A local family have been “making Wythenshawe proud” this year by cleaning up their community and raising money for charity along the way.
The Brookes family may not have imagined the new year to begin this way, but they haven’t looked back since.
When Anthony and his wife Danielle by chance saw an advertisement on social media calling on volunteers to help with a Christmas clean-up event in their local area just before 2020 drew to a close, they decided to get themselves and their two young daughters, Charlotte and Toni, involved in the action as a way of creating a positive impact – having just recently “become more spiritually aware” – and starting the new year with the best intentions going forward.
And after Anthony had also recently survived a number of job cut-backs at the company he works for, and found himself furloughed with the new gig of homeschool teacher for the duration of England’s current national lockdown, he also saw it as a unique learning opportunity.
The opportunity to teach something the textbooks can’t.
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After “[learning] a lot over the past couple of years”, he was keen to not only lead by example for his daughters, but also to teach them the power of contribution and carrying out good deeds from an early age.
Quite simply, they just wanted to make a difference – and that’s exactly what they’ve done.
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Gearing up for the task ahead in high-vis jackets with their gloves on and litter pickers in hand, the family set out on their first clean-up trip at the start of this month, and went all the way from the Woodhouse Park to Newall Green areas of Wythenshawe, picking up as much rubbish as they could see along the way – and now they have “the [litter picking] bug”.
“Now we’ve got a bug and carry on cleaning litter on our side in Woodhouse Park,” Anthony admits.
“We have collected over 20 big bags [of rubbish] in a short period of time and you can really see the difference. We still go back to Mill Pond Fields and the nature area in Newall Green to help out in between [too]”.
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But Anthony is keen “not to take all the credit” from the wider group of superstars.
Wythenshawe Waste Warriors
The Brookes’ are members of an ever-growing community clean up initiative known as the Wythenshawe Waste Warriors, and they couldn’t be prouder.
“They are doing a top job,” Anthony insists.
Founded in 2018 in a bid to transform the area’s local parks, green spaces and brooks, Wythenshawe Waste Warriors is a network of volunteers working together to make the community a cleaner place in different hubs across the south Manchester suburb.
The group believes that “together we are stronger and that all our activities are building towards a community that is sustainable – environmentally, economically, physically, mentally and spiritually for the future”.
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Wythenshawe Waste Warriors was set up by Newall Green resident and Chairman John-Paul Coe after visiting his local park – Milky Button Park – with his six-year-old son Bobby and being so upset by the amount of mess and litter scattered around that they were forced to abandon their trip and return home.
Heartbroken by what he saw, John-Paul promised his son he would take control of the parks and woodlands that had been neglected in his community.
John-Paul and a small group of volunteers simply began litter picking near their homes, before deciding to launch the Wythenshawe-wide collective – which has now seen glowing support from residents, businesses, local sports teams, schools, the local council and services, outreach initiatives, local charities, and more – and going on to collect thousands of bags of litter year after year.
In the year 2020, the network set the apt target of filling 2,020 bags of litter – and they smashed that, amassing 2,406 bags and counting.
With the vital work the collective is carrying out – especially as fly-tipping rates have continued to soar across the region over lockdown – they’re really helping to make Wythenshawe a wonderful place to live, and John-Paul has nothing but positive things to say about the “amazing” Brookes family.
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Anthony Brookes / Wythenshawe Waste Warriors
“We have been delighted to partner our local residents, community groups, businesses and service partners to clean up our town and green spaces, [and] during the recent lockdown, [the Brookes family] from Woodhouse Park have made a huge difference by litter picking” John-Paul said.
He continued: “It’s amazing to see the family combining outdoor exercise with making the pathways and fields safer for all to use.
“They have collected a great deal of waste, which has been removed by MCC and Biffa.”
“[Not only are they] improving wellbeing physically, both for themselves and for all who wish to access our green spaces, [but] the mental health benefits are also huge as residents are telling us they feel safer on their walks and are able to see community-spirited neighbours making a difference, [which] gives them a boost”.
And if all of this wasn’t brilliant enough as it is, the Brookes’ have inspired a number of other local families to join them in their pledge, and have been raising money for a worthy cause – St Ann’s Hospice in Heald Green – along the way as part of John-Paul and the Wythenshawe Waste Warriors’ Pound a Bag sponsorship scheme, which is really starting to take off in 2021.
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With a £3,000 target to hit, the group’s JustGiving fundraiser has now accumulated an impressive £830 and counting, with the Brookes family themselves managing to raise over £100 of that figure.
“It’s just brilliant,” said Anthony, “I never thought [we’d] get that”.
Anthony Brookes / Wythenshawe Waste WarriorsWythenshawe Waste Warriors
Anthony continued: “We are happy we are inspiring other people to get out and join the big clean up and [we’d] like to thank all my family and friends for the likes, shares and support [on social media] and the sponsors.
“You are all amazing”.
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Donations to the group’s JustGiving fundraiser for St Ann’s Hospice can be made here.
You can find more information about the Wythenshawe Waste Warriors – including how to get yourself involved – via the group’s website here, and you can keep up to date with the brilliant work the group is doing on a daily basis to clean up the community via their social media platforms – Facebook and Twitter.
Feature
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Feature
Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
Emily Sergeant -
18th January 2021 
