient of the Johnny Marr Award. Even though John is only 12 he’s already proven he’s committed to making a future in music and we’re delighted the Trust can give him a helping hand on this journey.”
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John has said he will be putting the funds towards more singing and guitar lessons and future music projects, as well as hopefully levelling up his performances.
Better still, after his first chat with Marr, John has since formed his own band called, The Height – named after an area in Salford near where he lives – and the group released their first single, ‘Go’ just before Christmas. Well in, boys.
John’s dad Phil said of his son’s award: “John’s ambition is to have a career in music. He will be using the funding to have music lessons to help both his guitar playing and his singing. In these tough times, it’s a massive help and means that he can progress in his passion.
“Music is not a hobby for John but just who he is and a creative outlet he hopes to enjoy for the rest of his life. He is incredibly grateful to Johnny and the Salford Foundation Trust who have provided this opportunity.
“It is a real privilege to get this award and he is determined to make the very most of the opportunity he has been given.”
Speaking on BBC Radio Manchester following the well-earned recognition, Denton told John Sweeney that after having started out asking cafes to let him play, “it’s going great now” and that he has another gig lined up in March.
“Not being big-headed but we hope to be like Johnny Marr and go on tour and get a big following.”
We wish you and your band every success, John — go out there and keep killing it.
We are absolutely loving how much this city is doing for its wonderful pool artists at the minute.
Featured Image — Johnny Marr (via Instagram/Twitter)
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Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
1st February 2023 
