Rochdale Town Hall is one of Greater Manchester’s most impressive and historic buildings – but until now, large parts of the building have been closed to the public.
All that has changed this weekend when, following several years of careful restoration, the magnificent Grade I-listed giant threw open its doors.
From Sunday 3 March, people are able to visit Rochdale Town Hall completely free of charge seven days a week (excluding Bank Holidays), exploring grand halls, historic offices, and impressive sweeping staircases.
The landmark looms over the heart of Rochdale town centre, an easy walk from tram and train stations.
Up until this year, spaces were available to book for events like weddings, and it was used for official business, but has never been properly utilised as a tourist attraction.
ADVERTISEMENT
It’s taken a 500-strong team of volunteers and teams of conservation specialists thousands of hours to bring it fully back to its former glory – they’ve carefully stripped away years of grime using cotton buds and other equipment to expertly bring life back to the ornate stained glass windows and historic features in almost every room.
So what exactly is it like inside after its multi-million-pound refurb, you ask? Well it’s pretty damn impressive.
ADVERTISEMENT
The most breathtaking space of all is the Great Hall, where 350 hand-painted panels cover the vaulted ceiling, carved wooden angels hold lanterns, stained glass windows tower overhead, an enormous organ stands on the stage, and a huge Magna Carta mural covers one wall.
The incredible hand-painted ceiling panels in the Great HallInside Rochdale Town Hall
It’s a room filled with red and gold patterns, including images of the English lions and Scottish thistle, and you might recognise these colourful walls from a little show called Peaky Blinders…
But before you even reach this point, there are wonders to behold.
ADVERTISEMENT
The Grand Staircase sweeps its way up from the ground floor – look up and you’ll see enormous stained glass windows documenting Rochdale’s place on the global stage.
The Exchange will be used as the town hall’s main entrance, where different shades of granite and marble were used to make candy-striped ceilings, and craftsmen carved various flora and fauna into the stone pillars.
The Great Staircase at Rochdale Town HallThe Exchange will be used as the main entrance for Rochdale Town Hall
Off here there’s a brand-new exhibition space, known as the Welcome Gallery, which tracks the timeline of the landmark, including the fire that destroyed its original clock tower (it was later re-designed by the legendary Alfred Waterhouse).
There are also historic spaces, where the walls are covered not with wallpaper but with hand-painted patterns. These intricate designs have also been restored.
In one room, you can see the history of the cotton industry in the paintings, from the Ancient Egyptians all the way up to the industrial era that Rochdale played such a huge part in.
ADVERTISEMENT
And as well as celebrating the historical features of Rochdale Town Hall, there are also new artworks that have been created with local community groups and schools, celebrating present day Rochdale.
Rooms which were formerly used by council staff and councillors have been turned into usable spaces for the public, like the new Bright Hall, which has double-height ceilings, angels along the walls, and a window overlooking the Great Hall from up high. The Bright Hall will now be available for community use and events.
Hundreds of volunteers and specialists have worked on Rochdale Town Hall’s refurbishmentAnother grand space in Rochdale Town Hall
When it officially reopens on Sunday 3 March, there’ll be bookable tours, longer opening hours, and new exhibition spaces for locals and visitors to explore.
And in a few months’ time, a brand new restaurant – The Martlet – will open, under the steer of executive chef Darren Parkinson who has honed his craft at some of the country’s best gastropubs.
The whole building has been made fully accessible for the first time, and there are new heating systems and a sturdier roof in place to future-proof Rochdale Town Hall for decades to come.
ADVERTISEMENT
Councillor Neil Emmott, leader of Rochdale Borough Council, said: “It’s been a long wait for our residents and I’m delighted that they will finally get to see their beautiful town hall, fully restored in all its glory.
“Not only will they see the town hall they know and love, looking as good as it would have when it first opened in 1871, but they will see brand new features, like the Welcome Gallery, which makes it an even better space than it was before. We can’t wait to welcome people back in.”
One of many beautiful stained glass windows inside Rochdale Town HallThe huge organ in Great Hall
Councillor Janet Emsley, cabinet member with responsibility for Rochdale Town Hall, said: “Sunday 3 March will be a wonderful celebration, but it’s really just the beginning for our brand new town hall. Our new offer means that residents will be able to see it and enjoy it seven days a week.
“We will soon be offering guided tours, alongside a full activity, events and education programme, which will be revealed soon.
“We anticipate the opening day being very busy, so people who would prefer a quieter experience may wish to come along another day. This beautiful building certainly isn’t going anywhere and our new extended opening hours offer many opportunities to enjoy this special place.”
ADVERTISEMENT
The huge project was made possible with funding support to the tune of an £8.9m grant from the National Lottery Heritage Fund.
For its launch weekend, there’ll be activities at Rochdale Town Hall like rug tufting workshops, the roving Bombay Raja brass band, and a special puppet show by Fool’s Paradise.
Pre-booking is now full but walk-ups are available, so, if you don’t mind a wait, you can head to Rochdale Town Hall between 10am and 4pm this Sunday to see the incredible spaces for yourself.
For more information about the town hall, including opening times and upcoming events and activities, go to rochdaletownhall.co.uk.
Inside Sifters Records, the time capsule record shop that inspired Oasis
Harry Quick
The date the world never thought was coming is set. Manchester’s most famous brothers have against all the odds put their differences aside for music’s greater good. Oasis are BACK.
I suppose it is only good news at the moment if you were one of the lucky few who managed to secure a ticket to one of the 17 gigs (actually, now 19 with two new dates added) in the Oasis 25′ Tour. If you didn’t – hard luck – but there is arguably one shop owner who deserves one more than most.
Fans of our most iconic band from all around the world should show their gratitude to a little record store in Burnage for helping to make that happen. Some might say, Sifters Records is the home of the Gallaghers’ love for music. The two brothers were brought up just a stone’s throw away from here on Cranwell Drive and were regular visitors of Sifters throughout their teenage years.
Noel has previously mentioned how he used to stroll around to Sifters on Fog Lane and pick up records by the likes of The Smiths, Joy Division and The Happy Mondays, which would help inspire some of the world-renowned anthems Oasis would later go on to create. The relationship between the Gallaghers and Sifters Records is emblematic of their deep roots in Manchester’s music scene.
If you feel like you’ve heard the name before, you probably have as Liam mentions the store in the song ‘Shakermaker’. In the final verse of the song – before the closing Shake Along with Me / Them interlude – he gets his special mention.
The lyrics “Mr Sifter sold me songs when I was just sixteen, now he stops at traffic lights but only when they’re green” pay homage to its main road location and the lads’ musical upbringing before the international stardom.
Sifters Records inspired Oasis’ love of music – and gets a namecheck in Shakermaker. Credit: The Manc GroupSifters Records inspired Oasis’ love of music – and gets a namecheck in Shakermaker. Credit: The Manc Group
If the lyrics alone don’t put an image in your head, the official music video for the song pictures Liam stereotypically swaggering towards the shop front in a parka and shades on the hunt for some new music. After flicking through a few 12″ vinyls he shows Red Rose Speedway to the camera by Paul McCartney’s – Wings. I wonder if he bought it that day or could it still be in there?
In a brand new 30-minute interview filmed ahead of the 30th anniversary of Definitely Maybe, Noel revealed how he wrote the infamous lyric in an off-the-cuff moment directly outside the shop.
“I have to say this shop has not changed a bit. I bought a lot of my records in here, it’s where I discovered my love of ‘best of’ albums.
“Every time I hear Shakermaker I remember pulling up in that car and looking over and seeing the song.”
It’s no wonder this was Noel’s favourite place to scope out new tunes growing up. It’s still one of Manchester’s most impressive collections with hundreds, if not thousands of vintage LPs.
Most of these are from the personal collection of ‘Mr Sifter’ himself Pete Howard who has run this musical mecca since 1977. The building itself has an unchanged charm – a time capsule of fading band posters, windows of unrelated local advertisements and well-trodden carpet from the thousands of feet on a pilgrimage from far and wide.
Fans from across the globe have rocked up for a word with Pete and the admiration for his store only keeps growing, which he sometimes struggles to believe how fortunate he got. If you pop in looking for any Oasis discography, good luck, it doesn’t stick around long.
When ‘Definitely Maybe’ dropped in ’94 he said he recognised the members of the band straight just from the album cover.
Now, with a deluxe edition re-release 30 years later, and a reunion tour around the corner, it’s undeniable that the whole world does – let’s just hope they stay mates this time!
Blossoms’ wonderful Wythenshawe Park show proved they’re ready to headline the big leagues
Danny Jones
Ok, full disclosure: as a fellow Stopfordian, this review was always going to be heavily biased, but I still wholeheartedly believe that Blossoms are some the best performers on the British music scene right now and, as far I’m concerned, their Wythenshawe Park gig was yet more proof of that.
The landmark show was their biggest to date with roughly 30,000 people packed into a Greater Manchester field for what was just the second year of the Wythenshawe Park gigs which looks destined to be a must-visit annual Manchester music event.
For starters, not only is being the second name chosen to headline this still relatively new event after Noel bloody Gallagher quite the achievement, but playing to what felt like an entire town full of people on your home turf is the kind of stuff usually reserved for, you know, GOATs…
Now, we’re not going to be so bold as to claim they’re at that point in their careers already, however, when you’re collecting the kind of support acts they are, playing to crowds this big and making music lovers of all ages sing about a giant fibreglass gorilla called Gary, you’re clearly doing something right.
🚨 Be advised: GMP are on the lookout for an eight-foot fibreglass Gorilla – first name Gary, second name trouble. 🦍
He was last spotted on stage as @BlossomsBand were playing absolute bangers at Wythenshawe Park.
Let’s kick off with the supports, shall we? That’s one of the best things about this Live From Wythenshawe Park series: these dates are closer to mini-Manc festivals than they are standalone gigs, and with such an impressive roster of so-called ‘warm-up’ acts, we were truly spoiled rotten.
From more fledgling artists like The Guestlist and Ttrruuces, fast-rising up-and-comers like Seb Lowe and The K’s, to UK veterans like Shed Seven and the always sensational indie stars Inhaler, it was a stacked lineup spanning several generations.
Before Inhaler got the crowd bouncing and ready from Blossoms, we even got special appearances from two incredible female voices during Shed Seven’s set as Issy Ferris and fellow Manc music royalty Rowetta took the stage for some supreme harmonies and what felt like a bit of a Sunday service moment.
But then it was time for the big guns and it really does feel like they’re among that calibre now. They’ve smashed Leeds, Glastonbury, Kendal – they even turned the Plaza and Edgeley Park back in Stockport into fully-fledged music venues – and they look more at home than ever on the big stages.
Blossoms’ Wythenshawe Park gig felt almost like a coming-of-age gig. (Credit: The Manc Group)
It feels mad to think that these lot have been going for 11 years when you first think about it, but when you actually sit back and look at the regular stream of top-quality indie bangers they’ve been putting out every couple of years, it starts to click into place.
Perhaps it’s because they’re still young men and have decades of releasing new music to come but they’re no longer the new kids and they haven’t been for ages – in fact, they’ve released some of the most popular contemporary releases in the genre consistently for a long time now.
Even in the final promo for their now landmark Wythenshawe Park concert, they did a spoof version of ‘Gary’ where one of the lines simply said ‘Honey Sweet’s a tune’ and, you know what, they’re right but the list goes much further than that.
‘Getaway’, ‘There’s A Reason Why’, ‘I Can’t Stand It’, ‘Your Girlfriend’, ‘What Can I Say After I’m Sorry?’ and on and on it goes. We heard them all in their very best iterations, with the band’s on-stage production now at a new level and Tom Ogden’s frontman chops up their with the best right now.
One thing we really enjoyed as a group of old mates from SK was that the set wasn’t the hits either; we got to roll back the years and enjoy the tracks from that debut album when we first started getting excited about a new band coming out of our hometown.
The big extended versions of ‘Blow’ and ‘Cut Me and I’ll Bleed’, in particular, felt rather special.
Blossoms also treated Wythenshawe to some seriously good solos and breakout instrumentals. (Credit: The Manc Group)
But then you look at where the style has gone since then and you genuinely have to just step back and applaud their evolution since that breakout record.
It’s very hard for any band to find that balance of developing their sound and actually changing whilst still managing to nail that instantly recognisable feeling that lets you know it’s one of their songs but they always seem to manage.
Whether it’s those surviving 80s influences that have stood them in good stead since the start, those poppy keyboard riffs from Myles that help keep every tune as catchy as the last, they can collaborate with the likes of Jungle and CMAT whilst still sounding unmistakably like themselves. It’s quite the skill.
That’s why they very quickly went from the one current band from Stockport that people could name to one of the most recognisable modern names in British music with hordes of fans all over, not just Greater Manchester. Just look at the energy coming off that crowd, not to mention the sheer size of it:
Now, all that is simply to say that, at this point, if you’re still someone who only knows ‘that first one’ and is under the presumption that Blossoms are another indie band who fell into that trap of all their songs sounding pretty similar, you’re wrong and the sea of fans at Wythenshawe Park will tell you the same.
Whether you’ve been there from day one and have watched these lads, well, blossom into fully graduated performers and festival-toppers like this currently very sappy Stopfordian, or you got hooked after dozenth irresistible indie anthem, we’re sure you’re all in agreement: they’re proper headliners.
‘Charlemagne’ will forever be a favourite but make no mistake, they’ve come on leaps and bounds in every department since it helped launch their career, and even if it is still their biggest song when they’re headlining the likes of Glasto one day (you heard us), it’ll still sound incredible.
In fact, who cares: here it is from another angle – we’re off to do a bit of research about some reunion people are talking about…
Daisy Jackson -
29th February 2024 
