The Witcher: Blood Origin, the brand-new spin-off based on the wider Witcher books and serving as a prequel to the mainline series, has managed to earn the worst Rotten Tomatoes score ever. Yikes.
Launching on Christmas Day, the new mini-series takes place more than a thousand years before the Netflix show, the games and original books.
The expanded lore of the popular dark and gory fantasy world is vast and fiendishly studied by die-hards, so a show diving into that should be a no-brainer, right?
Well, sadly, through a combination of seemingly genuine bad reviews and people simply being outraged that the main Witcher series no longer features its star, it looks like the new show is being heavily review-bombed.
Despite being currently sat at 33% and 10%, its audience score dropped at low as 8%. (Credit: Rotten Tomatoes)
In case you were unaware of some of the latest blockbuster shenanigans happening in Hollywood over the last few weeks, Geralt of Rivia himself, Henry Cavill, recently stepped away from the show to reportedly prioritise on training for his return as Superman.
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However, shortly after, it was announced by new DC Studios chairmen James Gunn and Peter Safran that they were dropping the 39-year-old actor as they hoped to pursue a new star to take on the role — you know, the same one he’d just stepped away from his reported £350,000-an-episode deal to focus on.
Yes, we know he’s a millionaire, but die-hard Henry stans obviously felt terrible for him, leaving one dream job for another beloved franchise that essentially helped put both himself and modern DC movies on the map, only to find out that he was no longer needed.
Furthermore, fans are now speculating that Cavill quit The Witcher after two highly-successful and well-paying seasons following disputes with the showrunners. A relative on-set expert as a genuine lover of the books and the games, Cavill is said to have struggled to “see eye to eye with the producers”.
Speaking to Hollywood Reporter, the Man of Steel and Mission: Impossible – Fallout star said “the toughest part for me was finding that balance between the showrunners’ vision and my love for the books”, even going on to add that “some of the writers were not [interested] or actively disliked the books and games, even actively mocking the source material.”
If this is to be believed then it’s no wonder that showrunner Lauren Schmidt-Hissrich, who is also overseeing the Blood Origin spin-off, seems to have annoyed not onlythosewho love Henry Cavill but now Witcher fans in general.
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While plenty of the Rotten Tomatoes reviews limit themselves to calling out those involved in the production for their ‘incompetence’ and ‘lack of respect’, the online consensus beyond the popular review aggregator seems to be that the writing simply isn’t up to snuff.
i wanted to at least give it a shot and i just… i know i've seen worse shows in my life but i can't think of many right now that are worse
The CGI looks hideous & cheap. Writing & dialogue is a mess. Acting isn't very good with Michelle Yeoh's talents wasted. The story is rushed into four hours. Netflix completely changed the origin of The Witchers.
This show is yet another slap in the face to longtime fans.
2022 really has been a race to the bottom when it comes to entertainment, especially the fantasy genre. First Rings of Power, then Willow, now Witcher: Blood Origin – each of them more terrible than the last.
As always, it’s worth watching and forming your own opinion before letting other people’s takes colour your own impressions but it’s fair to say it isn’t looking good for the future of the franchise’s TV adaptations.
Whether the negativity is being largely driven by review-bombing by the Henry Cavill faithful or not, it looks unlikely that there’ll be a resolution as Liam Hemsworth has already been named as the replacement for the main character, Geralt.
Moreover, since Cavill left/was dropped from both projects, he is once again being tipped to play an equally iconic pop culture protagonist in particular. Have a guess…
The Hundred 2025 is fast approaching and cricket’s fastest-growing tournament is once again asking for aspiring presenters to join their roster of co-hosts and help cover the action.
The fast-paced 100-ball format is entering its fifth year and next to T20, you find a more accessible and thrilling form of cricket, so it’s no wonder the competition is gaining a greater audience each year.
With that in mind, the need for a top-notch broadcast team is more crucial than ever but just like those who backed The Hundred in its infancy, they’re looking to invest in future creatives and on-screen talent.
Are you someone looking to get into presenting or know someone who is? Keep reading.
For the fifth year in a row, we want you to be part of #TheHundredRising! 🎤
So how does it work? Well, it’s pretty straightforward: The Hundred is looking for eight up-and-coming presenters to join their team of main venue hosts up and down the country.
Tasked with guiding and talking fans through an action-packed five weeks across all host cities, successful applicants will be responsible for building excitement and atmosphere inside the seven cricket grounds on each match day.
From player and pundit interviews to crowd engagement and interactive other activations with partnered brands, not to mention members of this year’s live music lineup, you’ll be a key part of putting out the top-quality sports and entertainment product they promise every year.
The best part of all is that no prior hosting experience is necessary – this is all about platforming you and The Hundred as a whole.
Successful applicants will be mentored by the main hosts at their respective venues and will attend a two-day workshop with special guests to get them ready to hit the stage this summer.
The ‘Rising Hosts’ scheme has been set up in tandem with their dedicated event production agency, Progress Productions, which will be in charge throughout the application and selection process.
Shortlisted applicants will then have their details shared with the ECB (English Cricket Board) who will be involved when it comes to making their final decisions.
It goes without saying that even if you just love sports or just want to find a way into the industry, this is an opportunity that is not to be missed.
A life-saving study set in memory of Girls Aloud star Sarah Harding has seen her lasting legacy extend far beyond music, as now women across the country are getting cancer tests more frequentlythanks to the research.
Funded by The Christie, The Sarah Harding Breast Cancer Appeal began its first phase of the BCAN-RAY (Breast Cancer Risk Assessment in Younger Women) back in May 2023.
Led by Dr Sacha Howell, who was Harding’s consultant, the work explores risk factors and creates personalised early screening options for women as young as 30.
This is extremely important as currently women are only invited for routine breast screenings every three years from 50 onwards. Awareness and being proactive are just as important as research.
Sarah Harding, who passed away in 2021, has a dedicated mural in her hometown of Stockport.Credit: The Manc Group
The studies set up in Sarah‘s legacy are vital now more than ever as breast cancer is the leading cause of death in women aged 35-50 years in the UK.
These more frequent and routine checks from a younger age will be vital, especially since an estimated 10,000 women a year are diagnosed under 50.
The BCAN-RAY study has recruited 500 women aged between 30 and 39 years old, who have had their risk assessment appointments.
Out of this number – 404 patients have been given their risks – 316 as ‘average risk’ and 88 were found as ‘increased risk’.
88 were found as ‘increased risk’ with 58 of these receiving telephone calls to discuss further implications and discuss strategies to reduce this such as diet, exercise and medication.
So far 18 women have had their first mammogram, with no recalls or cancer identified. Following this, each woman is offered regular screening every year until their NHS breast screening starts at age 50.
Dr Sacha Howell commented, “We’re really confident that we have a system that is working, from the results so far, which is great news, these findings mean that we may be able to offer personalised ways to predict and prevent breast cancer more widely in the population in future”.
Girls Aloud featured a glorious tribute to Sarah Harding each night of the show.The lovely Sarah Harding singing to Manchester one last time.Credit: Audio North
In 2022, The Christie art and relaxation room received a wonderful makeover from proceeds raised at the Primrose Ball organised by Girls Aloud.
Within this room, visitors can find a lovely framed picture of Sarah Harding with the quote, “The darkest nights produce the brightest stars” and with all the work accomplished so far, we couldn’t agree more.
If you would like to show your support and help fund this life-changing research set up in Sarah’s legacy, you can donate HERE.
Danny Jones -
28th December 2022 
