Rochdale Town Hall is one of Greater Manchester’s most impressive and historic buildings – but until now, large parts of the building have been closed to the public.
All that has changed this weekend when, following several years of careful restoration, the magnificent Grade I-listed giant threw open its doors.
From Sunday 3 March, people are able to visit Rochdale Town Hall completely free of charge seven days a week (excluding Bank Holidays), exploring grand halls, historic offices, and impressive sweeping staircases.
The landmark looms over the heart of Rochdale town centre, an easy walk from tram and train stations.
Up until this year, spaces were available to book for events like weddings, and it was used for official business, but has never been properly utilised as a tourist attraction.
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It’s taken a 500-strong team of volunteers and teams of conservation specialists thousands of hours to bring it fully back to its former glory – they’ve carefully stripped away years of grime using cotton buds and other equipment to expertly bring life back to the ornate stained glass windows and historic features in almost every room.
So what exactly is it like inside after its multi-million-pound refurb, you ask? Well it’s pretty damn impressive.
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The most breathtaking space of all is the Great Hall, where 350 hand-painted panels cover the vaulted ceiling, carved wooden angels hold lanterns, stained glass windows tower overhead, an enormous organ stands on the stage, and a huge Magna Carta mural covers one wall.
The incredible hand-painted ceiling panels in the Great HallInside Rochdale Town Hall
It’s a room filled with red and gold patterns, including images of the English lions and Scottish thistle, and you might recognise these colourful walls from a little show called Peaky Blinders…
But before you even reach this point, there are wonders to behold.
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The Grand Staircase sweeps its way up from the ground floor – look up and you’ll see enormous stained glass windows documenting Rochdale’s place on the global stage.
The Exchange will be used as the town hall’s main entrance, where different shades of granite and marble were used to make candy-striped ceilings, and craftsmen carved various flora and fauna into the stone pillars.
The Great Staircase at Rochdale Town HallThe Exchange will be used as the main entrance for Rochdale Town Hall
Off here there’s a brand-new exhibition space, known as the Welcome Gallery, which tracks the timeline of the landmark, including the fire that destroyed its original clock tower (it was later re-designed by the legendary Alfred Waterhouse).
There are also historic spaces, where the walls are covered not with wallpaper but with hand-painted patterns. These intricate designs have also been restored.
In one room, you can see the history of the cotton industry in the paintings, from the Ancient Egyptians all the way up to the industrial era that Rochdale played such a huge part in.
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And as well as celebrating the historical features of Rochdale Town Hall, there are also new artworks that have been created with local community groups and schools, celebrating present day Rochdale.
Rooms which were formerly used by council staff and councillors have been turned into usable spaces for the public, like the new Bright Hall, which has double-height ceilings, angels along the walls, and a window overlooking the Great Hall from up high. The Bright Hall will now be available for community use and events.
Hundreds of volunteers and specialists have worked on Rochdale Town Hall’s refurbishmentAnother grand space in Rochdale Town Hall
When it officially reopens on Sunday 3 March, there’ll be bookable tours, longer opening hours, and new exhibition spaces for locals and visitors to explore.
And in a few months’ time, a brand new restaurant – The Martlet – will open, under the steer of executive chef Darren Parkinson who has honed his craft at some of the country’s best gastropubs.
The whole building has been made fully accessible for the first time, and there are new heating systems and a sturdier roof in place to future-proof Rochdale Town Hall for decades to come.
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Councillor Neil Emmott, leader of Rochdale Borough Council, said: “It’s been a long wait for our residents and I’m delighted that they will finally get to see their beautiful town hall, fully restored in all its glory.
“Not only will they see the town hall they know and love, looking as good as it would have when it first opened in 1871, but they will see brand new features, like the Welcome Gallery, which makes it an even better space than it was before. We can’t wait to welcome people back in.”
One of many beautiful stained glass windows inside Rochdale Town HallThe huge organ in Great Hall
Councillor Janet Emsley, cabinet member with responsibility for Rochdale Town Hall, said: “Sunday 3 March will be a wonderful celebration, but it’s really just the beginning for our brand new town hall. Our new offer means that residents will be able to see it and enjoy it seven days a week.
“We will soon be offering guided tours, alongside a full activity, events and education programme, which will be revealed soon.
“We anticipate the opening day being very busy, so people who would prefer a quieter experience may wish to come along another day. This beautiful building certainly isn’t going anywhere and our new extended opening hours offer many opportunities to enjoy this special place.”
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The huge project was made possible with funding support to the tune of an £8.9m grant from the National Lottery Heritage Fund.
For its launch weekend, there’ll be activities at Rochdale Town Hall like rug tufting workshops, the roving Bombay Raja brass band, and a special puppet show by Fool’s Paradise.
Pre-booking is now full but walk-ups are available, so, if you don’t mind a wait, you can head to Rochdale Town Hall between 10am and 4pm this Sunday to see the incredible spaces for yourself.
For more information about the town hall, including opening times and upcoming events and activities, go to rochdaletownhall.co.uk.
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
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Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
Daisy Jackson -
29th February 2024 
