Manchester Jazz Festival has announced it will be bringing three days of music right to Escape to Freight Island this summer.
With the government’s “irreversible” roadmap for lifting England’s current national lockdown now set out, the team behind the region’s longest-running music festival will bring the very best in contemporary jazz to three stages – ‘The Ticket Hall’, ‘The Round’ and ‘The Pavilion’ – at the highly-popular Depot Mayfield venue this June.
Taking place from Friday 11- Sunday 13 June 2021, general release bookings will be available from Thursday. If you're a mailing list subscriber check your inbox now for an exclusive booking link!
— manchester jazz festival (@ManJazzFest) April 6, 2021
On Friday 11th June, audiences can catch sets from soul artist and favourite from the Manchester scene, Yemi Bolatiwa, storming sets from Mr Wilson’s ‘Second Liners’, and one of the brightest and boldest jazz talents in the UK, Rebecca Nash.
DJs Pablo Blanquito and Danielle Moore will also be providing some tunes.
Saturday 12th June will kick off with Ain’t Misbahavin’ – an interactive concert for 6-11 year olds and their families – followed by sets from fast-rising, global-infused Leeds band Yaatri, MOBO-nominated saxophonist Camilla George and nine-piece afro-beat collective Nubiyan Twist.
Saturday audiences can also enjoy Manchester-based singer songwriter Marco Woolf, the synthesised soundscapes of Rafe’s Dilemma, pounding brass parades from Back Chat Brass and Young Pilgrims, and DJ sets from Debra Richards and Harkirit Boparai.
Sunday 13th June will see The Untold Orchestra ft special guest Mali Hayes, high-energy beats and traditional African vocals from Ubunye, the Binker Golding Band led by the multi-award-winning saxophonist and composer, and sessions from Jazz North’s northern line bands Nishla Smith Quintet and John Pope Quintet.
There’ll also be high-energy brass covers of pop gems from Twisted Tubes and Break Out Brass, along with a DJ set from Jenna G and her Freight Island favourite, From MCR with Love.
A selection of street food and open-air bars will complete the festival vibe.
mjf @ Escape to Freight Island
Speaking ahead of the event, Steve Mead – Chief Executive and Artistic Director at Manchester Jazz Festival – said: “As it became apparent we couldn’t stage our usual festival across the city in May, we wanted to do something that still embodied the spirit of Manchester Jazz Festival, and our weekend at Escape to Freight Island will do just that in what will be one of the first live music events with an in-person audience this year – three days full of unmissable, surprising musical moments teamed with a relaxed festival vibe and the best food and drink.
“Whether you’re first in line to book a table to see a new band or you simply want to surround yourself with live music again, the weekend promises great music and a good time all from the comfort of your own seat.
“We’re so excited to work with the team at Freight Island and can’t wait to show audiences what’s on offer”.
mjf @ Escape to Freight Island
Fancy booking tickets?
Audiences can book socially-distanced tables with their household bubble free of charge for up to 2.5 hours in the different areas of the venue in advance, and there’ll be no entry on the door during the festival without a table booking.
In line with COVID-19 restrictions, table service will be available for food and drink during the event.
Audiences must not roam around the venue.
You can book your tickets for mjf @ Escape to Freight Islandhere.
Featured Image – Escape to Freight Island
What's On
Aitch is playing a huge hometown set at The Warehouse Project
Danny Jones
Aitch has booked another massive hometown slot as the Moston-born rapper will be playing none other than the home of clubbing here in Manchester: The Warehouse Project.
Joining the WHP25 programme, which is already stacked right up until New Year’s Eve, the 25-year-old is the latest rapper to take on the famous club venue, following the likes of Little Simz and Loyle Carner, who played the event series back in October.
Aitch‘s new album, 4 – which denotes the number of studio LPs he’s made to date and acts as a nod to the M4 postcode – was released on June 20 and has already proved popular with fans.
Having just played Parklife as well as a secret set at Glastonbury this year, he’s already performed most of his biggest slots for the year, but the ever-rising local rapper thought he’d given Manchester another big gig and one more chance to see him live in 2025.
As an increasingly popular main event act across the UK, a headline show at Warehouse Project is nothing short of a massive deal for any artist, let alone a Manc.
The date itself will see him see him performing songs from the new record, which is his second to hit the top 10, as well as a selection of multiple platinum-selling hits.
Sharing details of early access tickets on Instagram stories shortly after the announcement, the UK hip-hop and grime star reminded fans: “This is the only chance to see me shut this sh*t down this year!!!”
It’s actually his only major domestic show in full stop, so if you’re a die-hard fan of Harrison Armstrong and his music, you really don’t want to miss this one.
He’s not the only big name coming to Mayfield this season either.
WHP25 /// FISHER – TICKETS ON SALE NOW
Don’t miss out on what’s set to be an unmissable night – packed with infectious energy from beginning to end – as he takes over Depot Mayfield alongside a lineup coming very soon.
Featured Images — Jahnay Tennai (supplied)/Aitch (via TikTok)
What's On
‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
Emily Sergeant -
15th April 2021 
