When it comes to listing things that define our city’s culture, music and Manchester go hand-in-hand; we’re up there with one of the most influential music places on the planet and we’ve got the best record shops to go with it – no exaggeration.
In fact, we’re sure you can relate when we insist that some of our earliest memories of coming into town are when we came to shop for new music and flick through old records for hours.
That being said, in the age of streaming and digital music dominating much of how we consume our favourite tunes these days, the record shop is one of the last bastions of that lovely analogue tradition of not just listening to music, but devotedly collecting for decades.
So, for those of you audiophiles who still like to flip through a proper LP or try and find a gem amongst the old, well-thumbed singles from back in the day, we thought we’d put together a list of the best record shops in Greater Manchester. You’re welcome.
A dozen of the best record stores in Manchester city centre and beyond
1. Sifters Records – Burnage
The vinyl action around Greater Manchester may be concentrated around the city centre, but you’ll find comfortably one of the best record stores out in Burnage.
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Even if you’ve never visited Sifters Records, you’ll recognise the name – this is the very shop referenced by Oasis in their tune ‘Shakermaker’, where Noel Gallagher sings: “Mister Sifter sold me songs when I was just sixteen.”
The musician used to shop here when he was a teenager, way before Oasis started releasing their own records, and their impact on the surrounding community and other local artists is massive.
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The shop was opened more than 40 years ago by Mr Sifter himself, Pete Howard, who stocked it with 700 of his own LPs.
Inside now you’ll find a massive collection of rare and vintage records.
2. Piccadilly Records – Northern Quarter
Piccadilly Records, ironically in Northern Quarter instead (Credit: The Manc Audio)
This is arguably the city’s best-known (and most-photographed) record store, with its orange sign and pretty patchwork of vinyl covers in the window.
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Part of Manchester’s music scene since 1978, the shop thrived in the post-punk era of the 1980s.
Following relocation and new management in the 90s, it’s widely considered one of the world’s best independent record shops — yes, the world — and is always at the heart of Record Store Day with queues forming at least a day before.
You’ll find it in the middle of Oldham Street, right in the beating heart of the Northern Quarter.
3. Vinyl Exchange – NQ
One of the GOATsAlways busy on RSDAn NQ favourite (Credit: The Manc Group/Vinyl Exchange via Instagram)
Another Northern Quarter institution is Vinyl Exchange, which has stood on the corner of Oldham Street and Dale Street (give or take a few metres) since 1988.
Its impressive catalogue of collectors’ editions and fan favourites makes Vinyl Exchange a popular site with people of all ages – including, apparently, some of the world’s most iconic musicians themselves. Regular shoppers have included Tim Burgess, Johnny Marr, and Bez.
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Sprawled across two floors are CDs and records spanning just about every genre, from rock and indie, metal, punk, alternative, experimental, industrial, psychedelic and soundtracks.
Vinyl Revival, also Northern Quarter (Credit: The Manc)
It’s all about Manchester’s musical history at Vinyl Revival, which proudly toots the horn of the city’s local bands from the 1960s to the present day.
Sandwiched in between a sex shop and an old pet store, it’s been here sat here in NQ for almost 30 years and stocks a massive range of vinyl, CDs, t-shirts and posters.
Their Record Store Day collection is always up there with the very best so keep your eyes peeled.
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5. Wax and Beans – Bury
The @RSDUK queue started at 07:05 with these lunatics folks!
Now that’s what you call Record Store Day commitment.
Bury‘s only independent record store spans across two floors in a beautiful Grade II-listed building on Market Street in the heart of the town.
As well as its new and used vinyl collection — which you can test out on a turntable and headphones set-up — there’s a cafe serving hot and cold drinks, food, snacks and fresh cakes.
It pulls in a lot of live music from some massive names too, with recent intimate gigs and meet-and-greets from The Lathums, Inspiral Carpets and The Cribs.
And the queues for Record Store Day always start a good 20 hours before it opens for the big day…
6. Kingbee Records – Chorlton
A proper throwback of a shop‘r LesChorlton’s Kingbee Records (Credit: X/Facebook)
Once again, while many of you living outside the city centre might often complain ‘there aren’t enough record shops near me’, those of you living in Chorlton will know that isn’t a problem you have to worry about.
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You don’t need to hop on a tram into town or wander your way down some miscellaneous backstreet to spot the sunny yellow frontage of Kingbee Records, a place that has been a staple in Chorlton for as long as most of us can remember and owned the entire time by Les Hare.
The shop buys and sells all styles of music, with a stock that changes daily.
Charmingly, their website bio says (and strap in for this):
“You can’t move in here on Saturday afternoon for errant dads who’ve been sent out for a loaf and taken a musical detour, indie hipsters discovering krautrock and discovering the 80s on 50p sevens, serious spending collectors eyeing the big pieces on the walls, disco mums with prams in the 12′ racks, reggae obsessives sifting the boxes for super heavyweight ska, still sharp in their 50s chaps in good shoes, evaluating the latest northern stock, Big shot US house DJs in town for the night and doubling up on obscure electro on sale at a snip, king bee WAGs huffing and puffing at the door while their loved ones spend half of next months mortgage on a pile of Cds that remind them of pramless teenage freedom, old fellers in the jazz racks lost in a world of trios, blue note and bossa, Beatle nuts buying different issues of records they already own, mods and sods, pop gods and odd bods – people who know that music is the only real magic in life.”
Kingsbee Records, in their own words
Say no more.
7. Eastern Bloc – NQ (sensing a theme here?)
Eastern Bloc isn’t just about food and bevs, it’s about records too (Credit: The Manc Eats)
Anyone who’s spent time soaking in the sun on Eastern Bloc‘s benches in NQ come spring and summertime will know that it’s one of the pure joys in life, however, it surprised us to learn how many people still don’t realise it’s much more than that. Upstairs you’ll find, for our money, one of the best record shops anywhere in Greater Manchester.
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Starting out as a record store first back in 1985, ‘E Bloc’ soon became a cultural institution and music mecca in the Manchester music scene, helping launch bands such as the Inspiral Carpets and hosting many an in-store signing for the likes of The Stone Roses and Happy Mondays.
It’s also responsible for breaking plenty of the new dance music back in the day, being one of the only shops in the UK to import dance music from around the globe and with one of the owners even going on to become part of Manc electronic legends, 808 State.
Countless names have come through here to get their hands on the latest vinyl promos down the years and remains a cutting-edge corner of the electronic scene, especially, to this day.
They don’t always take part in RSD but it doesn’t mean it still isn’t a place to waste an afternoon looking through their catalogue and sinking a couple of pints.
8. Clampdown Records – Piccadilly
We’d well and truly label this an old fashioned record shopping experience (Credit: Facebook)
Clampdown Records is another city centre sweet spot located on Paton Street at the back end of Piccadilly.
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Not be confused with the record-pressing company, the honest little independent record store has the charm of somehow always feeling quiet but cosy – well, except for when it comes to that one Saturday in April, obviously.
It started out life as a mail-order service only before posting up in the Corn Exchange in 1990. Sadly, following the IRA bombings six years later, they lost most of their stock and had to start again from scratch.
Nevertheless, cut to more than 30 years later and they’ve been open every day since, stocking some of the best rock, punk, indie, funk, soul and jazz records, both old and new.
Better still, it’s also one of the best places to exchange music, with healthy trade-in prices as owner Neil Clarke is always looking to add big collections to his catalogue.
9. Vinyl Resting Place – Afflecks
An Afflecks institution (Credit: Facebook)
And then, of course, we have Vinyl Resting Place: arguably the greatest name for a shop we’ve ever come across anywhere in 0161.
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Located on the third floor of the ever-enchanting Afflecks Palace, the record store is taped in the Hacienda black and yellow with a sign and might be on the busiest shops in Afflecks on any given day — and that’s saying something.
Run by fellow enthusiast Alistair Hall, who makes sure the soundtrack to this site is also on point, Vinyl Resting Place is without a doubt one of the best places to buy and sell records in Manchester, it really is as simple as that.
From our experience, he’s also a very hands-on owner and is always happy to help you sift through as many records as he can stomach in the search for a winner, stocking a wide variety of stuff beyond his go-to classic rock staples.
10. FOPP – Central
FOPP on Brown Street — silly name we know, but a good shop nonetheless (Credit: FOPP)
Now, you might be forgiven for mistaking FOPP for a HMV — after all, they are owned by the same people — however, this place is much more and after being rescued by the music and entertainment store chain a few years back, they’ve downsized and have done better than just steady the ship.
With just six locations across the UK at present (Glasgow, Edinburgh, London, Nottingham, Cambridge and Manchester), this quirky music shop sells everything from vinyls to games and DVDs, books, random merch and more.
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Tucked away on Brown Street just across the way from the Arndale, FOPP is like HMV with an added feel of Forbidden Planet and still has plenty of traffic through its doors each and every day.
It’s also been the site of some really big signings in recent years, such as the Pixies, Declan McKenna, Idles and countless others. It’ll be packed for Record Store Day, so make sure to get there early.
11. Empire Exchange – Piccadilly
Last but not least, we have Empire Exchange, which as they famously note is much more than a record store and is always a joy to wander around.
If you’ve never come down from the station and towards Piccadilly Gardens without hearing the speakers blaring music out of the front door to passersby all day long, have you ever really been to Manchester?
Empire Exchange on Newton Street sells everything from vintage records and retro CDs to comics, memorabilia and all manner of other trinkets.
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Starting out from nothing more than a young stamp collector’s obsession, it spawned into two shops (the old one up on Shudehill) before downsizing to this one legendary location over 20 years ago.
It was opened by two mates, John Ireland and Ian Stott, and although Ian sadly passed away in 2021, John and his son Dave have been keeping their love of music and collecting things alive.
Now, if that doesn’t sum up how special places like record stores are, then I don’t know what does.
Last up on our list of a dozen brilliant shops selling vinyls and hidden gems from the Manc music scene is one of the newest on the record store circuit. It also happens to have one of the best names too.
Fittingly called Withy Groove in relation to the historic Stores over the road, this new addition to Shudehill is buried in a basement just next to Rambo’s Tattoos and really does feel like you’ve stumbled a well-kept secret. There’s very few of those left these days.
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They’ve got a dedicated section for rarities and super valuable special editions too and we spent a good long while flicking through it, believe us.
In fact, we were such big fans we did a whole little feature on this new curiosity located just on the edge of NQ, so click HERE to find out more.
Now, this is by no means an exhaustive list, we know full well that there are plenty more locations up there that many of you would consider among the best records shops in Greater Manchester — that’s what the comments section is for.
But that’s what the love of music is all about right? Blindly trying to make your way through all of the incredible records and artists in the world knowing full well it’s an impossible task and you’ll never listen to it all, as well as sharing it with your mates and getting them onto their new favourite band.
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Record shops are one of the perfect places to do that and play your part in the eternal circle of a music lover’s life: never even scratching the surface of all the music out there but eagerly awaiting to play it to your friend whilst watching their face light up as they discover a new obsession, and vice versa.
Manchester streaming platform StreamGM unveils four-part creative industry careers podcast
Thomas Melia
A new four-partpodcast by StreamGM featuring some of Greater Manchester’s top creatives has launched with the aim of powering creative careers.
Produced by Rebecca Swarray, a.k.a. ‘RebeccaNeverBecky’ – the founder of the Manchester events and arts collective – this podcast is designed to “ignite and elevate creative careers in music.”
Swarray deep dives into the current Manc music scene and beyond with the help of fellow insiders who vary upon each episode.
There are four parts in this latest series and there’s lots to cover, especially in an industry that’s ever-changing and ever-challenging.
Some of the guests and speakers you can expect to listen to on ‘ICAM’ (In Conversations and Masterclasses)Credit: StreamGM/The Manc Group
Listeners can expect to learn all about ‘Women Behind The Music’ as part of the In Conversations and Masterclasses series with Sophie Bee, Sara Garvey and Kat Brown.
The next episode delves into another key music industry area, ‘Promoters, Venues And Events’, which is broken down by Baz Plug One, Strutty, Tashadean Wood and Liv McCafferty.
‘Artist Development And Management’ features Karen Boardman, Karen Gabay, Damian Morgan, and Via Culpan deep in discussion.
The final episode in this four-part series is ‘Videography And Photography In The Creative Industries’, which sees Johan Reitan, Alice Kanako and Ahmani Vidal talking all things visual.
These four features will be an incredible resource for any creative talents as it put together by professionals for upcoming professionals of any age from any background, race, gender and walk of life.
After all, that’s what is all about, right?
Abbreviated to ‘ICAM’, the podcast is certainly one to check out, with for aspiring artist managers, producers, photographers, promoters—anyone driven to make their mark in music and events.
These podcast sessions understand industry challenges, explore career journeys, creative influences, crisis management and lots more creative field concerns.
You can find the first episode in full down below:
The first episode of the new limited StreamGM podcast.
This run of shows is the second instalment by StreamGM: Greater Manchester’s phenomenal streaming platform dedicated to all things music, nightlife and culture.
Whether you’re a budding creative arts talent or just curious to find out insights into this wonderful innovative industry, you can listen to all the episodes from the series directly on StreamGM HERE.
Elsewhere in Greater Manchester music news, another very special event is kicking off very soon:
Featured Images — Publicity Picture (Supplied)/The Manc Group
Audio
Interview | Snow Patrol on being at ‘the best they’ve ever been’ and making music that matters
Danny Jones
2024 was the year that Snow Patrol not only returned with their first album in six years but reminded crowds all over the Europe in the 12 months leading up to that release why they’ve still got the following the day to this day.
First formed back in 1994 if you can believe that (yes, it’s been more than three decades since these lads first arrived on the scene) Snow Patrol remain one of the most recongnisable names in contemporary alternative, classic indie and ‘dad rock’ if we’re still throwing that term around.
We’re not using that as anything other than the foundational sound and sheer compliment it is by the way; we often feel it’s almost an unnaitainble kind of sound/vibe at this present moment but one than formed many of our first music memories and still influences our tastes to this day.
More importantly, you don’t get to have been around as long as these without having made an impact on people, so when we were offered the chance to chat with the band’s famous frontman, Gary Lightbody ahead of their Co-op Live debut, we were delighted and beyond grateful. Here’s how it went:
Before the interview, we caught Snow Patrol at their intimate album show back in September. (Credit: The Manc Group)
Gary Lightbody on making Snow Patrol’s ‘best record to date’
I heard you say somewhere recently that it might be the favourite thing that you’ve ever made. Does that still sound true to you?
[He nods with a modest smile] Yeah, yeah. I do tend to make my make sure my feelings are set on a record before it comes out, because I don’t want the reaction to you know to dictate how I feel about it.
But yeah, I think we felt that from pretty early on recording with Fraser [T. Smith], I mean, Johnny [McDaid] and Nathan [Connolly] and I had written songs for it and Johnny had made some extraordinary versions we were referring to as the original version of the song, and that’s what we went in the first time to record with a new producer.
Obviously, we’ve been working with Jacknife Lee for 20 years and wanted to try somebody new – not disrespect to him, he’s a f***ing legend – but it didn’t work out the first time, so then we took some time to figure out what we wanted to do and I’d already written ‘All’ with Fraser.
So we decided to go in with him and we could try each other out; he could see if he liked us and vice versa, and it was instant – it was just instant. Every day felt like an adventure and like we were going in the right direction each time.
Some of the songs you know were started by Johnny (the original versions), and then we’d add to those and every time we added, this time it felt like there was something that was expanding the universe of the song, whereas in the previous incarnations it felt like there was something sort of falling inwards like a flan collapsing in a cupboard or something.
Hard not to laugh at that analogy.*
It felt experimental and every time Johnny and Nathan were playing, it added something extraordinary and it was just a joy and an honour to watch them work, and it’s not a joy watching me play the guitar, but it wouldn’t have worked in the reverse.
They’re extraordinary players and so by the end of that time with Fraser, when we’d finished, there was a real strong feeling that the music was as good as we ever made, so that’s when it galvanized with me, that’s when it sort of coalesced with me that this was the strongest album that we’d made.
It hasn’t stopped – I haven’t stopped feeling like that.
After learning what we did in this interview, The Forest Is The Path might just be our favourite Snow Patrol album too.
Amazing, and yeah you certainly feel something’s changed there. How much do you think working with different people in the booth helped that?
Things are always going to change and there has been an evolution live as well. You know, I feel like that the festivals over the course over the summer – we’ve been playing some great shows and it’s been so fun, so I feel like we’re as we’re sharp as we’ve ever been.
You know, you’re from Manchester, I’m from Northern Ireland: we don’t give ourselves, compliments – you know what I mean, this is not what we do, so I’ll do my very best without never being allowed back in Northern Ireland again.
It just feels like we’re everything has got sharper and everything has expanded. I mean, even the small moments feel giant, like there’s a song on the record called ‘These Lies’ and there’s a piano and Nathan’s atmospheric guitar and my vocal and that’s it but pretty early on we were like this is the biggest song on the record.
So it sort of feels like something’s happening creatively that is exciting and I don’t want to overthink it too much because no thought process went into it; nothing ever is strategic about what we do. We start with a blank piece of paper and a couple of instruments, and we’ll always do that.
Yeah, you’ve always done those quiet moments so well, be it ‘Set Fire to the Third Bar’ or even those songs that sound upbeat but there’s a real sadness behind it.How do you find going from those almost Emerald Isle proasic moments to the bigger stuff when playing live?
From L-R, Johnny, Nathan and Gary (Credit: Press Shot via Chuff Media)
I mean, thank you for everything you said there – you’ve hit upon it there: it’s the live thing we think about more than that. You don’t set your sights on live when you’re in the studio but when you do hit upon something and you go, ‘Oh s***, yeah, this will go in the set, yeah’.
We don’t think about like what will go on the radie, like that’s the death I think of creativity when you’re trying to find a blueprint to and wonder what’s on the radio right now.
I mean, it wouldn’t work for us anyway, what’s happening in pop right now – because I’m a fan of a lot of all kinds of music is well-established, you know what I mean; I’m not an indie snob or anything like that I love pop music too, and dance and hip hop and everything – but it’s not something that we can control.
It would just always seem like pushing ourselves into a shape that we don’t quite feel comfortable in, or wearing kind of clothes that you know that’s anytime. You know, we’ve in the past where we’ve had to wear clothes for a photo shoot that are just being taken out of a packet or whatever, so now we just bring our own gear to the photo shoots and stuff, so it’s about sort of feeling kind of comfortable and confident in yourself.
It’s like in the studio itself: this is where where you get into the difficulties, that’s where you get into the heart, the hard places and try and make them more malleable but never think about ‘radio singles’…
People call this record introspective, but I think that the last one [Wildness] was way more introspective and it didn’t have any singles really. So yeah, it was true [that this is their favourite record to date] and when we finished it we were like a dog with a a bird at the door.
Brilliant. And you know, you touched on the live stuff there and festivals etc. It’s great to have you back on the circuit but how excited are you to be playing these new songs and seeing fans develop a new relationship with them and you?
I try not to look too much at comments because it can send you down a path, but I did see a comment recently: somebody said that they came to see it for the first time and didn’t realisee they knew ‘All’ and didn’t realise they knew so many of our songs.
It’s great that the songs have got into people because it also takes the pressure off us, because we don’t have to worry about walking down the street anywhere, but the songs have found their way into the public consciousness, which if you could design a way to have success, that would be it: anonymous and successful.
We’ll finally get to stretch our legs a wee bit with the album. Don’t want to hit too many new songs just quite yet for anybody but it’s been really fun over the course of the summer to see the reaction. It’s been confidence boosting because it means, I think, that we can just sort of relax a wee bit and just allow the new songs to be part of the set without worrying too much.
We’re really conscious as well that people buy a ticket to a show: we want them to have a really fun night out, and that there shouldn’t be a sort of exam that comes along with with a show – you shouldn’t have to, like, do research before you go and if you know the new song’s great, and if you don’t, that’s okay, there’s not going to be tonnes of them, but there’ll be enough to satisfy us.
Do you or the rest of the band have a favourite that you’re really looking forward to playing?
I never really tire of those songs that have sort of a slow build and that kind of go bananas at the end but I think there are [plenty of] songs that would be great to play like ‘Hold Me In the Fire’ and ‘Years That Fall’ that are kind of built for live shows.
We’ll maybe play the three or singles and then one extra each night and rotate that extra one, you know; if people to come to multiple shows – which sometimes they do – then at least they hear you know something new each night as well.
Nice, and do you guys feel there was a particular vibe that you tried to nail for this album?
Erm, no – it’s a good question but no, not really. I think the vibe was the vibe that was created between the four of us rather than on on any particular song, because I think the songs we just let them be.
That’s the thing: you start with that blank page and then you let the song be whatever it wants to be because any song written on a guitar or piano and has a melody, it can be anything we could make turn into a country song or whatever, you know, I think it’s just allowing the song to be what it feels like it wants to be, so getting out of the way sometimes is good.
But yeah, I don’t think there was a vibe that sort of is pervasive on the record as a whole but maybe lyrically, the vagaries of time is kind of the theme through the record as a whole: time’s not linear. We think it is because we’re told it is, but you just realise that every individual person has their own time.
Depending on how fast your heart is beating, how happy you are, how sad you are; how much grief or joy you are in your life, time will speed up and slow down and almost feel like it’s stopping sometimes, and that kind of is what has sort of been the kind of theme through the whole record coming out the back of my father’s death. I don’t really specifically talk about that in the record, but it’s um, it’s sort of something. I guess that became kind of a um a theme amazing.
Maybe that’s why I love this record so much because I’m obsessed with time. One last question, I saw you say ‘We’ve never been cool, so who gives a s***?’, and I think there’s something unique about a fan’s relationship with those underdog bands – what makes it special do you think?
That wasn’t exactly how I answered that, but they made me sound a lot cooler than I was. I think I was a bit more equivocal than that rather than but yeah, I mean it’s incredible.
People do say to me pretty often like this, whatever song it was – you know you mentioned, ‘Set Fire’ or ‘Open Your Eyes’, ‘Run’, or one of the quieter moments – they’ll say that this song means this to me because this happened and it was the soundtrack to that happening in my life, you know what I mean?
It could be something joyful, or it could be something extraordinarily painful and sad, and to feel like you were there for a person, you know what I mean? It’s something that you made in solitude, or together as a band – it wasn’t made for a specific person or a specific thing but that person has found it in their life.
So maybe it held them in a moment that was difficult for them or the opposite, or was like the best day of their life was made better by it – either way that makes me very, very happy but yeah, we’re delighted to be ‘that’ band and we’re delighted that anybody still comes to see us play live.
Especially the amount of people that have bought tickets for this tour is absolutely extraordinary. It’s kind of blowing our minds because even with Wildness we didn’t sell anything out, so it blows our mind to still be able to play arenas and mean so much to people. We don’t take it for granted, that’s for sure.
If there was one thing we took away from this interview it’s that we’re just so glad to have such a long-lasting, influential and meaningful band back in our lives and, more importantly, back where they belong: delighting the smallest of rooms to the biggest of arenas – Snow Patrol have always been built for both.
The lads are playing the Co-op Live for the first time ever this Saturday, 22 February and we’re sure it’s going to be an unbelievable show that follows not even a return to form in our eyes but a reminder of just how brilliant a bunch of musicians these lot are.
There are still a handful of tickets left for massive Manchester gig – you can grab yours HERE.
This Saturday, Snow Patrol take to the stage @TheCoopLive
Post-event: – There will be trams back to the city centre from Etihad Campus – Holt Town and Velopark stops will be closed in both directions for approx. 1 hour.
Daisy Jackson -
22nd April 2023 
