The legacy of Night & Day Cafe as it turns 30 years old
We explore the history behind the iconic burgundy venue on Oldham Street that bubbled up from the depths of deep fat fryers to become a Manchester institution: Night & Day Cafe.
On a cloudy afternoon in 2017, Michael C. Hall steps out onto Oldham Street, puffs out his cheeks and stares up at the sky.
Cameras are subtly shooting the Dexter star as he paces the pavement, a pained expression etched into his features.
There’s very little commotion in the area at first. The Northern Quarter is something of a playground for creatives, and people often find themselves weaving around film crews in this part of the city. But when passers-by see which actor is in shot, they do a double-take, halt their stride, and begin prodding one another with excitable nudges of realisation.
A crowd begins to build, and before long all eyes are on Hall – with the exception of the frowning cluster of commuters near Back Piccadilly who remain stoically huddled together at the bus stop like always.
Incredibly, though, a TV serial killer strolling around the Northern Quarter in the middle of the afternoon is still only the second most surprising sight of the day.
Even more jarring is the fact that one of Manchester’s most famous gig venues has completely vanished.
For the purposes of the shoot, Night & Day Cafe has been redecorated – with its iconic lettering hidden beneath unfamiliar blue lights spelling out a new name: ‘Heaven’.
The venue’s disappearance deepens the starstruck state of people on the street, as they gawp ahead at what appears to be a fever dream version of Manchester.
For a brief moment, during the production of Netflix show Safe, we got a hint of what it might be like to lose Night & Day for a little while.
Then, in 2020, it happened for real.
Michael C. Hall in Manchester / Image: Netflix
This legendary gig space was one of thousands of grassroots venues that had to lock its doors, for months on end, during the UK’s many lockdowns.
And now, this stalwart of Manchester’s music scene is about to celebrate a very special milestone indeed.
Over the space of three decades, staff have experienced more ups and downs than a mixing console during a sound check.
Occasionally, the good and the bad have come at the same time; with some gigs proving so rip-roaringly entertaining they triggered complaints from disgruntled, sleep-starved neighbours.
But according to Night & Day’s in-house promoter Jay Taylor, this past year has ‘categorically’ been the toughest of all.
“Culturally, Manchester is completely lost without these businesses,” Jay admits, thanking the hard work of Mayor Andy Burnham (a major player behind the United We Stream virtual shows, which raised £583,000 for the sector), and the Music Venue Trust, for supporting them through to reopening this spring.
He says that Manchester has got a ‘robust, brilliant’ music scene with a ‘good future’.
Night & Day’s Pearl Anniversary has been marked with a week’s worth of events, culminating this weekend with performances from The Orielles and Hotel Lux.
It’s a fitting, marathon-style celebration for a venue that hasn’t just been part of the music scene’s furniture, but the seat on which all arts personnel feel most at home.
In the years before Night & Day was welcoming punters with joyous roars and sweaty hugs, however, it was inviting them indoors with dulcet tones and a delicate squeeze of the shoulder.
The building actually began life as a funeral-wear and mourning shop – selling high-end clothing for people attending burials, cremations and wakes.
It then turned into a delicatessen, before eventually being relaunched as a chippy called Pisces.
The cafe was perfectly positioned for people-watching – and peering out from its window in the early nineties told you everything you needed to about Manchester at that time: It was the city of music.
A few doors down, the pioneering electronic group 808 State had formed at Eastern Bloc Records, and the labyrinthian vinyl store Piccadilly Records was just around the corner.
The Hacienda was still open, and the vibe of Madchester was swaggering around the city; its residents revelling in the city’s renaissance as the nerve centre for nightlife.
So, when Jan Oldenburg purchased the city centre chippy in 1991, he knew what he wanted to do. He was going to plug into the electric atmosphere that was crackling through the city.
Slowly but surely, Night & Day began morphing from a humble cafe into a dual venue that doubled as a boisterous live music club.
Before long, it was the meeting place for all the city’s creatives.
“It was genius foresight,” Jay marvels.
“All it takes is for one or two people with vision to kickstart a neighbourhood.”
Oldham Street developed around Night & Day in the years that followed.
Piccadilly Records moved in across the road. Quirky cafes and shops flung their doors open nearby. New nightclubs launched just a stone’s throw away. After being neglected for so long, the Northern Quarter began to mould its own identity as an alternative cultural hotspot.
The Madchester movement came and went, but Night & Day continued to buzz long beyond the mid-nineties. It was the place that had its finger on the pulse of Mancunian music and moved smoothly with the times.
Anyone who was anyone in the sector could often be found inside.
When local bands weren’t luring in rowdy crowds by night, the venue opened as a gallery space in the daytime – with free music magazines stocked inside.
If members of the music industry needed to hold a meeting, they’d head down to Night & Day.
The venue also developed a reputation for its uncanny ability to catapult careers into the spotlight.
For bands and artists, a slot on that stage was the first step on the path to success.
For music fans, every event potentially offered them front row seats at witnesses to the next big thing. There was a carrot permanently dangling from the doorway marked ‘I was there’.
On the long list of artists to have graced the Night & Day stage over the years include The Courteeners, Slow Readers Club, Elbow, Kasabian, Paulo Nutini, Arctic Monkeys, Manic Street Preachers, The Enemy, Blossoms and many, many more.
As well as being a fixture in Michael C. Hall’s aforementioned Safe, the venue was also directly referenced in award-winning drama Lost (by rockstar character Charlie Pace).
Night & Day is a Manchester institution. That’s undeniable. What’s less clear is how it became so popular in the first place.
“It’s the best venue on Earth,” according to Jay.
Many in Manchester would be inclined agree. But there’s no single right answer as to why.
“It’s got personality and feels independent,” Jay points out, indicating to the no-frills attire and simple set-up of chairs, tables and a stage.
“But we’ve also got a very wide selection of drinks served at a beautiful long bar.
“The technical specs are good, too. The venue promises a really good experience for bands.
“There’s grafters in here. I think people can see the work that goes into it.”
It’s that last part – graft – that perhaps comes closest to explaining the staying power of Night & Day.
Promoters have spent thirty years working tirelessly to bring a diverse range of acts to the stage, defying those who have pigeon-holed the venue as a ‘white indie’ spot.
“Our aim is to stand in that venue and watch different things happen,” says Jay.
“We look at the things [and new artists] that make us excited.
“Lots of thought goes into it – from the gig bookings to the club nights.”
One of the warning signs that an older venue may be entering its twilight is when the crowd thins out – leaving only the regulars from yesteryear. But Night & Day continues to remain fresh in an ever-evolving, fast-moving world of modern music.
Younger fans have regularly piled in through the doors to see the next wave of talent coming through the ranks; including DJs, bands and solo singers.
“Everyone always asks me about my greatest memories over the years, but my favourite bit is when a show’s happening, usually around 9.30pm,” Jay muses.
“Everyone’s had a drink, the mood in the room is brilliant, and the main headline act is just starting.
“It’s happened a few times when I’ve been stood watching from the back of the room – where everything all just comes together perfectly.
“There’s nothing better.
“At that moment… everything is as exactly as it’s supposed to be.”
Feature
Why you should be glad Tom Aspinall has said no to a UFC fight at The White House
Danny Jones
In this industry, you can get used to wearing some pretty strange-sounding headlines, but we still had to double-take when we saw the headlines that the UFC is set to hold an event at The White House (yes, really) – even more so when we saw local name Tom Aspinall linked.
You know, as in the home of the actual President of the United States…
While UFC boss Dana White has stated that “it is definitely going to happen”, revealing that he has already met with Donald Trump, one of the UFC’s biggest stars and Manchester’s very own heavyweight champion, Tom Aspinall, says he has no interest. More importantly, he says you shouldn’t either.
Appearing on Canadian journalist Ariel Helwani’s mixed martial arts (MMA) and wrestling-focused podcast, The AH Show, Aspinall discussed everything from his next bout against French fighter Ciryl Gane, beef between coaches and much more.
However, the pair couldn’t possibly have skipped over the topic on everyone’s lips in the fight world and, indeed, beyond, after President Trump announced that he would be bringing the UFC to what is, for all intents and purposes, the most famous seat of power in the world.
As you can see in the clip above, the Atherton-born and Salford-raised sportsman barely even gave the notion much time of day at all, quickly expressing his ‘boredom’ over talking about it.
Regardless, Helwani did manage to get a clear response from ‘The Honey Badger’, who said: “It has spent zero seconds in my mind. I’m not interested, mate. Not interested, and the world shouldn’t be interested either, because what’s the point? That’s false hope.”
Once again, while both Trump and Dana White insist an official UFC event will go ahead, slating none other than the annual 4 July celebrations as the desired date on the 250th anniversary of the nation’s unification, it still seems like a surreal sentence to even say out loud for most people.
🇺🇸 President Donald Trump says he will host a UFC fight at the White House as part of the America 250 celebration 👀
"We're gonna have a UFC fight on the grounds of the White House… championship fight."pic.twitter.com/ouTttg1NPz
Now, while the Manc MMA fighter (who recently became the undisputed champion in his division following fight legend Jon Jones’ retirement) begins by dismissing the idea, he goes on to admit via double negative that the idea “doesn’t not interest [him]” and would be a “cool experience”.
Whether or not he means in the future, perhaps under a different POTUS’ regime, or simply doubts that the deal will even come off at this early stage, who knows?
He might have also just been referring to his doubts that the former three-time champ Jon Jones’ self-proclaimed return to the testing pool just weeks after retiring will amount to anything material, let alone in time for this particular date; even Dana White himself has said the likelihood is “a billion to one“.
First and foremost, Apsinall explains that he believes that “the Americans [fighting in the UFC] should get the shot at the White House” as they obviously have a much more vested interest in the concept and sense of appeal when it comes to utilising it as the latest historic, albeit unorthodox, sporting venue.
Interestingly, he does confess that he neither knows nor cares very little about US politics, stating: “I’m not really a big Trump supporter or against Trump […] I don’t live there, I don’t reside there, I don’t do anything there, apart from pay taxes and fight there. Really, all of that stuff is irrelevant to me.”
However, his minor caveat was that he has no ‘particular’ interest in the proposal and only really reiterated that he’s “not bothered” about when or where it happens, stating simply that he’ll “fight anywhere.”
The White House under the lights on fight night would be quite the sight, there’s no denying that. (Credit: Rob Young via Flickr)
You could argue that the current world number two UFC heavyweight is being careful in his choice of words, playing the bipartisan role ever so carefully so as not to jeopardise his own future in a sport that predominantly revolves around North America.
After all, recent developments in the media world alone would suggest that the Trump administration could make his time working and competing in the US more difficult than it would otherwise be if he made an outwardly public and definitive stance against the mercurial and controversial statesman.
And that’s putting it mildly.
On the other hand, his words could be quite literally taken at face value: he may not care one bit about the rather divisive political climate in America; he is just an athlete who’s making a living has nothing to do with Democrats vs Republicans.
Nevertheless, it seems fairly significant that Aspinall rubbished what are still just unofficial, though admittedly very loud and public, rumours put forward by the two relevant leadership figures involved in these ongoing developments, especially given that the Wigan warrior is currently at the top of his game.
You can see his AH Show interview in full down below.
He may be too wise to say it out loud, but we’d wager Aspinall knows backing a UFC fight at The White House is bad for business.
Given that Donald Trump is known to be an avid fight fan – having famously backed and hosted the 1988 Tyson fight at the Trump Plaza Hotel and Casino in Atlantic City, later going to be pictured shaking ‘Iron Mike’s hand at UFC 316 back in June – there could be a chance of the two interacting somewhat closely.
With that in mind, even if this isn’t Aspinall cleverly and indirectly distancing himself from the President, some might say he is at least trying to urge others to hopefully prevent the sport from drifting into the same muddy waters that other modern combat sports have.
As time goes on, boxing in particular seems to be coming more and more about the paegantry and finding new ways of marketing one of the world’s oldest and most primal contests; celebrities entering the ring and YouTube/influencer boxers being the prime example.
The fight world has always been about spectacle, but many would argue it’s become increasingly style over substance in recent years, given the advent of social media, not to mention the line between exhibition and genuine competition becoming increasingly blurred.
Despite their stars remaining underpaid in comparison to headline boxers, MMA has always prided itself on being brutally itself, and whatever you make of it as it continues to grow both commercially and in terms of popularity, personally, we believe people like Tom Aspinall are trying to keep it honest.
Steering clear of not just politics but the same Hollywood trappings and overly spectacular, money-driven, entertainment-for-profit-first focus that often plagues present-day boxing is a wise step, no matter how Jon Jones suddenly wants to join in the hard sell.
Despite the odds, I’m still training and optimistic about the possibility of being part of the White House event. At the end of the day, Dana is the boss and it’s his call whether I compete that night or not. I do know Dana was really excited about the fight, and the door hasn’t…
Everything you need to know about Manchester Pride 2025 – parade route, lineup, tickets, and more
Thomas Melia
One of the biggest highlights in Manchester’s events calendar, Manchester Pride 2025, is ready to take over the city centre for the party of a lifetime.
Manchester Pride 2025 is upon us, and we’ve got everything you need ahead of this fun-filled, glitter-covered, disco-driven big weekend.
This event isn’t just a party – it’s a spectacular coming together of a community who aim to spread love and joy through various celebrations, with glorious music from some truly incredible artists and acts to look forward to.
The four-day occasion consists of a city-wide parade, a lineup of music performances, and closed out by a poignant candlelit vigil which each year commemorates members of the Queer community who sadly lost their lives to HIV.
Here’s everything you need to know about Manchester Pride 2025.
Here’s everything you need to know about Manchester Pride 2025 / Credit: Supplied
Manchester Pride 2025 – Parade
The parade on Saturday 23 August will start on Deansgate near Beetham Tower at 12pm, before making its way onto Liverpool Road and Oxford Street.
This route then sees the parade make its way onto Portland Street and Princess Stree, before finishing off on Whitworth Street and Fairfield Street – a stone’s throw away from Mardi Gras.
Check back soon for all the information you need to do about Parade route road closures.
___
Tickets for Manchester Pride Festival 2025
There are two options for tickets if you’re looking at attending Manchester Pride Festival 2025.
If you’re after dancing the night away to an impressive live music lineup at Mardi Gras and continuing the night at the Gay Village Party, then you can buy a ticket which covers you for both HERE.
Anyone who’s after boogying til the sun comes up at the Gay Village Party, but skipping the live music can bag themselves a ticket or two HERE.
Crowds at Manchester Pride Festival on Canal Street / Credit: Supplied
Once you’ve purchased your preferred ticket, you can trade them in for your official Manchester Pride Festival 2025 wristband at two city centre locations.
The first box office can be found at Depot Mayfield – where Mardi Gras is taking place – and will be open from 12pm to 7pm on Saturday 23 August, and 12:30pm to 7pm on Sunday 24 August.
An alternative box office can be found in the Gay Village, which will be open across all three dates Friday 23, Saturday 24, and Sunday 25 August from 12pm to 11pm.
___
Who’s on the lineup at Manchester Pride 2025?
Four huge names are fronting the bill for Manchester Pride 2025 – with each and every one of them being a certified hitmaker.
Saturday’s lineup sees a headline slot for former Little Mix star, now solo sensation, Leigh-Anne, who will be playing discography classics like ‘Don’t Say Love’, ‘My Love’, and her latest single ‘Been A Minute’.
Broadway star and highly-successful artist, Billy Porter, joins the pop princess and Manchester’s biggest festivals of the year, and you best believe he’ll make ‘Everybody Say Yeah’.
UK Eurovision entry and certified ‘Sweet Talker’, Olly Alexander, is playing out a selection of bangers on Sunday’s lineup, and he’s ready to ‘Shine’ to his heart’s content.
Nelly Furtado completes the headline slots – and yes I did ‘Say It Right’ – as the ‘Maneater’ herself was recently announced as the surprise headliner to close out Sunday’s celebrations.
___
How to get to Manchester Pride Festival 2025?
Transport to Manchester Pride Festival 2025 / Credit: TfGM
By tram – The easiest way to get to and from Manchester Pride Festival is using Metrolink. The nearest stops are Piccadilly Gardens (for the Gay Village Party), and Deansgate-Castlefield or St Peter’s Square (for the Parade).
By train – The closest train stations to the event are Manchester Piccadilly or Oxford Road.
By bus – Take a bus to Manchester Piccadilly Gardens. From there, the Gay Village Party event site is a two-minute walk and just across the road.
By plane – From Manchester Airport, you can take a train or the Metrolink tram to Manchester Piccadilly. Alternatively, you can take a bus to Piccadilly Gardens from the airport.
By car – Manchester will be very busy with a number of road closures in place over Manchester Pride weekend, so if you really need to drive, you might want to look at using a ‘park and ride’ and completing your journey by tram.