So 2021 didn’t exactly go to plan, did it – but our buzzing region is looking forward to the year ahead with some seriously exciting things on the horizon.
Greater Manchester has done its best to bounce back from another year of decimated tourism, delivering amazing outdoor experiences and attractions.
2021 saw the return of huge city events like Manchester International Festival, Manchester Pride festival, and Parklife.
New restaurants and bars have continued to spring up in every direction too.
It includes outdoor experiences, cultural developments, hospitality openings, and events.
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We’ve picked out 22 things heading to Greater Manchester in 2022.
Mayfield Park
Credit: Mayfield Parnership
Manchester’s first new park in more than 100 years will be unveiled in late 2022.
Spanning 6.5 acres, Mayfield Park is currently under construction on the sprawling Mayfield site adjacent to Piccadilly Station.
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UEFA Women’s EURO 2022
This will be massive for Greater Manchester – the women’s tournament is kicking off here next year.
England will play Austria at Old Trafford on July 6, with several other fixtures at Manchester City Academy, Leigh Sports Village, and DW Stadium in Wigan.
Mrs Doubtfire the Musical
One of the best films of all time has been turned into a Broadway show, and Manchester will be treated to the first performances on home turf in 2022.
Mrs Doubtfire the Musical will have its UK premiere at the Opera House Manchester on September 2 and will run until October 1.
This long-neglected and under-appreciated gem of industrial architecture in Manchester city centre will have new life breathed into it in 2022.
The Grade II-listed Castlefield Viaduct is being turned into an elevated urban park, much like New York’s High Line, by the National Trust.
Phase one will open to the public in the summer – read more here.
Soho House
One of the biggest hospitality names in the world will make its way to Manchester in 2022, taking over the upper three floors of the former Granada Studios building.
It will be a key operator in the new St John’s neighbourhood, which will also be home to MIF’s The Factory from 2023.
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It’s expected to include a rooftop bar and pool as well as dining rooms, lounge areas and a Mollie’s Motel & Diner concept.
Band on the Wall
CGI of how Band on the Wall will look
Gosh, we’ve missed this place – the historic gig venue Band on the Wall will finally reopen in the spring.
It’s been undergoing a big renovation while we’ve all been nipping in and out of lockdowns, expanding into the Victorian Cocozza building that’s been derelict at the back of the venue for decades.
Manchester Museum
Another reopening here – the much-loved Manchester Museum closed back in the summer while it grows into its £13.5 million extension.
When it reopens late in 2022, it will have a new two-storey extension, a new exhibition hall, the South Asia Gallery, and Chinese Culture Gallery.
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Rugby League World Cup
Old Trafford might be famed for its football pedigree, but in 2022 it will turn its attention to the world of rugby.
The rescheduled 2021 Rugby League World Cup, and Women’s Rugby League World Cup, will take place in October and November.
The Wheelchair Final will be held at Manchester Central, and additional fixtures are taking place at the University of Bolton Stadium and Leigh Sports Village.
Sexy Fish
Credit: Spinningfields
Decadent Mayfair restaurant Sexy Fish, owned by The Ivy’s Richard Caring, is taking over the old Armani unit in Spinningfields.
It first opened in 2015 and is famed for its luxurious dining environment and will be one of the most talked-about restaurant openings of 2022.
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Gratitude Games
This is a new event – a multi-sport games created to support the mental health of emergency service and NHS workers.
It will be held at venues across Greater Manchester in April and May. Spanning 20 sports – including both traditional sports such as athletics, cycling, swimming, as well as niche sports like angling, lawn bowls and squash – it’s a chance for our emergency services and NHS to have fun, enjoy the benefits of sport and for the public to thank them for the amazing work they do.
Northern Roots
Oldham’s ambitious eco-project, which will see the UK’s largest urban farm built just outside Oldham town centre, is moving forward.
The 160-acre Northern Roots will include hand-on community projects like beekeeping, animal husbandry and growing plots, as well as a bike hub, mountain biking trails, arts, culture and events, and a natural amphitheatre and swimming pond.
Pollen Bakery
Credit: Pollen / No Chintz Studio
Famed Ancoats bakery is expanding with a second location, this time at Kampus.
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The new location will offer an expanded brunch menu as well as more room for baking their sell out breads and pastries, with a chance for customers to see the kitchen working.
Leonardo Hotel
The Leonardo will open in Manchester in 2022. Credit: Capital & Centric
Capital & Centric’s Jenga-inspired hotel is well on the way and due to open in spring.
The £35m development, in the heart of Piccadilly East, will be draped in plants and plans include a ground-floor restaurant, cafe, and external terrace connecting to a new public square.
Jodrell Bank
Cheshire’s UNESCO attraction Jodrell Bank will welcome its new addition, the £21m First Light Pavilion, in May.
It will be a new gallery dedicated to telling the story of Jodrell Bank, with an immersive projection space and auditorium, and a new education hub and café.
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Wigan Pier
The long-vacant 18th century buildings of Wigan Pier will finally be brought back to life, as a waterside destination.
It was made famous by George Orwell’s The Road to Wigan Pier in 1937 – but its new life will include a gin distillery, microbrewery, events venue and cultural hub.
The Locationist
Manchester has a rich history of being used as a filming location, including Peaky Blinders, Captain America, The Crown, and It’s A Sin.
The Locationist tour is set to launch early in the year and will show off the city’s top locations.
Bistro Marc
A great team effort by many at the Cumbria Clock Company bringing the Winters Clock House back up and running…a little more to do but nearly there… pic.twitter.com/jnsjnaVApd
There’s been painstaking work going on in Stockport, where the historic Winter’s building on Little Underbank is being turned into a new French restaurant.
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Bistro Marc will be a 70-cover restaurant spread over two floors that will serve French favourites, with a focus on using fresh local produce from Stockport Indoor Markets and other local suppliers.
Treehouse Hotel Manchester
That big brutalist Renaissance Hotel on Deansgate is being turned into a 206-bedroom hotel.
Forming part of the wider £200m redevelopment of the area, there’ll also be new retail space and room for pop-up food and drink vendors alongside the River Irwell.
Royal Exchange
Credit: Flickr
The magnificent Royal Exchange theatre has a packed year-long programme that will celebrate the joy of theatre, with bold plays, new writing and cast-iron classics.
Maxine Peake will star in a new show Betty! A Sort of Musical, while Tennessee Williams’ The Glass Menagerie will also come to the stage.
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Queer Contact
Queer Contact has been a staple of Manchester’s cultural calendar for more than a decade, but this will be its first year in its newly-transformed home.
Contact theatre on Oxford Road has undergone a £6.75m refurbishment.
The event in February will again be a celebration of queer culture and LGBTQ+ talent, including drag kings, comedy, variety, ground-breaking performance and the annual Vogue Ball.
Claus the Musical
There’s a world premiere in store for Salford, with a brand new Christmas musical debuting at The Lowry.
From the writer of The Wonderful Wizard of Oz comes Claus the Musical, telling the story of Claus and how he became an icon of our hearts and the skies.
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Manchester Open
The walls of HOME’s gallery will again be filled with work from the region’s artists, with more than 400 residents taking part.
Following on from 2020’s award-winning exhibition, almost 2,300 artwork entries were submitted for judging for its second outing and the resulting show promises to deliver an unmissable insight into the city-region’s local artistic talent.
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Feature
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Feature
Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
Daisy Jackson -
26th December 2021 
