The Witcher: Blood Origin, the brand-new spin-off based on the wider Witcher books and serving as a prequel to the mainline series, has managed to earn the worst Rotten Tomatoes score ever. Yikes.
Launching on Christmas Day, the new mini-series takes place more than a thousand years before the Netflix show, the games and original books.
The expanded lore of the popular dark and gory fantasy world is vast and fiendishly studied by die-hards, so a show diving into that should be a no-brainer, right?
Well, sadly, through a combination of seemingly genuine bad reviews and people simply being outraged that the main Witcher series no longer features its star, it looks like the new show is being heavily review-bombed.
Despite being currently sat at 33% and 10%, its audience score dropped at low as 8%. (Credit: Rotten Tomatoes)
In case you were unaware of some of the latest blockbuster shenanigans happening in Hollywood over the last few weeks, Geralt of Rivia himself, Henry Cavill, recently stepped away from the show to reportedly prioritise on training for his return as Superman.
ADVERTISEMENT
However, shortly after, it was announced by new DC Studios chairmen James Gunn and Peter Safran that they were dropping the 39-year-old actor as they hoped to pursue a new star to take on the role — you know, the same one he’d just stepped away from his reported £350,000-an-episode deal to focus on.
Yes, we know he’s a millionaire, but die-hard Henry stans obviously felt terrible for him, leaving one dream job for another beloved franchise that essentially helped put both himself and modern DC movies on the map, only to find out that he was no longer needed.
Furthermore, fans are now speculating that Cavill quit The Witcher after two highly-successful and well-paying seasons following disputes with the showrunners. A relative on-set expert as a genuine lover of the books and the games, Cavill is said to have struggled to “see eye to eye with the producers”.
Speaking to Hollywood Reporter, the Man of Steel and Mission: Impossible – Fallout star said “the toughest part for me was finding that balance between the showrunners’ vision and my love for the books”, even going on to add that “some of the writers were not [interested] or actively disliked the books and games, even actively mocking the source material.”
If this is to be believed then it’s no wonder that showrunner Lauren Schmidt-Hissrich, who is also overseeing the Blood Origin spin-off, seems to have annoyed not onlythosewho love Henry Cavill but now Witcher fans in general.
ADVERTISEMENT
While plenty of the Rotten Tomatoes reviews limit themselves to calling out those involved in the production for their ‘incompetence’ and ‘lack of respect’, the online consensus beyond the popular review aggregator seems to be that the writing simply isn’t up to snuff.
i wanted to at least give it a shot and i just… i know i've seen worse shows in my life but i can't think of many right now that are worse
The CGI looks hideous & cheap. Writing & dialogue is a mess. Acting isn't very good with Michelle Yeoh's talents wasted. The story is rushed into four hours. Netflix completely changed the origin of The Witchers.
This show is yet another slap in the face to longtime fans.
2022 really has been a race to the bottom when it comes to entertainment, especially the fantasy genre. First Rings of Power, then Willow, now Witcher: Blood Origin – each of them more terrible than the last.
As always, it’s worth watching and forming your own opinion before letting other people’s takes colour your own impressions but it’s fair to say it isn’t looking good for the future of the franchise’s TV adaptations.
Whether the negativity is being largely driven by review-bombing by the Henry Cavill faithful or not, it looks unlikely that there’ll be a resolution as Liam Hemsworth has already been named as the replacement for the main character, Geralt.
Moreover, since Cavill left/was dropped from both projects, he is once again being tipped to play an equally iconic pop culture protagonist in particular. Have a guess…
Printworks set to host a FREE music festival headlined by local music veterans
Danny Jones
You heard us right, Printworks is expanding its wide-ranging calendar of entertainment and leisure in 2026 with its very own completely free music festival here in Manchester.
Better still, it’s set to be headlined by some cult favourites.
The one-off event will debut next month to celebrate the arrival of the 2026 BRIT Awards, with the annual ceremony and accompanying seven days of intimate live shows coming to the city of Manchester for the very first time.
Set to take place from Friday afternoon until Saturday evening, 27-28 February (4-10pm and 2-10, respectively), the open access weekender has been dubbed ‘Live and Loud’.
Judging by the lineup of artists announced for Printworks’ debut music festival, we have every faith it will live up to the name.
As well as Manchester DJ Matt Hydes kicking things off, followed by the likes of R’n’B soul artist, KingFast, resident Reform Radio MC Urbi will also be joining the lineup, as well as regional dance veteran, Gareth James, and an intimate set by Sabira Jade.
That’s just a small handful of those who signed up to play the inaugural Live & Loud 2025.
As for your headliners, we’re buzzing to confirm that local house legends K-Klass are topping the bill; they may be from Chester, but they’ve been based here for ages and are practically part of the cultural fabric at this point.
You can see the full Live and Loud lineup and Printworks artist spotlight down below:
Friday, 27 Feb, 2026
Tristan Walsh
2Vibe
Urbi
KingFast
Honey Bee Jazz Band
Matt Hydes
Sat, 28
K-Klass
Matt Walsh & Jay Murt
Sabira Jade
Gareth James
Kick Back Sundays
Jorge Martin
Guy Connor
Emma Ellis
Printworks general manager, Dan Davis, said in an official statement: “Manchester is renowned for its musical heritage, and we are excited to bring music to life here at Printworks.
“Live & Loud will place Manchester artists front and centre, with an eclectic line-up that is diverse in genre, background and generation – reflecting our commitment to championing a wide range of local and upcoming artistic talent for a must-attend weekend of live music.”
In case you missed it, this brand-new event also comes amid a raft of small-capacity fundraising shows across the country.
Colette Burroughs-Rose, Director at Genre Music, added: “Live & Loud is Manchester in full voice – familiar faces and new names coming together under one roof across two standout days.
“This is Genre Music’s home city, and we’re proud to be partnering with Printworks on a music programme that welcomes everyone: family-friendly by day, great for evenings with friends.
“Alongside curating a truly eclectic mix of the city’s incredible DJs and live acts, we’re also capturing the artists’ stories on film to help amplify their voices and creativity beyond the stage.”
With the BRIT Awards being hosted at the Co-op Live arena not just this Feb but until 2027 as well, here’s hoping this is just the inaugural ‘L&L Fest and we at least get a sophomore edition next year.
There’s plenty of other music festivals happening in Greater Manchester throughout the year, especially this summer.
Sounds From The Other City has released its 2026 lineup, and there's set to be more than 100 exciting acts playing on 17 stages across #Salford. 🎶🎸
Featured Images — The Manc Group/Printworks (supplied)
TV & Showbiz
The full lineup and extensive programme for Manchester Film Festival 2026 has been revealed
Danny Jones
The full lineup for this year’s Manchester Film Festival (MFF) is now out, with some well-known names and hotly anticipated projects set to be screened this year.
MMF 2026 looks to be one of the most extensive and exciting projects yet; spread across multiple venues once again, we can’t wait for the city go full-on cinephile.
With 52 feature films on the roster, including nine UK debuts and eight fully-fledged world premieres, this is going to be well and truly blockbuster – pun intended.
Yeah, Cannes, Venice and Toronto are cool, but having one right on your doorstep is way better.
The MFF26 programme is LIVE!
Featuring some of the best and boldest new cinema from the UK and around the world, book your tickets now to Manchester's biggest celebration of cinema https://t.co/6eRXJpkwmvpic.twitter.com/arIVqxl51k
Returning this coming March and spread over the course of 11 days, the latest edition of Manchester Film Festival is the biggest the city centre has seen to date.
Featuring everything from locally made short films from Greater Manchester and the wider North West, to bigger but still ‘small’ budget independent movies, there’s something for everyone.
Obviously, indie flicks are the lifeblood of this event, but there’s still plenty of A-listers connected to MFF26. For instance…
Actors featured this year:
Adam Driver, Charlotte Rampling, Vicky Krieps and Cate Blanchett (Father Mother Sister Brother)
Angelina Jolie (Couture)
Callum Turner and George Mackay (Rose of Nevada)
Charli XCX (Erupcja)
Jason Isaacs (Honey Bunch)
Josh O’Connor (Rebuilding)
Kit Connor (One of Us)
Mads Mikkelsen (The Last Viking)
Tom Hardy (Rhino)
It remains to be seen how many of these famous faces will be in attendance, but the annual film fest always manages to secure a few.
For instance, with Kit Harrington (Game of Thrones) bringing his directorial debut, Psychopomp, we’re keeping our fingers crossed that we’ll see Jon Snow in the flesh.
As you can see, the 2026 edition is being hosted across five different central and varied locations, including big screen cinemas like Odeon, as well as HOME on First Street and even the home of Factory International, Aviva Studios.
Speaking ahead of the start date, festival director Neil Jeram-Croft said: “We are incredibly proud to present the programme for the 12th edition of Manchester Film Festival, which marks our biggest and most ambitious year to date.
“This year’s line-up brings together an exceptional range of films and filmmakers, with screenings taking place across more venues than ever before, reflecting both the growth of the festival and the appetite for independent cinema in the city.
“We are especially looking forward to welcoming filmmakers from across the UK and internationally, as well as welcoming back our brilliant volunteers, whose support is vital to bringing the festival to life.
“We can’t wait to welcome audiences this March for ten days of powerful storytelling, standout premieres and inspiring conversations.”
Once again, the BAFTA and BIFA qualifying festival and its accompanying awards ceremony will take place between 19 and 29 March 2026; early bird passes have already sold out, but you can grab your general admission tickets right HERE.