Comprised of just three stitched together pieces of cotton, for generations now the t-shirt has functioned as a really basic way of telling the world who and what you are.
Long championed by music fans and politicos alike as a form of self-expression, over the years the humble t-shirt has become a great visual shorthand for promoting – and defending – causes close to your chest.
Now they’re being adopted by another group with a cause: the Manchester hospitality sector.
From late-night pizza parlours to gin bars, mental health coffee shops and hoagie spots, there’s now a glut of businesses in the city working with local artists to create their own design-savvy merchandise – and locals have been quick to snap them up.
It’s not all t-shirts, either. There’s beanies, caps, tote bags, jumpers, hoodies – you name it, someone in the hospitality scene has stuck a design on it and marketed it to their customers during Covid.
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But this is not a vanity project, far from it. Rather, the income stream that merch sales have brought in has been invaluable to struggling Manchester businesses over the past year and a half.
For some, it’s also served as a small act of rebellion against decision-makers they feel have let them down in their time of need.
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Interestingly, some of the earliest people to grasp this within hospitality were the staff themselves.
In October last year, a group of Manchester bartenders got together (virtually, we assume) to ask how the hell they could support and help those that weren’t in as fortunate a position within the hospitality industry.
At the time, many of their fellow employees were losing their jobs and there was only one charity that seemed to be helping them: Hospitality in Action.
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The solution? Sell some merchandise and donate the proceeds to charity.
They quickly moved to create some tongue-in-cheek MAGA-style hats that read ‘Make Bedtime Late Again’ – raising much-needed funds for struggling teammates as well as awareness for their cancel the curfew campaign.
Others were quick to follow.
At Atlas Bar on Deansgate, a spot renowned for having the best and biggest collection of gin in the city, bosses moved to create their own Premium Small Batch London Dry Atlas Gin as a way to bring the bar back into people’s homes.
They – like many others – also launched a range of “at home” experiences, which quickly got snapped up by customers fed up with supermarket gins.
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“The revenue has created much-needed cash flow, which certainly supported paying bills through lockdown,” acknowledges Managing Director Elaine Wrigley when we chat about the impact of the past year.
But one place in Manchester that has perhaps done more than any other on the merch front is part-time pizza parlour Crazy Pedros, part of The Liars Group.
It all began with customers buying ‘pay it forward’ vouchers, says Nick Coupland, head of marketing and social, when we catch up on how things were during that crazy time in March last year, but things quickly evolved beyond that.
The company has always sold merchandise for Pedros and has long worked with local artist Harrison Edwards on their branding across the group to come up with quirky designs, from pizza boxes that look like actual pieces of art to bespoke cans of Pedro’s Hooch.
But things really picked up when they started selling their politically charged ‘Buck Foris’ t-shirts in October following the Tier announcements.
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These sold out almost instantaneously, Nick tells us – adding that they saw a 400% increase in sales after releasing the designs online.
For many loyal restaurant fans, buying merch has become an easy way to support their favourite eateries through a series of lockdowns that has left much of Manchester’s hospitality in rags.
The income has been especially important to the city’s many bars and pubs without a food offering, who have spent more of the past year closed than open.
It’s not been an easy one for the sector. In fact, according to United City, from March 2020 to March 2021 Greater Manchester was only in restrictions equivalent to Tier One for a total of three weeks.
This means, in the space of a year, hospitality businesses (which account for 33% of all employment in Manchester) lost out not just on their all-important Christmas trade, but also Bank Holidays, Pride celebrations, Halloween, and more.
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It’s also perhaps unsurprising that the sudden increase in demand for restaurant t-shirts has aligned with the closing of gig venues and nightclubs.
In a way, going out for dinner has become the new “going out”, and was emphasised all too clearly at Escape to Freight Island’s chaotic KANTINA weekend, which somehow managed to create a queueing system more disastrous than Manchester Pride’s ill-fated 2019 festival.
Whatever the reason, things have certainly changed and, as ever, Manchester is pushing back.
The DIY attitude of the punk era is in vogue once again, and this time it’s Manchester’s restaurants and bars leading the charge.
Feature
Inside Sifters Records, the time capsule record shop that inspired Oasis
Harry Quick
The date the world never thought was coming is set. Manchester’s most famous brothers have against all the odds put their differences aside for music’s greater good. Oasis are BACK.
I suppose it is only good news at the moment if you were one of the lucky few who managed to secure a ticket to one of the 17 gigs (actually, now 19 with two new dates added) in the Oasis 25′ Tour. If you didn’t – hard luck – but there is arguably one shop owner who deserves one more than most.
Fans of our most iconic band from all around the world should show their gratitude to a little record store in Burnage for helping to make that happen. Some might say, Sifters Records is the home of the Gallaghers’ love for music. The two brothers were brought up just a stone’s throw away from here on Cranwell Drive and were regular visitors of Sifters throughout their teenage years.
Noel has previously mentioned how he used to stroll around to Sifters on Fog Lane and pick up records by the likes of The Smiths, Joy Division and The Happy Mondays, which would help inspire some of the world-renowned anthems Oasis would later go on to create. The relationship between the Gallaghers and Sifters Records is emblematic of their deep roots in Manchester’s music scene.
If you feel like you’ve heard the name before, you probably have as Liam mentions the store in the song ‘Shakermaker’. In the final verse of the song – before the closing Shake Along with Me / Them interlude – he gets his special mention.
The lyrics “Mr Sifter sold me songs when I was just sixteen, now he stops at traffic lights but only when they’re green” pay homage to its main road location and the lads’ musical upbringing before the international stardom.
If the lyrics alone don’t put an image in your head, the official music video for the song pictures Liam stereotypically swaggering towards the shop front in a parka and shades on the hunt for some new music. After flicking through a few 12″ vinyls he shows Red Rose Speedway to the camera by Paul McCartney’s – Wings. I wonder if he bought it that day or could it still be in there?
In a brand new 30-minute interview filmed ahead of the 30th anniversary of Definitely Maybe, Noel revealed how he wrote the infamous lyric in an off-the-cuff moment directly outside the shop.
“I have to say this shop has not changed a bit. I bought a lot of my records in here, it’s where I discovered my love of ‘best of’ albums.
“Every time I hear Shakermaker I remember pulling up in that car and looking over and seeing the song.”
It’s no wonder this was Noel’s favourite place to scope out new tunes growing up. It’s still one of Manchester’s most impressive collections with hundreds, if not thousands of vintage LPs.
Most of these are from the personal collection of ‘Mr Sifter’ himself Pete Howard who has run this musical mecca since 1977. The building itself has an unchanged charm – a time capsule of fading band posters, windows of unrelated local advertisements and well-trodden carpet from the thousands of feet on a pilgrimage from far and wide.
Fans from across the globe have rocked up for a word with Pete and the admiration for his store only keeps growing, which he sometimes struggles to believe how fortunate he got. If you pop in looking for any Oasis discography, good luck, it doesn’t stick around long.
When ‘Definitely Maybe’ dropped in ’94 he said he recognised the members of the band straight just from the album cover.
Now, with a deluxe edition re-release 30 years later, and a reunion tour around the corner, it’s undeniable that the whole world does – let’s just hope they stay mates this time!
Blossoms’ wonderful Wythenshawe Park show proved they’re ready to headline the big leagues
Danny Jones
Ok, full disclosure: as a fellow Stopfordian, this review was always going to be heavily biased, but I still wholeheartedly believe that Blossoms are some the best performers on the British music scene right now and, as far I’m concerned, their Wythenshawe Park gig was yet more proof of that.
The landmark show was their biggest to date with roughly 30,000 people packed into a Greater Manchester field for what was just the second year of the Wythenshawe Park gigs which looks destined to be a must-visit annual Manchester music event.
For starters, not only is being the second name chosen to headline this still relatively new event after Noel bloody Gallagher quite the achievement, but playing to what felt like an entire town full of people on your home turf is the kind of stuff usually reserved for, you know, GOATs…
Now, we’re not going to be so bold as to claim they’re at that point in their careers already, however, when you’re collecting the kind of support acts they are, playing to crowds this big and making music lovers of all ages sing about a giant fibreglass gorilla called Gary, you’re clearly doing something right.
🚨 Be advised: GMP are on the lookout for an eight-foot fibreglass Gorilla – first name Gary, second name trouble. 🦍
He was last spotted on stage as @BlossomsBand were playing absolute bangers at Wythenshawe Park.
Let’s kick off with the supports, shall we? That’s one of the best things about this Live From Wythenshawe Park series: these dates are closer to mini-Manc festivals than they are standalone gigs, and with such an impressive roster of so-called ‘warm-up’ acts, we were truly spoiled rotten.
From more fledgling artists like The Guestlist and Ttrruuces, fast-rising up-and-comers like Seb Lowe and The K’s, to UK veterans like Shed Seven and the always sensational indie stars Inhaler, it was a stacked lineup spanning several generations.
Before Inhaler got the crowd bouncing and ready from Blossoms, we even got special appearances from two incredible female voices during Shed Seven’s set as Issy Ferris and fellow Manc music royalty Rowetta took the stage for some supreme harmonies and what felt like a bit of a Sunday service moment.
But then it was time for the big guns and it really does feel like they’re among that calibre now. They’ve smashed Leeds, Glastonbury, Kendal – they even turned the Plaza and Edgeley Park back in Stockport into fully-fledged music venues – and they look more at home than ever on the big stages.
Blossoms’ Wythenshawe Park gig felt almost like a coming-of-age gig. (Credit: The Manc Group)
It feels mad to think that these lot have been going for 11 years when you first think about it, but when you actually sit back and look at the regular stream of top-quality indie bangers they’ve been putting out every couple of years, it starts to click into place.
Perhaps it’s because they’re still young men and have decades of releasing new music to come but they’re no longer the new kids and they haven’t been for ages – in fact, they’ve released some of the most popular contemporary releases in the genre consistently for a long time now.
Even in the final promo for their now landmark Wythenshawe Park concert, they did a spoof version of ‘Gary’ where one of the lines simply said ‘Honey Sweet’s a tune’ and, you know what, they’re right but the list goes much further than that.
‘Getaway’, ‘There’s A Reason Why’, ‘I Can’t Stand It’, ‘Your Girlfriend’, ‘What Can I Say After I’m Sorry?’ and on and on it goes. We heard them all in their very best iterations, with the band’s on-stage production now at a new level and Tom Ogden’s frontman chops up their with the best right now.
One thing we really enjoyed as a group of old mates from SK was that the set wasn’t the hits either; we got to roll back the years and enjoy the tracks from that debut album when we first started getting excited about a new band coming out of our hometown.
The big extended versions of ‘Blow’ and ‘Cut Me and I’ll Bleed’, in particular, felt rather special.
Blossoms also treated Wythenshawe to some seriously good solos and breakout instrumentals. (Credit: The Manc Group)
But then you look at where the style has gone since then and you genuinely have to just step back and applaud their evolution since that breakout record.
It’s very hard for any band to find that balance of developing their sound and actually changing whilst still managing to nail that instantly recognisable feeling that lets you know it’s one of their songs but they always seem to manage.
Whether it’s those surviving 80s influences that have stood them in good stead since the start, those poppy keyboard riffs from Myles that help keep every tune as catchy as the last, they can collaborate with the likes of Jungle and CMAT whilst still sounding unmistakably like themselves. It’s quite the skill.
That’s why they very quickly went from the one current band from Stockport that people could name to one of the most recognisable modern names in British music with hordes of fans all over, not just Greater Manchester. Just look at the energy coming off that crowd, not to mention the sheer size of it:
Now, all that is simply to say that, at this point, if you’re still someone who only knows ‘that first one’ and is under the presumption that Blossoms are another indie band who fell into that trap of all their songs sounding pretty similar, you’re wrong and the sea of fans at Wythenshawe Park will tell you the same.
Whether you’ve been there from day one and have watched these lads, well, blossom into fully graduated performers and festival-toppers like this currently very sappy Stopfordian, or you got hooked after dozenth irresistible indie anthem, we’re sure you’re all in agreement: they’re proper headliners.
‘Charlemagne’ will forever be a favourite but make no mistake, they’ve come on leaps and bounds in every department since it helped launch their career, and even if it is still their biggest song when they’re headlining the likes of Glasto one day (you heard us), it’ll still sound incredible.
In fact, who cares: here it is from another angle – we’re off to do a bit of research about some reunion people are talking about…