Manchester, April 1990. The ‘Madchester’ movement is in full bloom.
Throbbing speakers pump high decibels through thick plumes of cannabis smoke. Crowds dressed in baggy t-shirts congregate to sip cans of lager.
Gangs of men strip off their clothes and throw shapes in their birthday suits to the tune of uproarious laughter.
And this was just at Strangeways Prison.
Madchester – the cultural scene that had put Mancunia on the world map – had consumed the city at the turn of the nineties. But it had also found a way inside the region’s maximum security facility.
When the spring of 1990 rolled around, inmates had grown sick of the Victorian conditions at Strangeways. On 1 April they launched a revolt; fighting off the guards and climbing onto the roof to stage a protest.
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Not for the first (or last) time, every eye in Britain was on Manchester.
And one man watching the city vibe permeating prison walls was David Nolan – a young journalist covering the story for Piccadilly Radio.
“Madchester was the perfect backdrop for the riots; if you were to get the footage of the guys on the roof, you could cut it to a Happy Mondays song,” David tells The Manc.
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“The whole thing had this psychedelic, surreal weirdness. It was quite rock and roll – and very much of its time.”
“It was weird how quickly you got used to the surrealness of it all; this carnival atmosphere.
“There were people selling weed, beer, even Strangeways t-shirts. Helicopters used to fly over and cast shining lights. Fire engines would be hosing down the rooftops.
“When the prisoners would shout messages they wanted to get to the outside world, the home office would try and stop them by playing music at a deafening level, and their favourite song of choice – this is the British government – was Mr Blue Sky by ELO.
“The prisoners were forever taking their clothes off and getting naked on the roof, too – you never saw on that on the tele, of course.
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“Can you imagine that as a mix: The drugs, the beer, the water jets, the light and the music?”
David was stationed at Strangeways morning, afternoon and night, but he and his fellow journalists were never alone.
This was the biggest show in town – and every man, woman and child seized each opportunity to come and take a peek.
“You’d have waves of people just coming down to watch,” David explains.
“Some would come before work, then bring their sandwiches and watch the rioters at lunchtime. At half past three kids would visit after school, then you’d have people visiting when the pubs kicked out at eleven o’clock.”
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Whilst the public came and went, journalists were compelled to stay put as long as the prisoners roamed freely on the rooftops – scrambling to make notes whenever movement occurred above.
“It was a bit like lockdown in a weird way,” David recalls.
“Occasionally we’d go to a press conference, but for the most part journalists were stuck there.
“We saw a lot. Some it quite funny. There were so many bizarre things happening in and out of that jail.
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“Sometimes they’d unfurl these daft banners – like one that said ‘Ken Dodd is innocent’.”
Dozens of prisoners set up camp atop of Strangeways throughout the month – but two quickly became the faces of the riot.
“Out of all the men on the roof, there were a couple that were most visually distinctive and easy to spot,” David tells us.
“Paul Taylor was seen as the ‘ringleader’, although he didn’t like that term. He was an extraordinary guy in some ways; very articulate with this flowery way of communicating.
“I remember him shouting from the roof: ‘This is my decision and I am steadfast in my decision.’ What a peculiar way of putting it.
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“He would scrawl out all these long messages and some were quite lyrical. He was almost Shakespearean sometimes.
“When I interviewed him years later he told me the riot happened because he’d ‘decided it was going to happen’. So this must have been in his mind for some time.”
Taylor has since repeated this claim when interviewed by the BBC, but admitted he was “regretful” the protest had turned into a full-scale riot.
“As well as Taylor, there was also Alan Lord,” David explains.
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“He was this big, muscular, good-looking guy who was serving a long sentence at the time.”
Lord was often caught on the cameras due to his sheer physique, and became well-known among the press after taking responsibility for carrying messages between the inmates and the Home Office.
The protest ran out of steam when Lord was captured en route to a negotiation on 23 April.
Two days later, the remaining protestors called it quits and descended the roof via cherry picker – bringing the curtain down on the 25-day “carnival.”
But of course, it wasn’t just three weeks of fun and games. The prisoners hadn’t battled their way to the summit of Strangeways just to put on a party for those below.
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“We use the word ‘rioters’, but we could reframe it and change it to ‘protestors’,” says David.
“Conditions were bad in there. The jail was horrifically overcrowded and they were still ‘slopping out’ (defecating in a bucket).”
There were several explosions of violence during the riots that resulted in almost 200 injuries and even one death. But despite the prospect of larger sentences the longer they protested, many inmates couldn’t face returning to the squalor that waited for them down below.
The prisoners were up on that roof because they had something to say – although the authorities were reluctant to let them articulate it to the press; proceeding to crank the music up to eleven whenever Taylor began to reel off one of his infamous speeches.
At times, David said the scene was extremely sinister.
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“One evening it was very loud. All these horrible noises were erupting in the middle of the night and as it started snowing I got quite upset.
“I was thinking: ‘‘What on earth is going on inside that jail?’ It doesn’t even bear thinking about.
“At times it was incredibly frightening.”
“Maybe it was coming. Twenty-four hours before Strangeways were the poll tax riots in London – which saw wooden polls being shoved through police car windows.
“Did that possibly tip it over the edge? I just think it’s a really interesting coincidence that it happened the day before.”
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Whilst David has retold his experience of Strangeways on multiple occasions during a long writing career, he also used the setting as inspiration for the backdrop of his Manc Noir novel ‘Black Moss’.
“I cannot remember doing any other story of any description during Strangeways. Everyone was looking at that one place,” he tell us.
“That was partly behind the idea for my book. A child murder happens during a riot, and with the media, police, public all over in one spot, something horrible happens elsewhere.
“I also heard a story about a murder taking place during 9/11. Someone saw an opportunity to do something when everyone was looking the other way.
“It’s about distraction. But all the Strangeways stuff in the book is all absolutely accurate.”
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On April 25, the Strangeways Riots ended. In the months and years that followed, Madchester, as a movement, fell into decline. Factory Records went bankrupt, and the scene gradually blurred into the ‘baggy’ vibe of the nineties, before the emergence of Britpop at the backend of the decade.
Manchester is a strikingly different place today, and whilst Strangeways has been home to more rooftop protests since, the sight of a lone figure scaling the prison wall in jogging bottoms in 2017 did not conjure up the same kind of circus atmosphere.
As David attests, the madness of the 1990 riots can be attributed to how it represented an uncanny little time capsule of a chaotic era in history.
“If the riot had happened in Gloucester or something, I just don’t think it would have had the same vibe or attention,” he says.
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That infamous pandemonium at Strangeways was Madchester in the sky.
Featured image – Youtube
Feature
Manchester’s Pixel Bar has received a seriously next-gen upgrade
Danny Jones
In case you somehow missed it, even in all of its beaming neon and futuristic glory, Pixel Bar Manchester has recently undergone some serious renovations and we’re not just talking a lick of paint – this is a proper next-gen upgrade if we’ve ever seen one.
One of the city centre’s best activity spots and go-to hubs for gamers, specifically, Pixel Bar has been impressing Manc players since 2021, when it took over the old Bar 21 site – one we were sad to say goodbye to at first.
But in the few short years that we’ve had the pleasure of picking up pads at this place, we’ve slowly managed to get over it and now we’re just as madly in love with the gaming gaff as we were its predecessor.
The bar itself was already pretty engaging to begin with but after more than a few tweaks to the overall hardware and a major refitting downstairs, its videogame offerings are bigger and better than ever.
Let’s start with the first thing that hits you as you come in: those brilliant booths, complete with large LED screens, access to various different kinds of consoles and all manner of titles, all from the comfort of the plush padded seating.
Not only are these ideal for group bookings and parties, as they’re roomy enough to seat plenty of you, but you can also order a wide array of gaming-themed food and drink – still displayed within a cute little disc (cute) directly to your table.
You essentially never need to get up and take a break from playing beyond nipping to the loo.
There are, of course, your classic arcade machines dotted around the main floor as well as downstairs if you prefer old-school.
Speaking of downstairs…
Now, this is where the levelling up gets seriously silly as not only have they transformed Bar 21’s old basement room into a shiny new large seating area, perfect for private hires, large groups or just a quieter room out back away from the bustle upstairs.
However, wander even further into the belly of this brilliant gaming venue’s lair and you’ll find there more than a few beasts waiting for you – in a good way.
Part of the former club room has now been turned into a hardcore gamer’s arena with a fully decked-out PC den and some extremely impressive rigs lining the walls.
Credit: The Manc
Boasting Razer keyboards, headsets and mice to boot, this has everything you need to host a proper old-school LAN party or for the esports hopefuls amongst you (and Manchester’s scene is growing fast, believe us), host competitive online tournaments.
Honestly, these guys are taking this stuff as seriously as you’d like them to; pull back a curtain plastered with UltaGear and Riot Games Play Club branding and you’ll even find a dedicated casting booth should you want some to commentate a live event or run a properly presented livestream.
We don’t need to go into the exact specs of what you’ll find down here as we could be here forever but let’s just say you won’t go wanting for much.
God knows how much Pixel Bar pumped into this major refurb of their Manchester site, all we know is we’re impressed and we’ll be coming back here very soon.
Five Manchester artists we’ve been listening to this month | January 2025
Danny Jones
Happy New Year! Can you really get away with that at the end of January?… Who knows?
Either way, 2025 is underway and we just know it’s going be another fantastic 365 days for music.
If you’re new here then first off, hello – we appreciate you clicking and hope you’ll be back here on a regular basis; secondly, for those of you who joined us in 2024, you know the drill: every month we put together a list of Greater Manchester music we’ve been listening to over the past few weeks.
It is to our perennial sadness that we’ll never be able to ‘complete’ all of the music that will ever be released in the world, but we can certainly give keeping up with everything 0161 is doing and has done a good old go or so help us, almighty tunage gods! Enough pratting about, let’s get stuck in:
Five Manchester bands and artists we’ve been listening to recently
1. Casino Club
Ok, landing our inaugural artist nod of 2025 is a group we truly believe is going to go very far this year and part of what is a promising new creative boom down the road in the WN postcode area.
That’s right, we’re heading to Wigan first and foremost and giving a very big shout-out to local band, Casino Club, who are helping spearhead the next generation of music coming out of the Greater Manchester borough. This isn’t just indie rock, it’s indie rock and roll that we’re very excited about.
With rip-roaring guitar riffs that hint at everything from Green Day to Sterephonics and Catfish, as well as frontman Marcus Grimshaw’s fantastic vocals, they’ve struck an infectious and extremely listenable balance already. As for songs, there are plenty, but we’d say start with ‘The Fear’, ‘Kick a Hole Into the Sun’ and ‘Runaway’.
Buzzing to announce our new single ‘Begging You’ will release on 14•02•25
Oh yeah, we do old bands too; this series is just as much about spotlighting perhaps forgotten or underrated Manc music as it is about the new blood and The Chameleons are a great example of that.
The Middleton-formed band came to the fore at the start of the 80s when so many other massive names were coming through the Greater Manchester scene, so it was hard to carve out even a slither of the spotlight let alone one rivalling the likes of The Smiths, New Order, Inspiral Carpets and so on.
But make no mistake, this lot are still going strong, with a die-hard following eagerly awaiting their new album. It might sound like a sweeping generalisation but their sound does typify that era. Most will start with ‘The Swamp Thing’ but their 1993 debut album Script From The Bridge is still their best.
Now up next is a singer-songwriter and chief Manc music queen in charge of ‘devastating alt-pop’: her words, not ours – though we do to tend agree and heartily recommend you give her a listen. She’s actually been going since 2016, unbelievably, but she’s gaining more and more traction year after year.
The BIMM graduate was actually born over in Lytham St Annes, Lancashire, but she’s been studying, living and making a new for herself here in Manchester for a good long while now, so yes, we’re absolutely claiming her as one of our own – especially after becoming a Neighbourhood Festival fave.
Her style has definitely evolved but, more importantly, there’s no genre she won’t put a distorted electronic twist on. At present, you’ll get notes of St Vincent, 070 Shake, MARINA and more; ‘Break My Heart’ and ‘Lucky Me’ make for the perfect starting point and ‘IDK’ was on Killing Eve. ‘Nuff said.
Our penultimate pick for January is the iconic electronic and techno outfit 808 State, who made new waves with their sound in the late 1980s, well into the 90s and are partly still going to this day.
If you’ve never come across them before, their influence on modern electronica and the wider dance music is massive, not only being labelled among the pioneers of acid house but former member Gerald Simpson (A Guy Called Gerald) went on to lay the foundations for what would go on to become jungle.
That’s right: we have them to thank for not just drum and bass but many sub-genres of electronic music as a whole. With such and varied long career (even if it’s only co-founder Graham Massey now) there’s plenty to enjoy: ‘Cübik’, ‘Spanish Heart’, and the Bicep remix of ‘In Yer Face’, just to name a few.
They took their name from the Roland TR-808 drum machine, which also played a big role in revolutionising modern music production.
5. The Falls
Last but not least, we’re giving an early seal of approval to a young bunch of lads going by ‘The Falls’ and while they might not sound anything like the predecessors from Prestwich – with which their name differs only because it’s a plural – we’re hoping they’re bound for similar success.
Hailing from Salford, this fledgling four-piece has barely even got going yet but they’ve definitely got a good feel for the indie warehouse from the off and
They’ve only released four songs thus far too, so you can get on board with these boys early doors. ‘The Millionth Time’ and ‘Waiting For Yesterday’ promise lots of solo showing off in the future, and the loose-wristed main riff on ‘My mind’ almost reminds us of the fast-paced part of ‘Shiver’ by Coldplay before turning into something very different. We look forward to seeing where they go.
And just like that, the first Manc artists of the round-up of the year is all said and done – we hope enjoyed it and at least we’re introduced to a couple of names you haven’t come across before.
That’s basically how it works: we’ll be back here, ‘same bat-time, same bat-place’ every month with another batch of Manchester bands, solo artists and more for you to feast your ears on.
Until next time, you can get stuck into our final round-up from 2024 down below, not to mention all the others from last year and, as always, keep your eyes peeled on Audio North for all the big and interesting music news.
Oh, and of course, if there are any Manchester artists that you think we should check out then let us know in the comments.