Rose Gold is an incredibly charming short film that beautifully encapsulates the essence of Manchester’s vibrant music scene, intertwined with themes of resilience, camaraderie and the human spirit.
Directed by Simon Powell (Girl Shaped Love Drug) and produced by Antony Crank (Coronation Street), it delivers a poignant narrative centred around Rose (Chloe Lea), a young girl grappling with the weight of responsibilities far beyond her years in the early 1990s Manchester.
At its core, the film is a testament to the power of music as a universal language that transcends barriers and brings people together. Rose’s journey sees her navigating the challenges of balancing school, a job and caring for her mother, who battles multiple sclerosis.
However, amidst the struggles, she finds solace and hope in the pulsating beats of 90’s house music.
The character of Rose is portrayed with remarkable depth and authenticity, thanks to a compelling performance by lead actress Lea, who also stars in the upcoming Dune: Sisterhood TV series and won a BAFTA at the impressive age of 13.
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Rose’s journey starts from a place of despair to one of empowerment and belonging, which is both heart-wrenching and inspiring at the same time.
The relationship with her grandmother, simply referred to as Nan (Julie Glover), adds another layer of emotional depth, that’ll have you welling up to belly laughing in an instant – highlighting the complexities of familial bonds in the face of adversity.
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Central to Rose’s transformation is her connection with Ian (Jordan Akkaya), a charismatic club DJ, and his eclectic circle of kindred spirits. Rose finds herself immersed in a world of freedom and self-expression, far removed from the confines of her daily struggles.
The togetherness depicted among the characters is palpable, serving as a poignant reminder of the community and solidarity the Manchester music scene created.
One of the film’s standout features is its electrifying soundtrack, which serves as the heartbeat of Manchester’s music scene.
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Seamlessly woven into the narrative, the pulsating rhythms of 90’s house music elevate the viewing experience, transporting audiences back in time to the euphoric dance floors of iconic clubs like the Hacienda.
Overall, Rose Gold is a triumph of storytelling seamlessly blending themes of resilience, music, and companionship into a captivating cinematic experience — a true testament to the enduring power of the human spirit to find light amidst darkness, and a love letter to the infectious spirit of Manchester.
While this is merely the short film rendition, Powell and Crank (who also plays Bernard) put across such a wave of relatable emotions even in the half-hour run-time, we’re beyond buzzing for what unfolds with this incredible story and characters that the cast and crew brought to life.
Bring on the feature film and keep your eyes peeled for when it drops. Oh, and yes sir, I can boogie!
Featured Images — 53 Degrees North – Film(supplied)
TV & Showbiz
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
Daisy Jackson
A new Harry Styles special is coming to Netflix, it’s been announced today.
The star will be performing a ‘One Night Only’ special in Manchester this week, to celebrate the release of his new album.
Tickets for the (relatively) intimate gig at the Co-op Live were like gold dust – but even if you missed out, it looks like you’ll be able to get a slice of the action.
Netflix and Harry Styles have both today teased what appears to be a special documentary, set for release just two days after the show itself.
‘Harry Styles, One Night in Manchester’ will drop on the streaming platform at 7pm on Sunday 8 March.
The teaser trailer shows behind-the-scenes footage of the former One Direction star rehearsing in the studio.
He also jokingly makes the iconic ‘tudum’ Netflix sound straight into the mic before cracking a charming smile at the camera.
Harry Styles will be performing in Manchester on Friday 6 March, to mark the release of his new album Kiss All The Time, Disco Occasionally.
The album is also set for release the same day.
He performed the first single from the album, Aperture, at the BRIT Awards on Saturday night – but his One Night Only show will be fans’ first time to hear the rest of the album live.
Netflix posted: “Ready. Steady. Go.
“Harry Styles. One Night In Manchester. Premieres March 8 at 7pm GMT/12pm PT on Netflix.”
BRITs 2026 – A (completely subjective) ranking of all the performances from worst to best
Emily Sergeant
The BRIT Awards brought all the action to Manchester last night, including some absolutely stellar performances by huge names.
But who gave the best performance of the night? And who sadly missed the mark?
That’s right – The BRITs landed in Manchester for the first time in its 46-year history, electrifying Co-op Live as part of a two-year deal described as a ‘bold new chapter’ for the legendary event, and there was some incredible live acts performing to celebrate.
Now, before we get into it, this piece right here very much defines what Op-Ed is. This is an article written up based on personal opinion, and should only be viewed in that way. You see, we usually like to remain as impartial as we can on The Manc, and always aim to present things from all perspectives where possible. Often, you’ll even see us referring to ourselves using collective pronouns (as we just did there… and right then too), but right now, it’s time for some first-person pronoun usage – hi, my name’s Emily, and this is my ranking.
Unfortunately, I wasn’t one of the lucky The Manc Group team members who got to attend the BRITs in person at Co-op Live last night, so I just sat at home watching from the comfort of my sofa while live-reporting on all the winners instead.
That did mean, however, that I got a front-row seat to all of the night’s performances, so I’m arguably *qualified* to rank them all from worst to best… right?
Okay, so here it goes then.
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Honourable Mention
I only feel it’s fair to put this performance into its own category and not include it as part of the full ranking, given the fact that it paid tribute to indisputable rock icon Ozzy Osbourne following his passing last year, and came after he was award the Lifetime Achievement Award.
Rock on, Ozzy.
9. Sombr
Look, I’m sorry to Sombr. I actually am. I don’t even really dislike his music that much, ’12 to 12′ is an undeniable banger (a banger he didn’t perform though, I might add) and for all I know he could be a really genuinely nice lad in real life – but when he gets up on that stage, I just… it’s not for me okay.
Also the fake ‘stage invasion’ wasn’t needed. I know his new song’s called ‘Homewrecker’ but he didn’t perform that one either, so it just didn’t make sense to have it in there.
8. Alex Warren
I have to confess, straight off the bat – this was not as bad as I was expecting it to be.
I mean, I can’t say I’ve ever willingly listened to Alex Warren’s chart-topping song ‘Ordinary’ all the way through before, so I don’t know what exactly I was expecting from it, to be honest, I just wasn’t expecting it to be good… and it wasn’t, but it also wasn’t that bad either, so I respect that.
HUGE shoutout to James Blunt, though – like what the hell? Sure.
7. HUNTR/X (KPop Demon Hunters)
Right, why were they in the car park?
I mean I know ‘why’, it’s for the kids. But imagine being an East Manchester resident just trying to enjoy a quiet Saturday night in, and then all you can hear are three singers reaching excessively high notes outside your house, even when all your doors and windows are closed. Should’ve just let them inside. Song’s a banger though, it genuinely is.
Also, if we’re still doing confessions, I genuinely thought HUNTR/X were an AI band until only a couple of months ago and was truly humbled to find out they weren’t after exclaiming it with my whole chest. Anyway, the more you know. I blame the fact it’s an animated film for fooling me.
6. Raye
I’m expecting to get a bit of backlash on this from all the Raye fans in our office, but this one just didn’t grab me to be honest. It didn’t really distinguish itself from any other Raye performances, and I think I just wanted a bit more?
Cannot fault her talent though. I really can’t.
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5. Wolf Alice
Surprisingly, given the type of music and artists everyone who knows me knows I’m a fan of, I’ve never really taken to Wolf Alice a great deal, and I’m not entirely sure as to why either, which feels a little unfair to them. This performance, however, was impressive.
My personal favourite part was when everyone climbed out of the sofa, and also when Ellie was looking dead down the barrel of the camera lens singing on that suspended bridge thing.
I might have to bury whatever non-existent hatchet I seem to have with them, and get to know.
4. Olivia Dean
Olivia Dean was the big winner of the night, hands down (I mean, she won four BRITs so it’s less ‘hands down’, more just facts) and you will never, repeat NEVER, see me tearing her down for that. But I just don’t think her performance of her huge viral hit ‘Man I Need’ here secures her a spot in the top three performances of the night.
This does not mean I didn’t enjoy it though. Oh no, I thoroughly enjoyed every single second of it, and it looks like she did too – and honestly, that’s the main thing. Nothing else matters.
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3. Mark Ronson
Dua Lipa surprise appearance coming down from the ceiling on a disco ball. That’s it, that’s the review.
Okay, to add to it a bit more, I suppose – this was overall a really lovely performance to honour Mark Ronson’s impressive Outstanding Contribution to Music award that he accepted earlier, and was a great retrospective on his illustrious career. The Amy Winehouse tribute was a tear-jerker.
Also, rogue Ghostface Killah appearance in the year 2026. Okay then (Wu-Tang are performing at Co-op Live later this month on their UK tour, so not that ‘rogue’, but we weren’t expecting him here, were we?).
2. Harry Styles
It pains me, physically pains me, that I’ve just had to write out ‘2. Harry Styles’, but unfortunately, he’s just missed out on the top spot.
Less than a week before he takes to the Co-op Live stage in Manchester for one night only next Friday to celebrate the release of his fourth studio album, Kiss All The Time. Disco, Occasionally, our lovely Harry performed lead single ‘Aperture’ to open last night’s BRIT Awards, and it was just joyful to witness from start to finish.
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That white boy’s got a good bit of motion, you can’t take that away from him.
It’s slightly more of a niche thing to praise, but as someone who’s grown up dancing my whole life, the choreography here really is my s**t, and really elevated – if not made – the whole performance.
1. Rosalía
I’ve only just picked my jaw up off the floor.
This was, by far, my most highly-anticipated performance of the night by a country mile, and f**k me did it deliver. It has to be said, while we’re here, that Rosalía’s Lux ended up being my pick for album of the year in 2025 according to our Audio North year-end list, so there may be a little bit of bias in my review, but this was genuinely everything I was hoping it would be and more.
This was Rosalía’s first – and so far, only – performance of ‘Berghain’ live on television since the album was released to universal acclaim this past November, so even if it wasn’t particularly up your street, you still got to witness a hugely important moment.
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The transition to the additional ‘rave’ element once the song had finished really turned it into the sort of thing that could be played in the infamous Berlin club it’s named after. Excellent touch.
Also BJÖRKKKKKKK. Ahhhhhhhh. If you wanted the most genuine re-creation of my reaction when she appeared last night, this was it. “AHHHHHHHH”.
The Manc -
9th February 2024 
