And sadly it wasn’t long before the consequences of that decision began to surface.
October and November brought with it the news that over 127 positive cases of coronavirus (COVID-19) were confirmed in connection with both the Birley campus and Cambridge halls of residence at Manchester Metropolitan University – which saw around 1,700 students instructed to self-isolate in their accommodations for 14 days – along with several student protests at the University of Manchester, campaigning for a number of issues to be addressed, and the subsequent responses from both institutions as a result.
ADVERTISEMENT
This all made for widespread headlines and national coverage.
But it was the hidden side of the student experience that friends and filmmakers Gabriel Paul, 22, and Joseph Hunt, 23, were keen to focus on.
ADVERTISEMENT
Unsatisfied with the portrayal of students in the media, and both sharing a strong passion for “making documentaries and films with social impact”, the two South London lads – who have been friends since their early school years and had recently graduated from university themselves – decided to travel up to Manchester to get a grasp on the bigger picture.
The documentary was shot in compliance with COVID-19 guidelines.
Filmed over two days at the start of October 2020, the documentary features first and second year students, both in halls and privately rented houses, at the University of Manchester and Manchester Metropolitan University.
ADVERTISEMENT
But despite its short 13 minute run-time, the documentary still manages to cover a lot of ground.
It touches upon everything from the students’ concerns over personal finances, living situations and rental prices, the level of education they are receiving, and difficulties making friends, to how safe they feel studying on campus, their mental health struggles, the empathy they have for students in even trickier situations to them, their apprehensions about returning home for Christmas, and even their opinions on the government’s handling of the coronavirus (COVID-19) pandemic as a whole.
Fundamentally, it shines a light on just how much the student experience has be affected.
“As the summer of 2020 was ending, we couldn’t help but notice that talk of students returning to university was a subject the media was covering extensively” Gabriel told us.
“We felt that the media’s portrayal of students was unfair and one sided, with the finger being pointed at them for the growth in cases and a blasé attitude towards national health, [and] having recently graduated ourselves, we wanted to contribute to the narrative that students are not just the nations scapegoat,
ADVERTISEMENT
“We felt it was important to document the lifestyle of a student in 2020 in the most real and authentic way possible, and to enable student’s voices to be heard.
“We decided to focus on students in Manchester, because it felt like the epicentre of media coverage on that issue”.
He continued: “We were keen to document the experience of students at both Man Met and the University of Manchester to gain a more full understanding of the situation [and] fortunately, we had individual links at both, through friends and family.
“[So] we asked these individuals to rally together groups of people who were willing to give their insight and were happy to feature in our documentary.”
Standing up for students and providing them a voice was a core goal for Gabriel and Joseph.
ADVERTISEMENT
“During this pandemic, we noticed that society seemed to be searching for someone to blame for the situation”. Gabriel continued.
“More and more, the finger seemed to be pointed at students.
“We therefore felt it extremely important to shine a light on the experiences of these individuals who were receiving an unfair amount of blame.
“[And] as we were interviewing the students, the importance of shining this light on their experience became more and more obvious [and] vital issues such as mental health, students being owed compensation, and the lack of support from the establishment, illustrate the gravity of the situation.
“We believe it’s vital that we nurture a conscious awareness of what each member of society is going through and promote stories that unite, rather than divide us.
ADVERTISEMENT
“The story we’re telling is really important, and we’d love as much support as possible to spread the word.”
Taemin at AO Arena: Take the K-pop world’s ‘Advice’ – you need to watch him live
Thomas Melia
This time last month, South Korean star, SHINee and SuperM boyband member, Taemin showed Manchester the real meaning of ‘The Rizzness’. It was our first K-pop gig and won’t be our last.
Normally, if you ask me what I’m getting up to on a Tuesday night, I’d respond with the usual: “Nothing.” Ask me this random but eye-opening night back in March 2025, and I’d say, “Watching the ‘Ephemeral Glaze’ tour”.
Opening with a song labelled ‘Déjà vu’, ironically, felt from the truth, as the minute the performer stepped onto the stage, the whole crowd was watching what felt like an all-new spectacle come to life – even for some of the already inducted K-pop fans inside the AO Arena.
Following up with ‘Guilty’, I’d be lying if I told you we didn’t love this performance. It wasn’t overshadowed by that unbelievable grand opening either – if anything, it was even better.
A majestic pose from Taemin at AO Arena in Manchester, performing to a lively crowd.Credit: Audio North
This was a setlist that just keeps on giving: after this, ‘Advice’ greets our ears and fans erupt in various screams and cries, to which Taemin, 31, certainly appreciated.
It’s high energy through and through, as the next song, ‘Idea’, felt like the missing piece of the jigsaw puzzle for those of us not so used to this kind of music, well and truly captivating the Manc crowd.
Closing what was merely his opening segment with this song was definitely a good ‘Idea’… (sorry).
Its title may draw from a comedic viral term used to describe someone with great flirting skills, a.k.a. ‘rizz’, but ‘The Rizzness’ is no laughing matter.
Fans caught on quickly, and as soon as the first note was pumped out into the arena, the atmosphere reached whole new heights and those familiar screams at an other-worldly pitch returned.
I never thought I’d see the day where AO Arena screamed, “You know I got the rizz, the rizzness”, but there’s a first time for everything, I guess.
Taemin and his dancers were electric at AO Arena.Credit: The Manc Group
Being from Korea, 31-year-old Taemin tried his best to communicate with the crowd throughout the night, taking breaks after back-to-back performances to gauge the audience’s reactions.
The South Korean superstar didn’t take long to warm up to the crowd and showed off his cheeky side, telling the arena, “Only 4 more songs” before finishing the sentence with “I lied”.
‘Criminal’ had me and the rest of Manchester weak in the knees; the choreography was flawless throughout, but this was a true highlight. Ending with ‘Say Less’, Taemin knew exactly what he was doing, putting a song that catchy right at the end, as this was all that replayed in my head on the train home.
Put it this way, we may still be relative newbies to the world of Korean pop music, but with another big name heading to Manchester, we’re definitely keen to find out more.
The best Manchester-based anime-style memes we’ve seen online as Ghibli craze takes over
Danny Jones
Now, the internet can be used for a lot of silly and pointless things – you might argue us sharing our favourite memes every morning is a prime example of that – but we have to admit, the second we saw a Manchester-inspired Studio Ghibli image on social media, we were hooked.
If you have absolutely no idea what we’re talking about, there is a current craze that has taken over the internet, which has seen recognisable memes and images recreated in the style of the iconic Ghibli anime films, created by legendary animator and filmmaker Hayao Miyazaki.
Once you’ve found one, you tend to start spotting them more and more frequently, and in the case of the chronically online like us, we’ve been inundated with them for weeks now.
People are using AIto create them in various different contexts, but it won’t surprise you to learn that our favourite Ghibli/anime memes are those based around Manchester. For example:
Bloody hell, the internet really is brilliant sometimes, isn't it? 😂 https://t.co/virpFx60u7
As it happens, this was the first and perhaps still the best we’ve seen to date, but it didn’t stop us from falling down an animated rabbit hole looking for others.
To be honest, we didn’t actually have to do much searching ourselves as they’re absolutely all over the algorithm at the minute, and have been for a good month or so.
‘Ghibli memes’ may be an overgeneralisation of what is a rather specific and famed art style, but this ongoing flood of anime-style cartooons is being created by users giving prompts to ChatGPT, the increasingly popular large language model (LLM) and AI tool.
Designed with OpenAI software, the artificial intelligence chatbot can do everything from write extensive study notes and flash cards to fixing blurry images, writing computer code, entire essays and quite literally countless other things.
In this instance, people are just reimagining moments from the zeitgeist and famous memes in this style by feeding the image to ChatGPT, along with an ‘in the style of Studio Ghibli’ prompt.
One for the Blues…And the Reds.All of these images have been designed using ChatGPT. (Credit: Eleventh Minute/centredevils via X)
Pretty cool, right?
You’ll find that footballer Twitter (sorry, X*), in particular, is absolutely full of fan accounts recreating iconic club scenes in the Miyazaki art style, giving their favourite players big ‘Chibi’ eyes (another unique aspect of anime) and so on.
It’s all just a bit of a laugh, after all; even we here at The Manc put ChatGPT to the test back in June 2023 and asked it to design ‘the perfect day out in Manchester’ – to varying degrees of success, we might add.
As ever with machine-learning, the more information you feed it, the better the result and although we know these are original pictures being reimagined, it still goes to show just how impressive and varied AI is becoming.
We’ve also enjoyed some that aren’t necessarily Manc but are quintessential British humour or simply more universal memes.
Exhibits E and F…
Even after all these years, we feel like we still see this in some context at least once a week – and it still makes us laugh.‘What a sad little life, Jane…’Credit: brandsynario (via Instagram)/No Context Brits (via X)
Despite these memes riding a real wave right now, the Ghibli portrait fad is just that; there are plenty of other aesthetics being toyed with, too.
Actually, it already has, as we’ve now started coming across people making action figure versions of themselves and/or famous people, full decked out with accessories inside blister packs and everything.
On the other hand, many people are understandably concerned about what this means for artists and although there is no substitute for genuine human expression, whatever form that may come in, lots of people are railing against it as the possibility of AI-based pop music has been posited.
With that in mind, maybe the best twist we’ve seen is our very own Stanley Chow subverting the trend and doing Ghibli stuff in his equally iconic style. We’ll take these geometric gems over computer-generated imitations any day.
For now, it’s just a bit of fun and we confess we’ve got some light entertainment out of it, but the increasing possibilities being thrown up by AI in terms of art do pose a lot more complex questions.
We’ll finish with one final example because let’s be honest, there’s only really one thing on our minds at the minute – at least until the summer finally rolls around…
Let us know if you’ve seen any other fun examples and what you make of the whole Ghibli meme trend down in the comments.
Emily Sergeant -
27th January 2021 
