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La Discotheque announces bottomless brunch with free-flowing Rudy’s pizza and cocktails

Groovy...

The Manc The Manc - 26th April 2021

A glitter-draped disco brunch with an endless amount of Rudy’s pizza and booze is coming to Albert Hall in May.

La Discotheque – the show-stopping party promotion famed for serving up funky dance beats, psychedelic decorations and limb-twisting stage performers – is putting its own excited spin on the classic midday meal event; cranking up disco tunes and partnering with one of Manchester’s most beloved food & drink vendors for the occasion.

Albert Hall’s neighbours and nationally-renowned Neapolitan pizzeria Rudy’s will provide slices exclusively for the occasion – giving guests the chance to chow down on some great grub in a groovy atmosphere.

DJ Paulette and Feel Good Choir will be on hand to supply the music all afternoon long.

‘Queens & Flamingos’ will also be in attendance.

A ticket entitles you to 90 minutes’ worth of bottomless pizza and booze – with Espresso Martinis, Pornstar Martinis, Bier and Prosecco all on the menu.

The La Discotheque Bottomless Brunch will run between midday and 5pm on May 29.

Tickets are priced at £40 per person and are available online.

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Aitch is playing a huge hometown set at The Warehouse Project

Danny Jones Danny Jones

Aitch has booked another massive hometown slot as the Moston-born rapper will be playing none other than the home of clubbing here in Manchester: The Warehouse Project.

Joining the WHP25 programme, which is already stacked right up until New Year’s Eve, the 25-year-old is the latest rapper to take on the famous club venue, following the likes of Little Simz and Loyle Carner, who played the event series back in October.

Aitch‘s new album, 4 – which denotes the number of studio LPs he’s made to date and acts as a nod to the M4 postcode – was released on June 20 and has already proved popular with fans.

Having just played Parklife as well as a secret set at Glastonbury this year, he’s already performed most of his biggest slots for the year, but the ever-rising local rapper thought he’d given Manchester another big gig and one more chance to see him live in 2025.

Booking the main stage at Depot Mayfield this autumn, Aitch will be playing to hordes of die-hards inside the massive space.

It’s not his first time playing WHP, having previously joined fellow native and DJ Bou (the very same producer he joined in Glasto 2025) last year, but you can guarantee this one will be bigger.

As an increasingly popular main event act across the UK, a headline show at Warehouse Project is nothing short of a massive deal for any artist, let alone a Manc.

The date itself will see him see him performing songs from the new record, which is his second to hit the top 10, as well as a selection of multiple platinum-selling hits.

Sharing details of early access tickets on Instagram stories shortly after the announcement, the UK hip-hop and grime star reminded fans: “This is the only chance to see me shut this sh*t down this year!!!”

It’s actually his only major domestic show in full stop, so if you’re a die-hard fan of Harrison Armstrong and his music, you really don’t want to miss this one.

He’s not the only big name coming to Mayfield this season either.

The concert is coming to Manchester city centre on Wednesday, 29 October, and you can check Aitch’s social media for info on how to get pre-sale.

Meanwhile, in terms of general admission for Aitch at The Warehouse Project, tickets go live this Thursday, 3rd July at 10am.

Keep your eyes peeled for a link when tickets officially drop, and we’ll make sure to let you know when they do. See you there.

In the meantime, you can always watch us eat a burger with him…

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Featured Images — Jahnay Tennai (supplied)/Aitch (via TikTok)

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‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost

Emily Sergeant Emily Sergeant

A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.

Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.

The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.

It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.

“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.

“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”

Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.

Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.

A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)

The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.

Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.

“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey. 

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“It speaks of nature, of craftsmanship, and of a couple who chose each other over status and what others thought of them.”

The sculpture has now gone on display at Dunham Massey from Thursday 26 June.

Featured Image – James Dobson (via Supplied)

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