The incredible history of Manchester Pride (and how far it’s come)
From police raiding the village bars for 'licentious dancing' in the 80s to the famous footloose policewoman filmed on the parade in 2015, Manchester Pride has come a long way indeed.
Manchester Pride is today one of the biggest LGBTQ+ events in the country, bringing thousands into the city every year to celebrate love in all its forms.
Over decades, the festival has grown into one of the longest-running Pride celebrations in the country – expanding massively over the years, whilst doing its bit to raise awareness, acceptance, and huge sums of money for important charitable causes.
But it wasn’t always like this. Rather, when it began life in 1985 as the Gay Pub and Club Olympics, organisers had to deal with a lot of hostility from both the police and the public simply to put on some fun events like .boat racing down the canal, tugs of war, and egg and spoon races judged by local drag queens.
At that time, there was still a lot of institutionalised homophobia in Greater Manchester. Back then, the village was a secretive area that people visited covertly and most of the bars had blacked out windows so you couldn’t see in.
The community struggled with a lot of prejudice, as well as police raids to stop what was at that time termed as ‘licentious dancing.’
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Albert Memorial rally, 1988. 20,000 people were in attendance / Image: Manchester City Council / Manchester Libraries
An except from Mancunian Gay magazine in 1984 titled ‘Not tonight, Anderton’ tells the story of how one night 20 plain clothes officers stormed into Napoleons and forced everyone in attendance to provide their personal information before being allowed to leave – an incident that was later branded as “an obvious case of police victimisation” in a press release issued by the Gay Centre.
In spite of this, the first Gay Pub and Club Olympics event still went ahead on the August Bank Holiday weekend of 1985. Notably, the event had the support of a new generation of Labour councillors elected in 1984 – who gave the gay community their support and appointed a Lesbian and Gay officer in a move reportedly inspired by Ken Livingstone.
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Inspired by Livingstone’s ‘s early days on the Greater London Council, in 1984 those new Labour councillors created an Equal Opportunities Committee and appointed Lesbian and Gay officers Maggie Turner and Paul Fairweather in what would prove to be a landmark move for gay rights in the north of England
1986 saw things gradually improve for the community, as councillors ‘put their arms around’ the gay community and gave it their support, welcoming a Northern Pride event in 1986 and contributing public funds towards the previous year’s celebrations.
The late Tony Wilson is pictured here alongside Coronation Street’s David Neilson (Roy Cropper) and Councillor Pat Karney. / Image: Manchester City Council / Manchester Libraries
Paul Fairweather, Manchester’s first Gay officer, covered the 1985 event for Manchester magazine Mancunian Gay: That year, the council had donated £1,700 towards the event which was focused around fundraising for AIDS.
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“Some of the bars got together to raise money for AIDS organisations in the city. There was a lot of support from the gay community and a lot more hostility from people in the city.
“At the time it was a very small event but people really, really put their heart into it. I think underlying it was beginning of the AIDS epidemic – people were concerned about the future.”
As the ’80s continued, Manchester’s fight for gay rights continued with the Section 28 march in 1988 acting as a huge turning point as the Thatcher government’s draconian legislation brought people out onto the streets to protest in their droves.
At the time, Manchester was almost alone in voicing its opposition and those involved came under huge pressure both politically and through the media. However, the marches were huge in that for one of the very first times locals who weren’t part of the gay community joined in solidarity and allyship.
Although the exact date of this image is unknown, it depicts a familiar scene that takes place very year at Sackville Gardens and is one of the most poignant moments of the festival / Image: Manchester Council / Manchester Libraries
Ultimately, though, that protest put paid to the restrictive legislation, which had been introduced to explicitly discriminate against gay people and prevent them from discussing their sexuality with, say, teachers or social workers at the time.
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The march also did its bit to bring together different elements of the disparate tribes within the LGBT community, and the next year was followed by another event called Love Rights ’89 – which was billed as a “celebration of Lesbian and Gay Sexuality”.
Still, it wasn’t until the early nineties that the Gay Village welcomed its first openly-gay bar and even then police raids in the area continued right up to 1994.
The battles against institutional homophobia were still being fought, clearly, and some continued to call the Canal Street area ‘Satan’s Square Mile’ – but the opening of new nightclubs like Nightclub Cruz 101 and seminal events Electric Chair and Poptastic saw the community pushing back.
In 1991, the Village Charity was formed and the Manchester Mardi Gras, ‘The Festival of Fun’ was created – raising £15,000 that year alone.
A more recent image from one of the legendary parties held inside a car park in the village / Image: Gpphotography / Manchester Pride Festival / Down At The Social PR
That year, there was a ‘street market’ in Sackville park (instead of on the road outside the Rembrandt Hotel) soundtracked by DJ Mike Coppoc, and a ‘It’s a knockout’ competition that was characterised by the wearing of some very tight cycling shorts – by all accounts ‘the thing’ to wear at the time.
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A heartfelt speech by Paul Orton of The Village Charity closed that year’s event on the Monday night, followed by a fireworks display which ended with “Manchester Cares” spelt out in the night sky.
In the years that followed, the free-to-attend event grew and grew, with stages erected in the public park and on the car parks every year. Then, in 1999, for the first time ever the Gay Village area was fenced off and what was then known as a “pledgeband” was introduced, with a commitment that 50% of proceeds raised would go to charity.
The decision to cordon off the village and charge an entry fee was contentious at the time, and is still considered to be so by some today – with some campaigners arguing that the wristband system prevents some members of the community from taking part by imposing financial restrictions.
In part because of this, some bars and clubs in the village still don’t require a wristband to gain entry to this day and the campaign group Facts About Manchester Pride have done quite a lot of work to suggest that there isn’t a basis in law to charge people access to the village over the Bank Holiday weekend.
Image: Gpphotography / / Manchester Pride Festival / Down At The Social PR
Despite the contention, though, for many the party was only becoming more popular. By the early 00’s the event was attracting more than 100,000 people a year.
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Renamed from Mardi Gras to Gayfest in 2001, the celebrations still didn’t officially become Manchester Pride until 2003, when the event was renamed once more – this time by Marketing Manchester.
In the years that followed, millions of pounds have been raised through the festival – which now has numerous different parts to it such as the Superbia Weekend, the Gay Village Party, Manchester Pride Parade (which is not taking place this year), Youth Pride MCR and the Candlelit Vigil.
It’s also continued to push the boundaries and campaign for equality, too. Manchester’s parade was the first in the UK to include services like the police, NHS and army amongst its floats – showing just how far things have come within the space of 20 years.
Remember the dancing footloose policewoman filmed on the parade in 2015? We can’t imagine that having happened without the progress of the past 20 odd years.
A familiar sight, this is how Canal Street looks today when the village party takes over for the four-day knees-up / Image: Manchester Pride Festival / Down At The Social PR
From what was essentially a jumble sale in the 80s to a world-recognised event, no matter what criticisms you may have of Manchester Pride it’s still fair to say that it has done a lot for promoting equality within the wider community. It’s also one of our favourite times of year.
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Of course, the work’s not done – in 2019, the festival’s Chief Executive went on record to say that “the fight has only just begun.”
“Every year I am asked do we still need a Pride celebration and every year I say yes we do.,” said Mark Fletcher.
“We must support every single member of every single LGBTQ+ community and fight until they feel equal and free to be themselves.”
These comments feel even more pertinent in 2023 after ‘anti-woke’ GMP Chief Constable Stephen Watson told officers they cannot decorate their uniforms with rainbow badges and patches this year – leading some to wonder if we’re going backwards, not forwards.
Manchester Pride Festival 2024 will take place between 23 and 26 August – you can find out more here.
Feature image – Manchester City Council / Manchester Libraries.
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Vanilli’s – the Manchester bakery and dessert spot that has carried on the tradition of an old Italian favourite
Danny Jones
Vanilli’s Cake Company is one of those names whose reach extends far and wide, with a history that goes way back into the past, and a deeper Greater Manchester heritage than you can imagine.
It’s one almost as rich as the desserts they’ve been making across the city centre and beyond for decades, but it also begins back in Italy.
Formerly San Marco Products, a fellow cult-favourite bakery, suppliers and catering company from way back, owner Sapna Kumar took over their old premises on Crown Industrial Estate over in Ancoats more than six years ago, and has been carrying on their sweet treat traditions ever since.
The difference these days is that it’s gone from more of an Italian ‘pasticceria’ to a Mancunian bakery with both local and Indian roots.
Born out of pregnancy cravings ahead of her third child, ironically, Vanilli’s Cake Co. went from an unfortunately timed passion project conceived on the cusp of the pandemic to a mainstay of Greater Manchester and North West markets and now part of a mini Manc empire in the making.
After taking control of the old commercial premises back in 2020, their understated but impressively high-output unit still has lots of regulars in the know coming in for the good stuff, but still operates somewhat under the radar.
Maybe that’s part of the reason their quality control has remained at such a high level: although they provide to plenty of vendors all across the city and wider region, they’ve never overextended themselves to the point that even the slightest of standards slips.
If you’ve met Sapna before – the charismatic matriarch behind this brand and others like spin-off Cake Bar Co. and most recently, Punjabee – you’ll know that she doesn’t do anything by half measures.
And yes, there are Vanilli’s desserts on sale here, too.
A familiar face at the likes of Foodie Friday and various other street food stalls across the 10 boroughs and even further afield, she’s been doing some of these events since the very outset.
Sadly, without going into too much detail, she admits that there have been instances where her generosity has been “taken advantage of on more than one occasion”, but they will never stop her continuing to offer a helping hand.
The difference this time, however, is that she’s not simply putting others before herself all the time anymore; the Manc mum who’s played mother to many through her work over the years is finally shouting about herself and her unsung but nevertheless dedicated and talented team more.
And not just a little bit, either (no half measures, remember?) – she proudly proclaims that not only does Vanilli’s serve up some of the most authentic traditional recipes, but she happily lays claim to whipping up “the best Manchester tart” you’ll find anywhere.
As for this location, specifically, she simply wants to give people like you a reminder that it’s been there for more than 30 years at this point
She’s also looking to rebuild support throughout the community by teaming up with local brands and creators moving forward. Again, it’s about time she finally got on the receiving end of ‘You scratch my back, I’ll scratch yours’, which sounds like it’s long overdue.
Having recently put on a speciality spread for us, showcasing not only the classic but some fresh new ideas and creative takes on familiar, we can assure you some very delicious things are coming from Vanilli’s throughout the rest of 2026.
So, if like Sapna, you love “indulging in the sweeter side of life”, give a Vanilli’s cake, pastry or one of their other tasty desserts soon.
Find all of these and more at Unit 8, Crown Industrial, Poland Street, M4 6BN. (Credit: The Manc)
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.