The incredible 30-year transformation of Manchester captured on camera
Len Grant has amassed the largest and most significant collection of images of Manchester’s amazing transformation. For the first time ever, we have a bigger picture of the regeneration story.
1997: The Shambles is demolished around the Old Wellington and Sinclairs pubs before they are dismantled and moved.
Most adults dread turning 30-years-old. But Len Grant will always look back on entering his third decade rather fondly.
It was at this age he decided to quit his uninspiring sales job and swap it for something he loved: Photography.
It was a bold move, especially given how there was very little to shoot.
Manchester in 1990 was a dry patch for a budding photographer. Snappers on the Hacienda beat had their hands full, but other lensmen were hard pushed to find picturesque scenes in the city worthy of publication.
New Islington and Ancoats May 2005
Springtime of that year saw photographers flock to capture prisoners rebelling on the roof during The Strangeways Riots, but the day-to-day surroundings offered little else in terms of inspiration.
Manchester looked tired; and not even the kindest camera could cheer up its forgotten inner-city neighbourhoods.
Castlefield was barren. Ancoats was a ghost town. New Islington was little more than a cluster of houses known as the Cardroom Estate. Hulme even had stray dogs scampering through its dilapidated Crescents tower block.
2002: The Cardroom Estate before its demolition to make way for New Islington.1994: The indoor arena next to Victoria Station takes shape.
Change was coming, citizens were assured. But it would be some time before Manchester was remoulded.
Until then, Len decided he would photograph the people planning these changes. Architects, entrepreneurs, town hall officers, developers, landowners, city councillors. Everyone and anyone set to play a role in Manchester’s forthcoming transformation.
His resulting exhibition, City Shapers, was displayed at the Arndale. It was his first big break. But it also created crucial contacts – meaning Len was given a front row seat whenever a new curtain was raised anywhere in the city. And he’d always take his camera with him.
Three decades on, Len has amassed the largest and most significant collection of images of Manchester’s amazing transformation. No other anthology contains as many photos across such a scope. For the first time ever, we have a bigger picture of the regeneration story.
The Fallowfield photographer is now publishing an upcoming book – in which he plans to showcase these incredible photographs to the world.
He’s got a big target to hit, but the demand is clearly there. £6,000 has already flooded in since the kickstarter was launched – and Len’s still campaigning fiercely to ensure the pictures go to print.
“I’ve been very lucky at being in the right place at the right time,” the humble photographer tells The Manc.
“There was very little in Manchester before the nineties.
“If people came to visit me around that time, I’d take them to Liverpool for a day out. There were things to do there.
“But in the early 90s, things were starting to happen. Manchester was starting to look to find a way out of its post-industrial past.”
1994: The Nynex Arena under construction.1998: The interior of Maxwell house was ripped out leaving just the facade, behind which The Printworks was built.
After getting up close and personal with many of the heavy hitters calling the shots on Manchester’s future, Len saw the blueprints unravelling right before his lens – and he was there to capture the changes when they came.
According to Len, it was the hard-headed approach of Manchester City Council that set off the regeneration domino effect.
“Manchester City Council were quite pragmatic about who they worked with,” he explains.
“For instance, in the eighties in Liverpool, the council were militant and against the Tory government.
“But in Manchester, it was much more pragmatic. There was an organisation called the Central Manchester Development Corporation which was a government quango, and MCC worked with them to do the best for the city rather than to score political points – so that was quite significant.
At the turn of the decade, Manchester was packed out with car parks and brownfield sites – which meant there was ample space for planning opportunities.
“Slowly but surely, there were pots of money to be able to do things,” Len explains.
“The CMDC put money into building Bridgewater Hall and the surrounding area of Castlefield – which was very run down back then; nobody went there.”
Bridgewater Hall under construction, 19941997: The Shambles is demolished around the Old Wellington and Sinclairs pubs before they are dismantled and moved.1998: The Quays Theatre under construction at The Lowry. No Imperial War Museum North or MediaCity yet.1998: Stell framework of The Printworks following the demolition of Maxwell House.
Len has cited the construction of the Bridgewater Hall in 1995 as being one of the most pivotal moments in the regeneration of the city.
Not only was it Manchester’s first civic building since the 1930s, it was also a sign that things could – and were – starting to happen.
“I had a conversation with the council leader at the time, Graham Stringer, and he told me there were only two surviving photos of the town hall being built,” Len remembers.
“He was quite aware that Manchester was on the cusp of new change and wanted it to be documented sufficiently.”
Len was the man to photograph this transformation in all its glory, seizing the opportunity to get involved whenever new finance came flooding in for local projects.
Change from that point on was steady but scattered – with some development even being driven by disaster.
Len recalls that Hulme won a much-needed pot of City Challenge money to redevelop the area after the inner city riots of the eighties, and finance was also made available for the city centre after the 1996 IRA bomb.
“Crucially, the city council and the private sector actually took this opportunity to work closely together – something Manchester is very good at – to bring about key renovation of the city centre at a difficult time,” he explains.
“Later, towards the turn of the millennium, there was money available from the National Lottery too, through the Millennium Commission.
“Projects like The Lowry in Salford Quays were only made possible by the dogged determination of people at Salford City Council to make that money come in.”
2002: New Islington. Residents of the old Cardoom estate discuss plans for what will become New Islington.2004: The demolition of Maine Road football ground.
From 2000 onwards, East Manchester enjoyed tremendous change. It was sorely needed after being neglected for so long, despite the area’s influential history.
An industrial powerhouse during the 18th century, Ancoats was also the place that gave birth to Manchester’s first social housing development – with the construction of Victoria Square in 1894-97.
But when the block was completed, the rents were too expensive for the people it was originally intended for, and the area plunged into economic decline during the 1930s.
Following the war, East Manchester was essentially abandoned by everyone but its residents.
“Ancoats, Beswick, Clayton, Openshaw – you’d have never needed to go into those areas in the early nineties,” says Len.
“There was nothing there for you to go and see. It wasn’t on the way to anywhere, either.
“When I first started photographing in Ancoats in 2002/03, the streets were dead and if you ever came across anybody you’d kind of worry you’d have your camera taken off you.
“Not many people crossed Great Ancoats Street into Ancoats from the Northern Quarter in those days.
“I’ve really enjoyed how Ancoats has changed. It’s just phenomenal looking at it now. It’s only when you see photos with the mills in them that you’re able to determine it’s the same place.”
2006: St Peters Church before Cutting Room Square is built and before The Smiths Arms is demolished.2006: The New islington canal arm and the creation of Cotton Fields.2009: Royals Mills, Ancoats during its refurbishment
Whilst sketching in Cutting Room Square one afternoon, Len got talking with a man who’d lived in the area for many years.
He expected the resident to be sentimental for the past – as so many of us often are – but he was besotted with Ancoats 2.0. Nostalgia was no competitor for the shiny new space – which he recognised had given the area a whole new lease of life.
Len started his career by photographing people – and he has maintained that focus to this day. His interest in human subjects, and how their lives have been affected by the ever-changing skyline, has remained a key part of his work.
“I think those stories can be lost sometimes,” Len tells us.
“Which is what my book will help to cover.”
He has seen both the good and bad sides of regeneration, and whilst most of the changes have been positive, Len is hoping that further development does not come at the cost of loosened community connections.
“We might be continuing to build, but how much effort are we putting into communities?” he asks.
“I hope that’s being considered. After all, it’s the people who make Manchester so great.
“During adversity, the strength of Manchester comes to the surface. We see that again and again. It’s even happening right now – with people in inner-city communities helping one another during coronavirus and supporting the most vulnerable.
“Many people who come to Manchester call themselves ‘adopted Mancunians’. I love how people give themselves that tag.
“I wonder how many other places around the country you’d call yourself adopted?”
You can learn more about Len’s incredible Regeneration Manchester project online.
It will be money well spent, indeed. Stories about Manchester don’t come much better than this.
Feature
Five Manchester artists we’ve been listening to this month | June 2025
Danny Jones
Hello there. That greeting may be giving Obi-Wan Kenobi in Star Wars vibes, and we can’t lie, we have listened to some cantina music while working this month… but not as much as we’ve been immersing ourselves in more new Manchester artists.
You should know the drill by now, and it is very much a what-it-says-on-the-tin scenario, but every few weeks, we round up some of the music – all crucially hailing from the Greater Manchester area – that we’ve been listening to of late.
We don’t discriminate when it comes to genre either. There’s only one simple rule: if it’s good, then we listen to it and then, hopefully, so do you.
Get your playlists at the ready.
Five Manc music artists we’ve been listening to recently
1. Arkayla
First up for June are relative newcomers Arkayla, whose name is inspired by “a terrible Oasis demo” from 1991 (their words, not ours – thought it is…) of the same name, a.k.a. ‘I Will Show You’, in which describe Liam Gallagher’s now legendary as once sounding “like a dodgy Ian Brown impressionist.”
However, there’s nothing dodgy about these lot and, thankfully, they’re in an era when you don’t have to hand out tapes recorded in the Boardwalk basement on the street to be heard. The Manchester band, which only formed in 2020, may be Standing on the Shoulder of Giants, but they’ve already got a sound.
There’s an unmistakable British indie element to them and hints at everything from The Kooks to The Lathums, but most notably, there are ’60s guitar notes and some real maturity already. Standouts include ‘Ella Malone’, the acoustic version of ‘Lost In a Valentine’, where the lead singer, Cal Blakebrough, really shines, and ‘Rita’ is such an addictive track.
They don’t get more unknown, undiscovered, but sure to be up-and-coming than iNNAFIELD, who are a female-fronted psychedelia-forward five-piece with roots in Brighton but building a career in 0161. Having recently shone at The Deaf Institute playing a support slot at Academy 1, they have our interest.
If a glimpse of lead singer Jessie Amy Leask’s curly hair, 70s belts and long, flowing skirts plants Stevie Nicks and Fleetwood Mac in your mind, you’d be right in thinking so; a listen to their other live tracks scattered across their socials confirms there’s plenty of other influences going on too, though.
Now, they’ve only got one proper recording out on Spotify called ‘Tell Me What’s On Your Mind’, but we’ve had it popping up on our algorithms everywhere, and we can see why: there’s soft, twinkly strumming, soft almost sleepy vocals before a nice big breakout at the end. Glorious stuff.
No, not that one, the Princess of Monaco isn’t back from the dead, but ‘r Grace Kelly, who is based right here in Greater Manchester, is playing her part in the ongoing country revival taking place across the music world, offering her soulful voice and faux American-folk vibes to our ears.
She may not be a Mancunian by birth, having moved from New Zealand to our shores back in 2022, and although the weather change might have been a big sea change for her, there’s no culture shock to be found in her style; from the audio to the aesthetic, it still somehow feels pretty authentic.
Uplifting acoustic guitars, drum brush strokes, solos, Southern-twang harmonies – you name it, all the ingredients are there. The thing is, if you spend enough time immersing yourself in a genre, you can still pull off tracks like ‘Carry On’, ‘San Jose’ and the intimate ‘For Us To Change’.
We’re really lane switching when it comes to genre this month; maybe it’s because festival season is in full swing and we’re just being exposed to so much different stuff in a short space of time, all we know is we’re not complaining about it.
And neither should you, especially when you’ve got names like hip-hop, grime, soul and flag-flying Afrobeats rising star, Prido, being platformed. Blending all the above with R’n’B and a sprinkling of not just Northern but easily detectable Manc slant, it makes his music stand out in the ever-thriving space.
‘Free Ur Mind’ was the first track we ever heard, so we’ve struggled to shake that as our favourite, but ‘DND’ is a supremely dancey but chill example of laid-back of the genre that you need in your mixes this summer, and we also have a soft spot for his verse on the sensual ‘Lifeboat’ by Prima.
Last but not least on our list of new Manchester artists for this June, we’ve got local DJ Josh Baker, whose name you might recognise from the headlines surrounding Parklife 2025, as his set was unfortunately cancelled due to problems out of his control.
Festival-goers flocked to The Matinee Stage for a highly anticipated back-to-back bill of Baker followed by Dutch counterpart Chris Stussy, both of whom have thrilled some of the biggest club crowds in the country – sadly, he didn’t get to do so this time. That being said, we thought we’d give him a shout-out.
We’ll confess to only having got around to his discography following this news, but ‘Back It Up’, ‘Something To Me’, and ‘You Don’t Own Me’ with Prospa and RAHH are all bangers. We’re looking forward to listening to more.
And that should just about do you; there are five artists and, at the very least, 15 new tracks for you to give a go – there should be at least of few of them you like.
But, let’s be honest: be it unheard, new, current, old or anything in between, Manchester music very rarely ends up being filed in the skippable category.
Then again, you can always check out last month’s list of Manc artists from last month and see if you get a better hit ratio.
Featured Images — Prido (via Facebook)/Arkayla (via X)/Grace Kelly (via Facebook)
Feature
You can sleep in a luxury train carriage at an old railway station in Greater Manchester
Thomas Melia
There’s an Airbnb listing in Delph where you can stay in a classic converted train carriage, and it’s even situated in an old train station, so someone buy my ticket ASAP.
Get ready to have the best train experience of your life, as the only cancellation you have to worry about is booking the day off work.
The Carriage at The Old Station is a two-person character property in Delph, Saddleworth that offers you the chance to live out your vintage fantasy by stepping back in time on a luxury static train coach.
It may be situated at an old station, but the interior is refreshing and light with mint blue beams, fuchsia cushions and a royal red carpet and curtains.
As well as a majestic interior, this carriage has an equally impressive amount of amenities, including a Bluetooth sound system, board games and its own indoor fireplace.
This Airbnb is fairly new too, with only 44 reviews to its name – the first only dating back to September of last year; don’t say we don’t find you some absolute gems.
Inside the Airbnb that’s an old converted train carriage.The interior of this Airbnb listing is bold and impressive.
One user even stated, “We regularly stay in five-star locations and this surpassed five-star easily! We highly recommend a stay here.”
While another opened her review with three simple adjectives that we also feel perfectly sum up this train carriage property perfectly: “Opulent, indulgent, extravagant”.
It should come as no surprise that this place is beautiful inside and out, as in the description, host of the property Nigel states he’s a retired designer.
The train carriage stay is also close to a proper country pub, The Old Bell Inn, as well as the Diggle canal walk if you fancy a stroll and a pint before tucking into bed in your old train carriage for the night.
Even the bathroom has pops of colour throughout.You could stay in this train carriage at an old train station.
If you’re after boarding The Carriage at The Old Station and having a fabulous overnight stay or mini holiday of your own, you can find the Airbnb listing and everything you need to know HERE.