The incredible history of Manchester Pride (and how far it’s come)
From police raiding the village bars for 'licentious dancing' in the 80s to the famous footloose policewoman filmed on the parade in 2015, Manchester Pride has come a long way indeed.
Manchester Pride is today one of the biggest LGBTQ+ events in the country, bringing thousands into the city every year to celebrate love in all its forms.
Over decades, the festival has grown into one of the longest-running Pride celebrations in the country – expanding massively over the years, whilst doing its bit to raise awareness, acceptance, and huge sums of money for important charitable causes.
But it wasn’t always like this. Rather, when it began life in 1985 as the Gay Pub and Club Olympics, organisers had to deal with a lot of hostility from both the police and the public simply to put on some fun events like .boat racing down the canal, tugs of war, and egg and spoon races judged by local drag queens.
At that time, there was still a lot of institutionalised homophobia in Greater Manchester. Back then, the village was a secretive area that people visited covertly and most of the bars had blacked out windows so you couldn’t see in.
The community struggled with a lot of prejudice, as well as police raids to stop what was at that time termed as ‘licentious dancing.’
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Albert Memorial rally, 1988. 20,000 people were in attendance / Image: Manchester City Council / Manchester Libraries
An except from Mancunian Gay magazine in 1984 titled ‘Not tonight, Anderton’ tells the story of how one night 20 plain clothes officers stormed into Napoleons and forced everyone in attendance to provide their personal information before being allowed to leave – an incident that was later branded as “an obvious case of police victimisation” in a press release issued by the Gay Centre.
In spite of this, the first Gay Pub and Club Olympics event still went ahead on the August Bank Holiday weekend of 1985. Notably, the event had the support of a new generation of Labour councillors elected in 1984 – who gave the gay community their support and appointed a Lesbian and Gay officer in a move reportedly inspired by Ken Livingstone.
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Inspired by Livingstone’s ‘s early days on the Greater London Council, in 1984 those new Labour councillors created an Equal Opportunities Committee and appointed Lesbian and Gay officers Maggie Turner and Paul Fairweather in what would prove to be a landmark move for gay rights in the north of England
1986 saw things gradually improve for the community, as councillors ‘put their arms around’ the gay community and gave it their support, welcoming a Northern Pride event in 1986 and contributing public funds towards the previous year’s celebrations.
The late Tony Wilson is pictured here alongside Coronation Street’s David Neilson (Roy Cropper) and Councillor Pat Karney. / Image: Manchester City Council / Manchester Libraries
Paul Fairweather, Manchester’s first Gay officer, covered the 1985 event for Manchester magazine Mancunian Gay: That year, the council had donated £1,700 towards the event which was focused around fundraising for AIDS.
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“Some of the bars got together to raise money for AIDS organisations in the city. There was a lot of support from the gay community and a lot more hostility from people in the city.
“At the time it was a very small event but people really, really put their heart into it. I think underlying it was beginning of the AIDS epidemic – people were concerned about the future.”
As the ’80s continued, Manchester’s fight for gay rights continued with the Section 28 march in 1988 acting as a huge turning point as the Thatcher government’s draconian legislation brought people out onto the streets to protest in their droves.
At the time, Manchester was almost alone in voicing its opposition and those involved came under huge pressure both politically and through the media. However, the marches were huge in that for one of the very first times locals who weren’t part of the gay community joined in solidarity and allyship.
Although the exact date of this image is unknown, it depicts a familiar scene that takes place very year at Sackville Gardens and is one of the most poignant moments of the festival / Image: Manchester Council / Manchester Libraries
Ultimately, though, that protest put paid to the restrictive legislation, which had been introduced to explicitly discriminate against gay people and prevent them from discussing their sexuality with, say, teachers or social workers at the time.
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The march also did its bit to bring together different elements of the disparate tribes within the LGBT community, and the next year was followed by another event called Love Rights ’89 – which was billed as a “celebration of Lesbian and Gay Sexuality”.
Still, it wasn’t until the early nineties that the Gay Village welcomed its first openly-gay bar and even then police raids in the area continued right up to 1994.
The battles against institutional homophobia were still being fought, clearly, and some continued to call the Canal Street area ‘Satan’s Square Mile’ – but the opening of new nightclubs like Nightclub Cruz 101 and seminal events Electric Chair and Poptastic saw the community pushing back.
In 1991, the Village Charity was formed and the Manchester Mardi Gras, ‘The Festival of Fun’ was created – raising £15,000 that year alone.
A more recent image from one of the legendary parties held inside a car park in the village / Image: Gpphotography / Manchester Pride Festival / Down At The Social PR
That year, there was a ‘street market’ in Sackville park (instead of on the road outside the Rembrandt Hotel) soundtracked by DJ Mike Coppoc, and a ‘It’s a knockout’ competition that was characterised by the wearing of some very tight cycling shorts – by all accounts ‘the thing’ to wear at the time.
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A heartfelt speech by Paul Orton of The Village Charity closed that year’s event on the Monday night, followed by a fireworks display which ended with “Manchester Cares” spelt out in the night sky.
In the years that followed, the free-to-attend event grew and grew, with stages erected in the public park and on the car parks every year. Then, in 1999, for the first time ever the Gay Village area was fenced off and what was then known as a “pledgeband” was introduced, with a commitment that 50% of proceeds raised would go to charity.
The decision to cordon off the village and charge an entry fee was contentious at the time, and is still considered to be so by some today – with some campaigners arguing that the wristband system prevents some members of the community from taking part by imposing financial restrictions.
In part because of this, some bars and clubs in the village still don’t require a wristband to gain entry to this day and the campaign group Facts About Manchester Pride have done quite a lot of work to suggest that there isn’t a basis in law to charge people access to the village over the Bank Holiday weekend.
Image: Gpphotography / / Manchester Pride Festival / Down At The Social PR
Despite the contention, though, for many the party was only becoming more popular. By the early 00’s the event was attracting more than 100,000 people a year.
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Renamed from Mardi Gras to Gayfest in 2001, the celebrations still didn’t officially become Manchester Pride until 2003, when the event was renamed once more – this time by Marketing Manchester.
In the years that followed, millions of pounds have been raised through the festival – which now has numerous different parts to it such as the Superbia Weekend, the Gay Village Party, Manchester Pride Parade (which is not taking place this year), Youth Pride MCR and the Candlelit Vigil.
It’s also continued to push the boundaries and campaign for equality, too. Manchester’s parade was the first in the UK to include services like the police, NHS and army amongst its floats – showing just how far things have come within the space of 20 years.
Remember the dancing footloose policewoman filmed on the parade in 2015? We can’t imagine that having happened without the progress of the past 20 odd years.
A familiar sight, this is how Canal Street looks today when the village party takes over for the four-day knees-up / Image: Manchester Pride Festival / Down At The Social PR
From what was essentially a jumble sale in the 80s to a world-recognised event, no matter what criticisms you may have of Manchester Pride it’s still fair to say that it has done a lot for promoting equality within the wider community. It’s also one of our favourite times of year.
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Of course, the work’s not done – in 2019, the festival’s Chief Executive went on record to say that “the fight has only just begun.”
“Every year I am asked do we still need a Pride celebration and every year I say yes we do.,” said Mark Fletcher.
“We must support every single member of every single LGBTQ+ community and fight until they feel equal and free to be themselves.”
These comments feel even more pertinent in 2023 after ‘anti-woke’ GMP Chief Constable Stephen Watson told officers they cannot decorate their uniforms with rainbow badges and patches this year – leading some to wonder if we’re going backwards, not forwards.
Manchester Pride Festival 2024 will take place between 23 and 26 August – you can find out more here.
Feature image – Manchester City Council / Manchester Libraries.
Feature
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Review | Some of the most fun you can have at a theatre – Jeff Goldblum and The Mildred Snitzer Orchestra
Danny Jones
On Wednesday night, we did something we hadn’t done in a long time: we went to a concert almost completely blind and walked in without having heard a single second – because how many times in life are you going to get the chance to say you’ve seen Jeff Goldblum music live in Manchester?
We can comfortably say it wasn’t just one of our favourite shows of the year so far, but it might be one of the best decisions we’ve made, maybe ever…
Honestly, there’s not even a whiff of exaggeration in that statement; within minutes of the headline date starting, a long, hard day suddenly melted away in the smooth, sultry, stylish and unapologetically silly atmosphere created by Jeff Goldblum and the truly wonderful Mildred Snitzer Orchestra.
For starters, we were pleasantly surprised to see ‘Bonnie Scotland’s very own Liverpool-based singer-songwriter, Brooke Combe, opening up for the man himself, whose soulful, 1960s, 70s and Motown influences made for a perfect fit to warm up the crowd.
With the North West favourite – who we recently caught once again at NBHD Weekender late last month – even getting a perhaps initially hesitant and very possibly more Theatre-leaning audience inside the Palace to relax with some fun vocal exercises and Scottish banter, we were off to the races.
But in truth, this show turned out to be so much more than we were expecting – and by that we don’t mean when Brooke joined him on stage for a spell and had him try his first Irn-Bru…
In our heads, we were kind of expecting to see Goldblum, 73, playing his beloved piano as other members of the jazz band got to enjoy a few moments centre-stage as those who sat watching admired their sheer technical ability.
Where we actually landed was somewhere between a live and just the right amount of chaotic stream-of-consciousness stand-up show, interlaced with a series of effortlessly charming and loose bits of crowdwork as if he were compèring, and, of course, the incredibly cool musical arrangements.
It may not have been entirely free-form (it’s clear that a lot of time, effort and tireless rehearsal go into this shindig), but it did have the feeling that things were unfolding organically as the night went on, the perfect example being specifically for Manchester, with each local reference getting a rousing reception.
His latest LP is going down a treat with the critics in the early reviews, too, and having now heard a few samples, we’re not surprised.
As Jeff said at the top of the show, the best bit about this music is watching these marvellous musicians effectively jamming and playing call and response, not only with each other but you down below – not to mention with the man himself vamping over the top and enjoying plenty of solos on the keys.
Aside from crowd-pleasing arrangements of contemporary and well-known tracks like ‘Lover’ by Taylor Swift and even his own bittersweet and oh-so-gentle take on ‘Over The Rainbow’, it felt not just like an intro to some cult favourites from within the genre, but a serviceable broad-strokes education at times.
Personally, we’ve always liked to think of ourselves as open to anything, sonically, albeit fairly limited when it comes to jazz, but we left feeling like we knew more about the mechanics and flow of a jazz gig than ever; we’re now eager to learn more and dive deeper into the syllabus curated by this superfan.
One very special mention also has to go to session singer Khailah Johnson, who recently shone in the & Juliet production on Broadway and is now currently on tour with Jeff on his Night Blooms run.
Believe us, she’s not merely performing ‘beside’ anyone; when you have a voice and presence that’s so big and has such range that you generate enough star-power for people to genuinely forget that a Hollywood actor is there right next to you, you KNOW you’re beyond talented. Simply spellbinding.
The whole crew had a lovely, laid-back quality that was just infectious. (Credit: Lucy Elson-Whittaker)
And then we have the A-lister himself, who clearly doesn’t only have the gift of the jab and a natural penchant for pageantry, but looks so at home up there that we would happily trade ever seeing him in a film again if it meant we could have the next few decades watching him be the live showman that he is.
For anyone who feared Jeff Goldblum’s music career might just be a famous bloke indulging himself in a side project and cashing in on fandom simply because he can, fret not: this man has as much passion, love and aptitude for jazz and this particular side of showbiz as any role we’ve seen him play, if not more.
Whether it be playing movie trivia games with those in the stalls, thanking fans he bumped into at his hotel, or inviting people there for a special occasion backstage, he ticked almost every box you could have asked for, from the cabaret vibes and Jurassic Park puns to simply playing his socks off.
The new album that gives its name to this current slate of live shows is much more than a play on words. Be it the soft and warm hues of the coloured spotlights, the off-the-cuff comedy interludes, or even the pure giggle-fits in the audience, the Palace Theatre was bursting with joy, life and vibrancy.
We sincerely hope Jeff Goldblum has grown as fond of the city as he claims, and that we get to watch him play a Manchester venue every year.