The Manc sit with Hollywood star Simon Pegg to talk about his surprise role, mental health, women in film, and upcoming project with Nick Frost.
To state the obvious; watching Simon Pegg stride through Great Northern ODEON on a Sunday afternoon is more than a little strange.
This is a place where people come to see the movie stars - but today it looks like a celebrity has stepped right off the big screen.
Fans flock to grab photos with Pegg as he weaves from the box office towards the theatre; filling the walkspace with a clamour of shouts and snapping cameras.
It's a revealing scene. Someone of Pegg's stature doesn't just simply appear on Deansgate every day.
Yet, the whole thing is even more surprising when you consider the context.
The star is here attending a premiere he couldn’t originally make, for a film that almost didn’t get shot, in a role that's unrecognisable to anything he's done before.
That felt like something I needed to put right...
Between his stints on Hollywood blockbusters such as Star Trek and Mission:Impossible, Pegg quietly took a lead role on a tiny independent film called Lost Transmissions - which is about to screen as part of Manchester International Film Festival.
It might be a far smaller production than he's used to nowadays, but Pegg is as passionate about this project as much as any other he’s been involved with. The premiere is mere minutes away, but he makes time for absolutely anyone who has questions about the film.
He’s excited to talk about it. And there’s plenty to discuss.
First of all, Lost Transmissions doesn’t give audiences the Pegg we’re used to seeing. It’s a story that sees him work with more of the acting anatomy than just the funny bone.
But it’s also a production that's helped the actor break new ground in a different way.
“I hadn’t done a movie that has been directed by a woman in twenty years of making films,” Pegg tells us, sounding a little surprised by his own answer.
“That felt like something I needed to put right.”
Pegg has been a loud advocate for female representation in cinema, and when the opportunity came to work with Katharine O’Brien for her directorial debut, he was hungry to take it.
“It was the script (that attracted me to the project) first and foremost… and the fact that Katharine had sent me a script that was straight drama.
“I tend to get pigeon-holed as a comedy actor, which is my own fault."
At one point, it looked like it was going to get dropped...
After realising they were both on the same page, Pegg and O’Brien began to throw some momentum behind the project, with excitement growing around its potential.
However, schedule clashes meant the film was, for several months, left dangling by a thread.
“I was attached to the project for a very long time,” Pegg tells us.
“At one point it looked like it was going to get dropped or I was going to have to drop out because of Mission: Impossible.
“But Katharine waited for me, thank goodness, and we got to make the film.”
“Making it was a really fun experience. It was a 20-day shoot, which is not what I’m used to compared to the bigger films, but she was so sure of what she wanted in terms of performance and look of the movie.
“It’s really nice when you work with a director who knows what they’re doing.”
That’s praise indeed for a filmmaker making her directorial bow. Lost Transmissions is an ambitious piece of work - diving into territory few films have dared to explore, and even fewer have managed to understand: The world of schizophrenia.
Speaking about his role, Pegg explains:
“I play a guy called Theo Ross whose a music producer working in Los Angeles, a British guy, who has developed schizophrenia due to some bad acid he took in the nineties.
“In the movie, he decides to come off his medication because he’s worried it’s stifling him creatively, but of course that leads to him drifting back into the realm of schizophrenic delusion.
“It comes down to Juno Temple’s character trying to save Theo as he drifts off further and further into mania.”
It’s easy to approximate madness in film; mental health issues seem to be one of the last kind of things that it’s ok to be flippant about...
Pegg went to great lengths to embody the character - with Theo being completely unfamiliar to anyone he’s ever played before.
“I researched it thoroughly; it didn’t feel like a role I could just guess,” Pegg says.
“Schizophrenia is a very real, very specific condition. It gets mistaken a lot of the time for split personality, but schizophrenia isn’t like that at all.
“(It’s) more about people’s perception getting confused, the brain starts to make certain patterns and create delusional narratives which the person responds to.
“So, I really had to learn about that and meet schizophrenics, read about it, watch documentaries, and go into the film knowing what I was talking about.
“It’s easy to approximate madness in film, mental health issues seem to be one of the last kind of things that it’s ok to be flippant about. Acting crazy, you know, anyone can do that - but it’s not at all the way to approach it.
“You have to approach these things faithfully and give a genuine, authentic portrayal.”
Before Pegg heads off to host a Lost Transmissions Q&A alongside his director, he fills us in on his next chapter.
“I’ve got two Mission:Impossible films to make over the next two years,” he confirms.
“And there’s something I’m developing at Stolen Picture - mine and Nick Frost’s production company.
Pegg's features scrunch together as he searches his memory banks.
“It’s a show I’ve been developing for… eight years, I think.”
“I’ve finally found a way to do it! But I can’t say anything about it yet...
Suddenly, a wide smile spreads across his face.
“...which is really frustrating.”
He can't spill the beans on this one just yet. But when the time comes, you just know Pegg will be happy to talk.