The incredible 30-year transformation of Manchester captured on camera
Len Grant has amassed the largest and most significant collection of images of Manchester’s amazing transformation. For the first time ever, we have a bigger picture of the regeneration story.
1997: The Shambles is demolished around the Old Wellington and Sinclairs pubs before they are dismantled and moved.
Most adults dread turning 30-years-old. But Len Grant will always look back on entering his third decade rather fondly.
It was at this age he decided to quit his uninspiring sales job and swap it for something he loved: Photography.
It was a bold move, especially given how there was very little to shoot.
Manchester in 1990 was a dry patch for a budding photographer. Snappers on the Hacienda beat had their hands full, but other lensmen were hard pushed to find picturesque scenes in the city worthy of publication.
New Islington and Ancoats May 2005
Springtime of that year saw photographers flock to capture prisoners rebelling on the roof during The Strangeways Riots, but the day-to-day surroundings offered little else in terms of inspiration.
Manchester looked tired; and not even the kindest camera could cheer up its forgotten inner-city neighbourhoods.
Castlefield was barren. Ancoats was a ghost town. New Islington was little more than a cluster of houses known as the Cardroom Estate. Hulme even had stray dogs scampering through its dilapidated Crescents tower block.
2002: The Cardroom Estate before its demolition to make way for New Islington.1994: The indoor arena next to Victoria Station takes shape.
Change was coming, citizens were assured. But it would be some time before Manchester was remoulded.
Until then, Len decided he would photograph the people planning these changes. Architects, entrepreneurs, town hall officers, developers, landowners, city councillors. Everyone and anyone set to play a role in Manchester’s forthcoming transformation.
His resulting exhibition, City Shapers, was displayed at the Arndale. It was his first big break. But it also created crucial contacts – meaning Len was given a front row seat whenever a new curtain was raised anywhere in the city. And he’d always take his camera with him.
Three decades on, Len has amassed the largest and most significant collection of images of Manchester’s amazing transformation. No other anthology contains as many photos across such a scope. For the first time ever, we have a bigger picture of the regeneration story.
The Fallowfield photographer is now publishing an upcoming book – in which he plans to showcase these incredible photographs to the world.
He’s got a big target to hit, but the demand is clearly there. £6,000 has already flooded in since the kickstarter was launched – and Len’s still campaigning fiercely to ensure the pictures go to print.
“I’ve been very lucky at being in the right place at the right time,” the humble photographer tells The Manc.
“There was very little in Manchester before the nineties.
“If people came to visit me around that time, I’d take them to Liverpool for a day out. There were things to do there.
“But in the early 90s, things were starting to happen. Manchester was starting to look to find a way out of its post-industrial past.”
1994: The Nynex Arena under construction.1998: The interior of Maxwell house was ripped out leaving just the facade, behind which The Printworks was built.
After getting up close and personal with many of the heavy hitters calling the shots on Manchester’s future, Len saw the blueprints unravelling right before his lens – and he was there to capture the changes when they came.
According to Len, it was the hard-headed approach of Manchester City Council that set off the regeneration domino effect.
“Manchester City Council were quite pragmatic about who they worked with,” he explains.
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“For instance, in the eighties in Liverpool, the council were militant and against the Tory government.
“But in Manchester, it was much more pragmatic. There was an organisation called the Central Manchester Development Corporation which was a government quango, and MCC worked with them to do the best for the city rather than to score political points – so that was quite significant.
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At the turn of the decade, Manchester was packed out with car parks and brownfield sites – which meant there was ample space for planning opportunities.
“Slowly but surely, there were pots of money to be able to do things,” Len explains.
“The CMDC put money into building Bridgewater Hall and the surrounding area of Castlefield – which was very run down back then; nobody went there.”
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Bridgewater Hall under construction, 19941997: The Shambles is demolished around the Old Wellington and Sinclairs pubs before they are dismantled and moved.1998: The Quays Theatre under construction at The Lowry. No Imperial War Museum North or MediaCity yet.1998: Stell framework of The Printworks following the demolition of Maxwell House.
Len has cited the construction of the Bridgewater Hall in 1995 as being one of the most pivotal moments in the regeneration of the city.
Not only was it Manchester’s first civic building since the 1930s, it was also a sign that things could – and were – starting to happen.
“I had a conversation with the council leader at the time, Graham Stringer, and he told me there were only two surviving photos of the town hall being built,” Len remembers.
“He was quite aware that Manchester was on the cusp of new change and wanted it to be documented sufficiently.”
Len was the man to photograph this transformation in all its glory, seizing the opportunity to get involved whenever new finance came flooding in for local projects.
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Change from that point on was steady but scattered – with some development even being driven by disaster.
Len recalls that Hulme won a much-needed pot of City Challenge money to redevelop the area after the inner city riots of the eighties, and finance was also made available for the city centre after the 1996 IRA bomb.
“Crucially, the city council and the private sector actually took this opportunity to work closely together – something Manchester is very good at – to bring about key renovation of the city centre at a difficult time,” he explains.
“Later, towards the turn of the millennium, there was money available from the National Lottery too, through the Millennium Commission.
“Projects like The Lowry in Salford Quays were only made possible by the dogged determination of people at Salford City Council to make that money come in.”
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2002: New Islington. Residents of the old Cardoom estate discuss plans for what will become New Islington.2004: The demolition of Maine Road football ground.
From 2000 onwards, East Manchester enjoyed tremendous change. It was sorely needed after being neglected for so long, despite the area’s influential history.
An industrial powerhouse during the 18th century, Ancoats was also the place that gave birth to Manchester’s first social housing development – with the construction of Victoria Square in 1894-97.
But when the block was completed, the rents were too expensive for the people it was originally intended for, and the area plunged into economic decline during the 1930s.
Following the war, East Manchester was essentially abandoned by everyone but its residents.
“Ancoats, Beswick, Clayton, Openshaw – you’d have never needed to go into those areas in the early nineties,” says Len.
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“There was nothing there for you to go and see. It wasn’t on the way to anywhere, either.
“When I first started photographing in Ancoats in 2002/03, the streets were dead and if you ever came across anybody you’d kind of worry you’d have your camera taken off you.
“Not many people crossed Great Ancoats Street into Ancoats from the Northern Quarter in those days.
“I’ve really enjoyed how Ancoats has changed. It’s just phenomenal looking at it now. It’s only when you see photos with the mills in them that you’re able to determine it’s the same place.”
2006: St Peters Church before Cutting Room Square is built and before The Smiths Arms is demolished.2006: The New islington canal arm and the creation of Cotton Fields.2009: Royals Mills, Ancoats during its refurbishment
Whilst sketching in Cutting Room Square one afternoon, Len got talking with a man who’d lived in the area for many years.
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He expected the resident to be sentimental for the past – as so many of us often are – but he was besotted with Ancoats 2.0. Nostalgia was no competitor for the shiny new space – which he recognised had given the area a whole new lease of life.
Len started his career by photographing people – and he has maintained that focus to this day. His interest in human subjects, and how their lives have been affected by the ever-changing skyline, has remained a key part of his work.
“I think those stories can be lost sometimes,” Len tells us.
“Which is what my book will help to cover.”
He has seen both the good and bad sides of regeneration, and whilst most of the changes have been positive, Len is hoping that further development does not come at the cost of loosened community connections.
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“We might be continuing to build, but how much effort are we putting into communities?” he asks.
“I hope that’s being considered. After all, it’s the people who make Manchester so great.
“During adversity, the strength of Manchester comes to the surface. We see that again and again. It’s even happening right now – with people in inner-city communities helping one another during coronavirus and supporting the most vulnerable.
“Many people who come to Manchester call themselves ‘adopted Mancunians’. I love how people give themselves that tag.
“I wonder how many other places around the country you’d call yourself adopted?”
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You can learn more about Len’s incredible Regeneration Manchester project online.
It will be money well spent, indeed. Stories about Manchester don’t come much better than this.
Feature
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Bad Bunny: What you need to know about the Super Bowl LX headliner before his big halftime show
Thomas Melia
Global superstar Bad Bunny is headlining the Super Bowl LX halftime show, and we’re giving you the rundown about the current reigning reggaeton artist.
Despite being world famous and hugely popular in Latin America as well as other Hispanic countries, not everyone had heard his name before now.
And since there seem to be more places showing the Super Bowl than ever in Manchester this year, we thought we’d give you a little explainer of his story so far and why you should care when he takes one of the world’s biggest stages.
So, if you’ve been wondering, “who is Bad Bunny?” – well, this is who…
Who is Super Bowl halftime show headliner, Bad Bunny?
Born in Puerto Rico, Benito Antonio – now more widely recognised by his artistic moniker Bad Bunny – is a fast-rising Spanish-speaking act who has transported modern-day reggaeton from Latin America to all new heights.
The Puerto Rican powerhouse has only ever visited the UK once, performing at O2 Forum Kentish Town in London seven years ago as part of his first-ever run of global shows entitled ‘La Nueva Religión’ (The New Religion) tour.
Since then, ‘El Benito’ has dropped seven full-length studio albums and nine musical projects overall, which have all helped establish him as a major force to be reckoned with in the music industry.
Bad Bunny is headlining the upcoming Super Bowl halftime show on 8 February / Credit: Press Shot via Apple Music(Supplied) / Unsplash via Naveen Venkatesan
Alongside his musical career, Bad Bunny has seen himself at the forefront of various pop culture moments thanks to his innovative fashion sense and notable charm.
Iconic moments Bad Bunny is known for
With his first album X 100Pre (an abbreviation meaning Forever) dropping back in 2018, Bad Bunny has spent almost eight years in the limelight, so it will come as no surprise that there are plenty of iconic moments you might remember.
Bad Bunny as a drag queen – To coincide with the release of his single ‘Yo Perreo Sola’ (I Twerk Alone), Benito stepped into unchartered territory, debuting three different Drag personas to combat toxic masculinity in the reggaeton music scene.
WWE – Benito is a huge fan of wrestling. He first appeared for a performance at the Royal Rumble in 2021, before returning later that year and teaming up with Damian Priest to take down The Miz and John Morrison.
VMA performance – The Latin multi-hyphenate made headlines in 2022 after kissing a male dancer on-stage. Both fans and media outlets stated the performance harked back to Madonna’s similar showcase two decades prior; you can watch Bad Bunny’s kiss HERE (skip to 2:50).
Met Gala – Well-recognised for its glamorous and glitzy outfits, the Met Gala brings together A-Listers for a showcase of all things fashion. Bad Bunny was styled by fashion house Jacquemus and wore a backless suit with a 26-foot train.
The Super Bowl is a huge accomplishment for all artists; now Bad Bunny joins the headlining roster / Credit: Jorge Rojas via Unsplash (Supplied)
SNL – The LATAM star has appeared on American comedy sketch-show SNL numerous times, both as an artist and as a part-time comedian. In 2023, Bad Bunny and Pedro Pascal became an overprotective aunty and mum duo and had crowds laughing uncontrollably.
Carpool Karaoke – James Corden’s nighttime show segment was welcomed into the reggaeton world courtesy of Bad Bunny. However, it’s his cover of ‘Break Free’ by Ariana Grande where he discusses it’s the first English-spoken song he ever learnt that had people falling in love with him.
Coachella – This desert-based music festival is known for its large-scale productions, and in the early summer of 2023, Bad Bunny became the first Spanish-speaking artist to headline this mega music celebration.
No Me Quiero Ir de Aquí – Translating to ‘I don’t want to leave here’, this was the title of his Puerto Rico residency. As well as creating lifelong memories for fans, this 31-date experience also boosted the economy of his home country.
What songs will Bad Bunny perform at his Super Bowl halftime show?
With 28 songs over one billion streams, Bad Bunny is going to have a tricky time deciphering which of his hits to include in his upcoming Super Bowl halftime show performance.
His most recognisable album is the beach-inspired Un Verano Sin Ti (A Summer Without You), which features six tracks with over one billion streams, so it’s safe to say this LP is guaranteed some love.
The latest addition to El Benito’s discography, DeBÍ TiRAR MáS FOToS (I Should’ve Taken More Photos) might also steal the spotlight due to its focus on exploring traditional Puerto Rican sounds.
And, after reconciling late last year, Bad Bunny might take his friendship with J Balvin to Super Bowl status, performing songs from their collaborative album OASIS as well as their Cardi B link-up ‘I Like It’.
Audio North‘s Bad Bunny Super Bowl setlist prediction:
NUEVAYoL
Tití Me Preguntó/ Me Porto Bonito/ Moscow Mule (Medley)
Dákiti
I Like It (With Cardi B and J Balvin)
La Canción (With J Balvin)
Callaíta (With Tainy)
Un x100to (With Grupo Frontera)
Baile Inolvidable
Super Bowl halftime show performances normally contain around 10 songs, and the setlist is being kept very tight-lipped as per usual; however, it’s always fun to throw out a prediction or two before the event on Sunday, 8 February.
Which special guests will join Bad Bunny’s Super Bowl halftime show line-up?
Bad Bunny has worked with a multitude of artists from reggaeton sidekicks to pop supremes like Jennifer Lopez, Dua Lipa and Drake.
Although it’s highly unlikely these big names will all be free at the same time, when it comes to ‘The Bowl’, anything is possible.
The ‘Tití Me Preguntó’ songwriter is heading to the UK for the second time ever in his career, for his Debí Tirar Más FotosWorld Tour, and he’s chosen Tottenham Hotspur as the location for this huge cultural moment.
If you’re wondering where to get tickets, you have two chances to watch this superstar in his element as he’s performing on June 27 and 28; you can grab your tickets for either date HERE and HERE, respectively.
Hopefully, now you’ve discovered more about who this Latin American sensation is, so you’re not left completely clueless when the Seahawks and Patriots take a quick 15-minutebreak mid-game.