Manchester, April 1990. The ‘Madchester’ movement is in full bloom.
Throbbing speakers pump high decibels through thick plumes of cannabis smoke. Crowds dressed in baggy t-shirts congregate to sip cans of lager.
Gangs of men strip off their clothes and throw shapes in their birthday suits to the tune of uproarious laughter.
And this was just at Strangeways Prison.
Madchester – the cultural scene that had put Mancunia on the world map – had consumed the city at the turn of the nineties. But it had also found a way inside the region’s maximum security facility.
When the spring of 1990 rolled around, inmates had grown sick of the Victorian conditions at Strangeways. On 1 April they launched a revolt; fighting off the guards and climbing onto the roof to stage a protest.
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Not for the first (or last) time, every eye in Britain was on Manchester.
And one man watching the city vibe permeating prison walls was David Nolan – a young journalist covering the story for Piccadilly Radio.
“Madchester was the perfect backdrop for the riots; if you were to get the footage of the guys on the roof, you could cut it to a Happy Mondays song,” David tells The Manc.
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“The whole thing had this psychedelic, surreal weirdness. It was quite rock and roll – and very much of its time.”
“It was weird how quickly you got used to the surrealness of it all; this carnival atmosphere.
“There were people selling weed, beer, even Strangeways t-shirts. Helicopters used to fly over and cast shining lights. Fire engines would be hosing down the rooftops.
“When the prisoners would shout messages they wanted to get to the outside world, the home office would try and stop them by playing music at a deafening level, and their favourite song of choice – this is the British government – was Mr Blue Sky by ELO.
“The prisoners were forever taking their clothes off and getting naked on the roof, too – you never saw on that on the tele, of course.
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“Can you imagine that as a mix: The drugs, the beer, the water jets, the light and the music?”
Image: Youtube
Image: Youtube
David was stationed at Strangeways morning, afternoon and night, but he and his fellow journalists were never alone.
This was the biggest show in town – and every man, woman and child seized each opportunity to come and take a peek.
“You’d have waves of people just coming down to watch,” David explains.
“Some would come before work, then bring their sandwiches and watch the rioters at lunchtime. At half past three kids would visit after school, then you’d have people visiting when the pubs kicked out at eleven o’clock.”
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Whilst the public came and went, journalists were compelled to stay put as long as the prisoners roamed freely on the rooftops – scrambling to make notes whenever movement occurred above.
“It was a bit like lockdown in a weird way,” David recalls.
“Occasionally we’d go to a press conference, but for the most part journalists were stuck there.
“We saw a lot. Some it quite funny. There were so many bizarre things happening in and out of that jail.
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“Sometimes they’d unfurl these daft banners – like one that said ‘Ken Dodd is innocent’.”
Image: Youtube
Image: Youtube
Dozens of prisoners set up camp atop of Strangeways throughout the month – but two quickly became the faces of the riot.
“Out of all the men on the roof, there were a couple that were most visually distinctive and easy to spot,” David tells us.
“Paul Taylor was seen as the ‘ringleader’, although he didn’t like that term. He was an extraordinary guy in some ways; very articulate with this flowery way of communicating.
“I remember him shouting from the roof: ‘This is my decision and I am steadfast in my decision.’ What a peculiar way of putting it.
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“He would scrawl out all these long messages and some were quite lyrical. He was almost Shakespearean sometimes.
“When I interviewed him years later he told me the riot happened because he’d ‘decided it was going to happen’. So this must have been in his mind for some time.”
Taylor has since repeated this claim when interviewed by the BBC, but admitted he was “regretful” the protest had turned into a full-scale riot.
“As well as Taylor, there was also Alan Lord,” David explains.
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“He was this big, muscular, good-looking guy who was serving a long sentence at the time.”
Lord was often caught on the cameras due to his sheer physique, and became well-known among the press after taking responsibility for carrying messages between the inmates and the Home Office.
The protest ran out of steam when Lord was captured en route to a negotiation on 23 April.
Two days later, the remaining protestors called it quits and descended the roof via cherry picker – bringing the curtain down on the 25-day “carnival.”
But of course, it wasn’t just three weeks of fun and games. The prisoners hadn’t battled their way to the summit of Strangeways just to put on a party for those below.
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“We use the word ‘rioters’, but we could reframe it and change it to ‘protestors’,” says David.
“Conditions were bad in there. The jail was horrifically overcrowded and they were still ‘slopping out’ (defecating in a bucket).”
There were several explosions of violence during the riots that resulted in almost 200 injuries and even one death. But despite the prospect of larger sentences the longer they protested, many inmates couldn’t face returning to the squalor that waited for them down below.
The prisoners were up on that roof because they had something to say – although the authorities were reluctant to let them articulate it to the press; proceeding to crank the music up to eleven whenever Taylor began to reel off one of his infamous speeches.
At times, David said the scene was extremely sinister.
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“One evening it was very loud. All these horrible noises were erupting in the middle of the night and as it started snowing I got quite upset.
“I was thinking: ‘‘What on earth is going on inside that jail?’ It doesn’t even bear thinking about.
“At times it was incredibly frightening.”
“Maybe it was coming. Twenty-four hours before Strangeways were the poll tax riots in London – which saw wooden polls being shoved through police car windows.
“Did that possibly tip it over the edge? I just think it’s a really interesting coincidence that it happened the day before.”
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Whilst David has retold his experience of Strangeways on multiple occasions during a long writing career, he also used the setting as inspiration for the backdrop of his Manc Noir novel ‘Black Moss’.
“I cannot remember doing any other story of any description during Strangeways. Everyone was looking at that one place,” he tell us.
“That was partly behind the idea for my book. A child murder happens during a riot, and with the media, police, public all over in one spot, something horrible happens elsewhere.
“I also heard a story about a murder taking place during 9/11. Someone saw an opportunity to do something when everyone was looking the other way.
“It’s about distraction. But all the Strangeways stuff in the book is all absolutely accurate.”
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On April 25, the Strangeways Riots ended. In the months and years that followed, Madchester, as a movement, fell into decline. Factory Records went bankrupt, and the scene gradually blurred into the ‘baggy’ vibe of the nineties, before the emergence of Britpop at the backend of the decade.
Manchester is a strikingly different place today, and whilst Strangeways has been home to more rooftop protests since, the sight of a lone figure scaling the prison wall in jogging bottoms in 2017 did not conjure up the same kind of circus atmosphere.
As David attests, the madness of the 1990 riots can be attributed to how it represented an uncanny little time capsule of a chaotic era in history.
“If the riot had happened in Gloucester or something, I just don’t think it would have had the same vibe or attention,” he says.
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That infamous pandemonium at Strangeways was Madchester in the sky.
Featured image – Youtube
Feature
Gig review | Catfish at Heaton Park, Manchester – are the Bottlemen properly back?
Danny Jones
10 months on from their last gig and more than a year since they officially ended their hiatus, Catfish and the Bottlemen finally returned to Manchester for a sold-out show at Heaton Park, and while the reviews online have been mixed, we had a blast heading back to the fields again.
Making their Manc comeback just hours before this year’s Parklife Festival got underway, the beloved Welsh band had stirred lots of worry leading up to the day itself and, in truth, even in the moments leading up to (and after) their stage time.
Apart from their huge headline slot at Reading and Leeds, 2024 was the year of cancellations and controversy, so their fans had plenty of reason to be concerned. Nevertheless, we had faith and kept our spirits high, especially with the weather holding out.
Local legends and indie rock veterans James certainly helped on that front, delighting both die-hards watching from up on the hill and younger gig-goers who may have only heard a few of the big hits like ‘Sit Down’ – though they certainly didn’t heed that message, there was merely jumping up and down.
Some great computer-generated imagery backdropped the set.We watched this thing like a hawk.You can read our recent interview with them HERE. (Credit: Audio North)
Once the main support act had wrapped up their pretty perfectly timed set, we’ll admit, standing on that grass felt like an eternity, especially considering Catfish had us waiting an extra 15 minutes beyond their expected arrival at Heaton Park.
You could call it fashionably late, but in this case, it saw several people around us uttering, ‘they’re not coming on any time soon’, and some even beginning to walk off.
However, they did eventually arrive just over a quarter of an hour past schedule, and the eruption of cheers from the crowd and a fair few screams from those nearest the barrier signalled what summed up the entire night: we were just so happy to have them back.
We’ve heard people debating the sound quality and taking issue with parts of Van’s performance, but we’ll just leave this here and let you decide for yourselves:
One thing’s for sure: the energy was immaculate from start to finish.
From kicking things off with ‘Longshot’ for a limb-worthy intro, to hearing a fully acoustic version of ‘Hourglass’ as the lead singer stood alone on the dramatically lit main stage, soon to be followed up by a plethora of Parklife acts, we’d wager you they’ll remain a tough act to follow all weekend.
Other highlights included an entire park’s worth of people belting every word to ‘Kathleen’, ‘Fallout’, ‘Pacifier’ and pretty much every track they played, as well Van having the crowd repeat the chorus of ‘Cocoon’ as he hung up his guitar from the stand to deliver an ice-old mic drop.
We would’ve loved to hear a fuller set filled with the extended live versions of ‘Oxygen’, ‘Heathrow’ and ‘Glasgow’ too, especially given how many sections of pure instrumentation felt like they were going to transition into another track, but you can’t have everything, I guess.
Inflatable crocodiles and cracking flagsCredit: The Manc GroupEyes and arms wide openWe’re here to urge you not to be drawn in by TikTok reviews – as far as we’re concerned, Catfish were made to headline Heaton Park.
Sure, there might have been a few minor fluffed vocal notes and slightly over-lengthy solos here and there, but after all, it’s a rock show: we want a bit of mess.
The same goes for Van McCann himself, too; we worry that people are starting to forget what a proper rockstar is, and we’re not talking about contriving some kind of Hollywood lifestyle, but certainly getting lost in the music and trashing your guitar so hard that your face is draped in nothing but hair and sweat? Absolutely.
All in all, we think Catfish and the Bottlemen‘s massive outdoor show at Manchester’s Heaton Park and de facto ‘comeback after the last comeback’ was a triumph and even when they’re not absolutely 10/10, they’re still bloody good value live.
As for the question of ‘are they back?’ We think so and certainly hope that ‘Showtime’ wasn’t just released as a way of signalling fans to come along for one last ride before the final curtain call.
Gig review | Lionel Richie leaves Manchester dancing on the ceiling after Co-op Live debut
Thomas Melia
American multi-hyphenate Lionel Richie paid Manchester a visit last night and gave the 23,500 fans in the crowd all of his ‘Endless Love’.
Richie needs no explanation, being a household name, this artist had the crowd in the palm of his hands as soon as he stepped foot onto the stage, just like he has been doing since he burst onto the music scene over 50 years ago.
When you’re about to watch a legend strut his stuff in various tailcoats ‘All Night Long (All Night)’, you know you’re in for a mini workout.
We tried out Co-op Live’s Backstage Club before the show to fuel up with a pizza and grab a drink to ensure that we could dance ‘All Night Long (All Night) as much as the main man himself.
‘Breezy like a Sunday Morning’.Soaking up the fun at Co-op Live’s Backstage Club.You really do get the VIP treatment.Credit: Audio North
As well as boasting an intimate area with music history covering all four walls, this location had a photobooth, pool table, its own merchandise vendor and a live band.
For tonight’s show, it was only right that the band soundtracking Co-op Live’s Backstage Club were aptly named The Pennies and the signature drinks were equally fitting, ‘Say You, Say G&T’ and a cocktail offering labelled, ‘Breezy like a Sunday Morning’.
Glasgow solo star Brooke Combe – a favourite of ours from past Neighbourhood Festivals – gave the crowd our first taste of music for the night, playing highlights of her debut album ‘Dancing at the Edge of the World’, which only dropped back in January.
Her songs ooze soul, from the infectious ‘Shaken by the Wind’ to the instantly catchy ‘The Last Time’ and fan favourite, ‘Are You With Me?’. Combe’s stage presence was nothing short of contagious.
It’s no surprise, really, considering she’s already practised and perfected her craft at Glastonbury back in 2022 among countless other massive slots. Make sure you catch her the next time she’s in Manchester.
The legendary performer knew he had to kick things off in true Lionel Richie style, it’s only obligatory that he opened the show with his greeting-titled hit ‘Hello’.
Lionel welcoming fans with ‘Hello’ and being greeted with equally impressive roars from the crowd.Richie slowing it down for a moment, performing Commodores classic, ‘Easy’.Credit: The Manc Group
As the chorus approached, the American superstar hailed “Hello” and the audience immediately exclaimed in synch, “Is it me you’re looking for?”.
Social media might’ve been non-existent when the performer first reached our ears, but this didn’t stop Lionel Richie from inadvertently turning last night into a mini ‘Throwback Thursday’ playing his 1977 Commodores swooner ‘Easy’.
If you had told me that Lionel Richie would directly address me and my brother mid-performance, I would’ve laughed in your face, but last night the star adopted the both of us. Life complete.
The American singer came up the catwalk, soaking up all the cheers and love from the Co-op Live crowd, and then pointed directly at me and my brother and gave us a little shoutout.
Before playing the anthem that is ‘We are the World’, Mr. Richie expressed, “Alright, I’ll just tell ‘em” before admitting to the whole arena, “These are my cousins right here”.
I guess when we sang “Hello, is it me you’re looking for?” earlier in the show, it really was me (and my brother) he was looking for.
Getting called 'cousins' by @LionelRichie was not on our 2025 bingo card, but it has made our entire year. 😭💀
Just like his opening track, the final slot also has its fixed placement in Richie’s setlist; of course, that song is none other than the essential party number, ‘All Night Long (All Night)’.
Richie recites the line, “We’re going to party, Karamu, fiesta, forever”, and the crowd understood the assignment as by the time he sang, “Come on and sing along / All night long”, everyone was up.
This tune is nothing less than cathartic, and for the five minutes it played, everyone was side-stepping, swaying, singing, dancing, not a single inhibition in sight.
Lionel Richie might know his way around writing smash hits and commanding a crowd, but it’s the audience’s joy for the music that made this concert such a special night.
Did we tell you? Lionel Richie called us his cousins.Richie amidst a flurry of flashlights from the Manc crowd.Credit: The Manc