The time has finally come for Courteeners to take to the stage for their massive summer homecoming gig, back in the fields of Heaton Park.
The Middleton rockers will be taking up the Friday night slot before Parklife kicks off, performing on the festival’s main stage.
The concert will celebrate the 15th anniversary of the band’s seminal debut album St Jude, back in the city where it all began.
Courteeners will be playing through that iconic debut in full, alongside all their biggest hits from their six studio albums.
It’s not the first time Courteeners – fronted by Liam Fray – have performed in Heaton Park. In fact, this is the third time they’ve gigged on this patch of home turf.
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St Jude was produced by Stephen Street and spawned anthems including Not Nineteen Forever, What Took You So Long?, and No You Didn’t, No You Don’t.
It recently broke records by reaching number one upon its release, becoming the album with the longest time between release and charting at number one in history – hitting the top spot a staggering 14 years, 9 months and 14 days later.
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Speaking about the special St Jude Heaton Park show, Liam Fray said: “They grow up so fast. Can’t believe our darling St. Jude is 15 next year.
Courteeners celebrating their number one album in Mr Thomas’s Chop House. Credit: Instagram @what_liam_saw
“Think it’s time for a celebration and we all know that great things come in threes….The Star Wars Trilogy, Sooty, Sweep & Soo and now, here we are, with the third instalment of ‘Courteeners at Heaton Park’. June 2015. June 2019 and now June 2023 …
“This time, to celebrate the 15th anniversary of its release we’ll be playing ST. JUDE (in full) PLUS (of course) THE HITS.
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“I can’t think of any better way to celebrate than to make the pilgrimage to Heaton Park with like-minded souls and lose ourselves like it’s 2008. And, because we’re good like that, we’ve remastered the original album.
“GOD BLESS THE BAND. GOD BLESS THE FANS. OMNE TRIUM PERFECTUM.”
Here’s everything you need to know if you’re heading to see Courteeners at Heaton Park.
Who’s supporting Courteeners at Heaton Park?
DMA’s. Credit: Publicity picture
This is massive – there are FOUR acts taking to the Parklife main stage at Heaton Park before Courteeners pop up, creating what’s essentially a mini Manc festival.
First up will be a DJ set from Katie Owen, who’ll get the vibes going from the second the doors open.
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Then you can sink your teeth into this lot…
Brooke Combe
Scottish singer-songwriter Brooke Combe will be the first live singer to hit the stage this Friday.
She’s a multi-instrumentalist with a seriously powerful voice, and is tipped for very big things indeed.
The Snuts
Indie rockers and festival favourites The Snuts are next up, showcasing songs from their two studio albums, including their debut W.L. which shot straight to the top of the UK Albums Chart.
They’ve supported huge names over the years, including Kings of Leon, The Kooks, and Louis Tomlinson.
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DMA’s
This Aussie three-piece will be back in town this week, showing off music from their latest album How Many Dreams? as well as their three previous records.
Their gigs in Manchester always have an air of a homecoming show about them. It doesn’t really make sense – they’re half-a-globe away from their actual home – but this bunch of Aussies have adopted that very distinctive Manc swagger, down to the waterproof parkas they all wear on stage.
It’s not looking good if you’ve not managed to get tickets so far – Courteeners looks to be completely sold out.
There are a few tickets floating around on resale sites, but make sure you’re buying from a reputable site and not about to get ripped off.
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What are the stage times for Courteeners and support acts?
Stage times are always subject to change, but this should be the rough times that you can stick to on Friday night.
Doors open 4pm
DJ Katie Owen – 4pm – 5.30pm
Brooke Combe – 5.30pm – 6pm
The Snuts – 6.20pm – 7pm
DMA’s – 7.30pm – 8.20pm
Courteeners – 9pm – 10.45pm
How do I get to Heaton Park?
Courteeners. Credit: Michael Clement
The area around Heaton Park is expected to be extremely busy for Courteeners, with around 40,000 people descending on the park for the gig.
This is TfGM’s advice if you’re one of them.
Metrolink
A six-minute service will operate pre and post-event to stops near the venue on the Bury line.
Please use Heaton Park for travel to the gig and Bowker Vale for travel post-event.
The last tram to the city centre from Bowker Vale will depart at 1.07am. While, the last tram to Bury from Bowker Vale will depart at 00.21am.
For the safe management of crowds exiting the concert, Heaton Park will close at 9pm on the Friday.
Buses and bus diversions
Due to the road closures and traffic around the site, a number of bus services will be diverted on Friday. Services 66, 90 and 94 will be on diversion all day on Friday, whilst diversions for services 41, 59, 135 and 156 will be implemented from 6pm until 2am.
If you plan on taking the bus, don’t forget that you can search your service and plan your journey on our bus webpage.
For more information about fares on buses in Greater Manchester, visit our Get On Board webpage.
Driving
There is a strictly-enforced residents parking only zone around the Heaton Park area.
All drop-offs and pick-ups will be directed to the Sainsburys car park on Heaton Park Road (postcode for sat navs M9 0QS).
If you have no alternative but to drive to the event, use one of 24 Park and Ride sites on the network and complete your journey by tram to Heaton Park or Bowker Vale.
What’s the expected setlist?
Courteeners have done a couple of warm-up shows before their Heaton Park gig, so we’ve got a bit of an idea of what to expect.
And yes, as mentioned already, you’ll get to hear all of that brilliant St Jude…
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Aftershow Kimberley Cavorting Acrylic Kings of the New Road Please Don’t No You Didn’t, No You Don’t Bide Your Time Fallowfield Hillbilly That Kiss Yesterday, Today & Probably Tomorrow How Come Smiths Disco It Must Be Love Are You in Love With a Notion? The 17th Hanging Off Your Cloud Modern Love Not Nineteen Forever What Took You So Long?
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Daisy Jackson -
8th June 2023 
