Leading names within the night time economy sector are demanding “urgent additional clarity” in reaction to yesterday’s roadmap announcement.
In a direct address to the nation, coming just over seven weeks after the reintroducing of national restrictions in England for a third time amid the coronavirus (COVID-19) pandemic, and ahead of Chancellor Rishi Sunak’s Budget arriving next week, Prime Minister Boris Johnson has officially announced the government’s roadmap to take the country out of lockdown.
The roadmap will see the economy reopen over a number of weeks, lifting measures for separate sectors at four different stages.
Mr Johnson claimed that this exit strategy was designed in such a way as to be “irreversible”.
Providing the government deems it safe enough to do so when the time arrives, Greater Manchester’s hard-hit hospitality industry has been given the green light to begin reopening under the ‘rule of six’ from no earlier than 12th April, by starting with outdoor dining and drinking, before moving indoors on 17th May.
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But for the night time economy sector – the fifth biggest industry in the UK – reopening to the public will not be permitted until all social restrictions are predicted to be lifted by 21st June at the earliest.
The streets of Manchester city centre and the borough’s towns are usually teeming with revellers on any given weekend, but the roadmap announcement means that we’ll have to wait a good few months before we’re met with that familiar hustle and bustle once again.
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It also means that, by the time of predicted reopening, nightclubs and concert halls across the region will have been closed for in excess of 455 days.
It’s this continued shut-down of the sector that has prompted a reaction by many industry figures.
Michael Kill, CEO – “We are pleased to hear within the Prime Minister’s statement the inclusion of a timeline for night time economy businesses, in particular some of the hardest hit businesses, many of which have been closed since March 2020, like nightclubs, bars and casinos” pic.twitter.com/KxcjG3qPLK
— Night Time Industries Association (@ntiaofficial) February 22, 2021
Michael Kill – CEO of the Night Time Industries Association (NTIA) – has responded to the unveiling of the roadmap with a stark warning, saying that: “[Although] we are pleased to hear within the Prime Minister’s statement the inclusion of a timeline for night time economy businesses, in particular some of the hardest hit businesses, many of which have been closed since March 2020, like nightclubs, bars and casinos.
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“Despite this, our evidence suggests that 85% of those who work in the night time economy are considering leaving the sector.
“The sector urgently needs additional clarity on reopening and critical financial support from the Chancellor if we are to avoid economic and social damage that will last a generation.”
The Music Venue Trust took to social media to echo a similar sentiment, stating that: “We warmly welcome the government’s acknowledgement of the value of nightlife, committing to not reinstating a curfew and including nightclubs within the reopening timetable [but] we note that this road map to reopening once again singles out live performance events as a specific risk which require that the sector is treated in a special way.
“Since March 2020, we have consistently stated that, if this is the case, then it is logical that the government will choose to address that status with sector-specific financial support to mitigate the damage being done to businesses and people’s lives, careers and families.
“In light of the announcement, the Budget next week must clearly lay out exactly how the government is going to provide that sector-specific support”.
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We note that this road map to reopening once again singles out live performance events as a specific risk which require that the sector is treated in a special way.
In light of today's announcements, the Budget next week must clearly lay out exactly how the government is going to provide that sector-specific support. @RishiSunak
Here in the North West region, the government’s roadmap unveiling was met with reaction by Sacha Lord – Greater Manchester’s Night Time Economy Adviser, and co-founder of Warehouse Project and Parklife – who, after continuing to remain at the forefront of the fight to save the industry over the past 11 months, took to Twitter to give his thoughts.
Mr Lord mainly expressed anxiousness surrounding the wait until Chancellor Rishi Sunak’s Budget announcement on 3rd March.
He said: “The vast majority of pubs in deprived areas do not have beer gardens. It’s a luxury reserved for middle class areas who have the space and financials, so once again, the working class are hardest hit and I urge the government to actually visit the North to see for themselves.
“We need urgent clarity on the financial support operators will have.
“We can’t afford to wait for the Budget in 10 days [as there’ll be] huge implications on mental health for owners and employees while they wait in limbo to find out if they can financially survive and keep their livelihoods.
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Vast majority of pubs in deprived areas do not have beer gardens. It's a luxury reserved for middle class areas who have the space & financials. Once again, the working class are hardest hit.
I urge the Government to actually visit the North to see for themselves!
We need urgent clarity on the financial support operators will have. We can't afford to wait for the Budget in 10 days.
Huge implications on mental health for owners and employees while they wait in limbo to find out if they can financially survive and keep their livelihoods.
He continued: “If it’s about ‘data not dates’, I see no reason why indoor hospitality can’t reopen at the same time as non-essential retail. I’d strongly argue hospitality is safer. We still have no data to confirm hospitality is a high risk area of transmission, so how is it justified?
“For the operators who can trade outdoors, breaking even is not a possibility.
“They cannot pay rents, rates and bills or afford to take staff off furlough if they are only serving to 10% capacity, and many will simply choose not to reopen.”
He closed out his Twitter statement by agreeing with caution, questioning the logic of the dates provided.
Caution is the right approach for the long term, but:
12th April I will be able to drive into town, go shopping all day, have a haircut on the way home, then swing by Sainsburys to pick up my dinner.
I won't be able to sit in Pret and have a sandwich for lunch.
The government’s intentions for the night time economy and hospitality sector set out within its roadmap come after ongoing economic struggles, several devastating permanent closures, and a long, hard fight by business owners and industry names – as well as the forming of an All-Party Parliamentary Group (APPG) in December – that inevitably arose as a result of long-term shut-down.
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And these intentions also come after the Night Time Industries Association (NTIA) was left with no choice but to issue a stark warning to the government last month, with the body urging government ministers to provide further financial support to nightclubs.
It followed the worrying reveal that 75% of clubs could face serious hardship and even “extinction” during the third national lockdown.
The NTIA is calling on the UK government for:
Late Night Economy Sector specific support for the hardest-hit businesses in terms of grants.
Extend the VAT cut to 5% for a further 12 months, encompassing a broader part of the sector.
Extension of Business Rates Holiday until end of 2021.
Extend the repayment and interest free period for all government-backed loan initiatives.
Extend CJRS / SEISS until the end of 2021 – allowing flexible furlough.
Defer Tax Payments to December 2021 – allowing for full trading engagement before debts fall.
Resolution to the Commercial Rents issues currently, which will be pivotal once the FM runs out at the end of March.
You can find out more about the ongoing #LastToOpenFirstToKnow fight via the NTIA wesbite.
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Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
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Peaky Blinders confirm title and release date of upcoming film
Danny Jones
After what feels like an age since it was first announced, Peaky Blinders and Netflix have finally confirmed the title and release date of the upcoming feature-length film.
It was revealed that the global streaming giant secured exclusive rights to the movie last year, and it has now been revealed that it will also be released in selected theatres before it hits the platform.
With production on the long-talked-about project getting underway in September 2024, we’ve heard little else from creator Steven Knight, who has also been booked to deliver the Oasis reunion documentary chronicling their Live ’25 world tour.
However, we now know not only the official title of the film, Peaky Blinders: The Immortal Man, and that it will be dropping early next year. They’ve even shared the first poster.
Clearly referring to the series’ most famous lead character, Thomas Shelby – played by now fully-fledged Hollywood A-lister Cillian Murphy since 2013 – the teaser shows him sat astride a horse, not to mention covered in a fair amount of dirt and/or blood.
Alongside the suit and the trademark newsboy cap with blades inserted in the brim (the calling card of both the fictional and the real ‘Peaky Blinders’), it’s quite a classic look of Tommy’s.
Scheduled to release in limited cinemas on 6 March before arriving on Netflix on 20/3/2026, this will not only be the first film in the wider franchise but the first to air separately from the BBC.
While its parent network is still involved as collaborators on the flick, this is the first instalment in the IP to be distributed directly by Netflix after they bought the rights to release the show in the US.
Another look at a seemingly older Tommy Shelby (Credit: Publicity picture via Netflix)
As for The Immortal Man, both new and returning members of the cast include:
Cillian Murphy (Oppenheimer, 28 Days Later)
Rebecca Ferguson (Dune, Silo)
Tim Roth (Reservoir Dogs, The Hateful Eight)
Sophie Rundle (After the Flood, Gentleman Jack)
Ned Dennehy (Culprits, The Peripheral)
Packy Lee (Blue Lights)
Ian Peck (His Dark Materials, Robin Hood)
Jay Lycurgo (Steve, Half Bad: The Bastard Son & The Devil Himself)
Barry Keoghan (Saltburn, The Banshees of Inisherin)
Stephen Graham (Adolescence, A Thousand Blows)
Speaking in a full press release, Murphy said: “It seems like Tommy Shelby wasn’t finished with me. It is very gratifying to be re-collaborating with Steven Knight and Tom Harper on the film version of Peaky Blinders. This is one for the fans.”
Returning four years after the end of the mainline series, but catching up with Tommy at the outset of WWII in terms of the actual timelines, Netflix say that the Shelby patriarch “is driven back from a self-imposed exile to face his most destructive reckoning yet.”
Safe to say we cannot wait to be back in the world.
In the meantime, you can find out more about the next season(s) of Peaky Blinders coming to the BBC very soon down below.