Soho House Manchester is surely one of the city’s most hotly-anticipated (and long-awaited) new openings.
The London-founded luxury members’ club has been slowly transforming the Old Granada Studios in the city centre into a multi-storey hub that will include restaurants, bars, bedrooms; event spaces, a gym, and, most notably, a rooftop pool.
At one point, its grand opening was locked in for 2022, but now we’re in 2024 and still no official opening date has been announced.
But there’s a good reason for that: you cannot rush perfection, and you can expect perfection when the annual membership cost is close to £3,000 – and yes, Soho House Manchester will be the same.
We may still be looking at the same set of artist impressions for their new venue in the North, but after a whistle-stop tour of several other of their UK locations, we finally have an idea of what to expect from their first venture north.
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What will Soho House Manchester look like?
Not one inch of Soho House is overlooked when it comes to its design – every corner, nook and cranny has been considered and made beautiful.
One thing you’re guaranteed to find is attention to detail.
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Every site is different from the last, lifting inspiration from the building it takes over and the history of the local area.
Bedrooms at White City House in LondonA lounge area at Soho House’s White City HouseWhite City House’s barPen Yen, a Japanese restaurant in Soho House London, White CityAnother Soho House lounge spaceSoho House Manchester will have their trademark rooftop pool tooClick or swipe through the gallery above to see inside Soho House’s White City House (Credit: The Manc)
For example, White City House, constructed within the iconic, circular former BBC HQ, has collages of nostalgic programmes, analogue TVs stuck to the walls, and mid-century modern furniture that tastefully nods back to the building’s most significant era.
But then you head to the very first Soho House location, tucked in a tall townhouse in the heart of bustling Soho, and it’s all about elaborately patterned wallpapers, plump colourful cushions and chintzy curtains.
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With Soho House Manchester taking shape inside the former Granada Studios, we can expect a nod to our city’s broadcasting heritage, probably some 1960s-inspired interiors (this building held the Beatles’ first television performance in 1962), and hopefully not a Hacienda stripe in sight…
Want another example of attention to detail? Every Soho venue even has its own stripe, used on its towels, stationery and other items dotted around the spaces. For Manchester, it’s going to be a navy and ochre wave pattern.
So while there are similarities between every location, this is far from being a copy-and-paste brand.
The same applies to the customer service. It’s quite remarkable to sit and watch how staff at each House will greet members by name at just a glance, very much like that scene in The Devil Wears Prada but I can’t see a panicked Emily Blunt whispering in anyone’s ear here.
The pool at Soho Farmhouse isn’t quite how the one Manchester will lookSoho Farmhouse bedroomsPrivate dining space at Soho FarmhouseThe ‘Lazy Lake’ hot tubs at Soho Farmhouse – again a different vibe from what Manchester can expectAnother Soho House restaurantA look around Soho Farmhouse before the MCR venue opens.
How does Soho House work?
Another recurring feature at Soho House will be total privacy. There’s a strict no-photos policy that means even the most A-list of guests (yes, including Harry Styles) can relax and enjoy the space without the fear of having their picture sold to a tabloid.
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If you whip out a phone, you’ll be told politely but firmly not to take photos or videos… not that many people even try. The application process to become a Soho House member is rigorous, so once you’re in, almost everyone plays by the rules.
And it really is private. One does not simply walk into Soho House, even if you do have cash to spend. In fact, the only way you can set foot into these hallowed halls without being a member is to be invited as a guest of an existing member.
Soho House memberships are generally offered to those working in the creative industries, so you’re never more than a few metres from artists, music industry bigwigs, actors, dancers, writers, designers and more.
Inside any one house, you probably will spot a famous face or two (on our trip to Soho Farmhouse I clocked a legitimate Hollywood A-lister), but you might not notice – they’ll be treated the same as every other guest and can relax safely in the knowledge that they’re not about to be pestered for a selfie.
Restaurants for Soho Manchester haven’t been confirmed yet, though we can pretty safely assume they won’t be akin to the Farmhouse offerings, but our tour of existing locations included several signature brands that would be very welcome – though we must stress eating there isn’t included in your membership cost.
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We could get Pen Yen, a vibrant Japanese restaurant; or Little Berenjak, a sister site for the Persian restaurant in London that is so popular, it’s nigh-on impossible to get a table.
Picante, Soho House’s signature cocktailAttention to detail even includes complimentary condoms in the bedroomsAn event space in the original Soho HouseBikes at Soho Farmhouse – at least we can ride our Berly cycles to the Manchester venue when it opens
The Soho Farmhouse experience
One thing we’re sadly not likely to get a taste of here in Manchester is the peace and tranquillity enjoyed at Soho Farmhouse, where features include a heated outdoor pool and hot tubs sunk into the lake, pretty green bikes you can cycle around on, and cosy rooms built into wooden cabins or ‘piglet’ style huts.
But if you sign up for the ‘Every House’ membership, you can at least pay it a visit.
But what is on the cards for Manchester is their trademark rooftop pool with sunbeds and a bar; an enormous gym space (Soho House has said this is a priority, and after seeing how busy the gym at White City House is, I can see why), fitness studios; a steam room and sauna. We’re not even remotely done…
A ninth-floor late-night bar and live music space, casual lounge areas serving food and drink; a formal restaurant; an events space with a bar and DJ booth; 23 bedrooms of varying sizes; and an 80sq metre two-bedroom private apartment. Phew.
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Set to be not only the first Soho House site in Manchester but in the North full stop, it will join other UK sites across London, Oxfordshire, Somerset, Windsor and Brighton.
An exact opening date for Soho House Manchester is expected to be confirmed soon.
Soho House Manchester – memberships and application process
The full membership gains you access to the Manchester private members club and all other existing 40 Soho Houses around the globe and costs £2,950.
But if you want to just use their flagship Northern venue, that will cost £1,925.
There are also cheaper Soho House membership prices available for under-27s.
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As part of the application process, you’ll need to supply a headshot, information about your work and industry, links to your online profiles, and several other titbits about yourself.
It helps if you already know a couple of existing Soho House members who can refer you, too.
And you must confirm that you’ll abide by the house rules, which you can see HERE.
When it does finally open, Soho House Manchester is going to be a big deal and if memberships are already open, so apply now if you want to be part of what will be the city’s most exclusive club, hotel, bar, restaurant and hospitality community.
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
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Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
Daisy Jackson -
21st April 2024 
