Our Manc of the Month series is back, but this time round, we wanted to do something a little bit different.
We all know that Manchester is home to plenty of special people, some born here and others drawn here, who have inspired and led us through tough times, so we decided to start a series that shines a light on those who should be celebrated.
Following on from our ‘The Mancs of the Year’ feature towards the end of 2020, Manc of the Month officially kicked off in July 2021 – with Marcus Rashford MBE, Manchester’s mural king Akse P-19, the local chef feeding the region’s vulnerable families Mary-Ellen McTague, and Manchester’s groundbreaking new Council leader Bev Craig among previous honourees.
In earlier editions, we had chosen to feature people who had an impact on our region in the recent weeks prior, but for this month, we want to cast our minds back and pay worthy tribute to an inspirational pair who are sadly no longer with us.
With International Women’s Day – a global holiday marked annually to commemorate the cultural, political, and socioeconomic achievements of women – coming up on Tuesday 8 March, and Manchester getting ready to celebrate the females who have made our city what it is today, we cannot think of a better time to remember the careers of a duo who not only changed the comedy landscape for women, but changed the game entirely.
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Victoria Wood and Caroline Aherne truly left their mark.
Victoria Wood: As Seen on TV and The Mrs Merton Show / Credit: BBC
Although born in London to Irish parents, BAFTA award-winning actress, comedian, and writer Caroline Aherne moved to Manchester at the age of two, was raised in Wythenshawe, went to school in West Didsbury, and kick-started her illustrious career on the city’s comedy circuit by performing as a collection of characters, before developing the iconic ‘Mrs Merton’.
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Aherne developed her Mrs Merton character with Frank Sidebottom for his show on Piccadilly Radio, where she worked as a receptionist.
She made a number of television appearances as the hilarious character, before rising to prominence in 1994 with the mock chat show The Mrs Merton Show, where she was known for asking celebrity guests a series of outrageous fake questions – the most-memorable example being to the wife of magician Paul Daniels, Debbie McGee, asking: “So, what first attracted you to the millionaire Paul Daniels?”.
Aside from the Mrs Merton character, Aherne was known for appearing on BBC comedy sketch programme, The Fast Show, and then cemented her place in the heart of us Mancunians when she co-wrote and starred as Denise in beloved Manchester-based sitcom, The Royle Family – which ran for three series from 1998 to 2000, and was a largely stereotypical portrayal of working-class family life at the turn of the millennium, with almost all of the episodes taking place in the Royles’ telly-centric living room and showing the hilarious conversations they’d have.
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The Royle Family could not be a more perfect lasting legacy for Aherne, as it’s often included in the conversation when it comes to Britain’s best sitcoms, and was named in BFI’s 100 greatest British television programmes of all time.
The Royle Family was co-written and starring Caroline Aherne / Credit: BBC
Known for having an instantly-recognisable voice, Aherne narrated the Channel 4 reality television series Gogglebox from its inception in 2013 up until her death in 2016.
She passed away from cancer on 2 July 2016 at her home in Timperley at the age of 52.
2016 was also the year that the world tragically lost the multi-talented Victoria Wood, who, just like Aherne, had a wealth of strings to her bow as a comedian, actress, lyricist, singer, composer, pianist, screenwriter, producer, and director.
Born in Prestwich, and raised and educated in the Greater Manchester borough of Bury, Victoria Wood was struggling with self-confidence, identity, and her place in the world when she discovered a love for performing after her father gifted her a piano for her 15th birthday and she joined the Rochdale Youth Theatre Workshop later that same year.
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Wood began her career in show business while she was undergraduate studying drama at The University of Birmingham in the 1970s.
Throughout her decorated and multi award-winning career that spanned over four decades, Wood wrote and starred in countless sketches, plays, musicals, films, and sitcoms, and she was particularly known for humour grounded in everyday life that included references to activities, attitudes, and products that are considered to be typically British, with eclectic live stand-up shows that were often interspersed with her own musical compositions that she performed at the piano.
Her very-own comedy variety sketch show, Victoria Wood: As Seen on TV, aired on the BBC from 1985 to 1987, undoubtedly making her a household name and paving the way for her to become a mainstay on our screens.
But if you ask Mancs what Wood’s career highlight is, most would point to the cult-classic sitcom, dinnerladies – which ran for two series from 1998 to 2000.
BBC sitcom dinnerladies ran for two series from 1998 to 2000 / Credit: BBC
Created, co-written, produced by, and starring Wood herself as Brenda “Bren” Furlong, dinnerladies is set entirely in the canteen of the fictional Manchester-based factory of HWD Components, features the caterers and regular customers as the show’s main characters, and was beloved for the fact that it depicted the lives, and social and romantic interactions of all of the staff.
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Victoria Wood also sadly died of cancer on 20 April 2016 at her London home, surrounded by her children and former husband.
Although we’ve done our best to take you through the lives of these two late local legends and give a worthy nod to everything they went onto achieve throughout their careers from humble beginnings, it’s almost impossible to truly sum-up the impact that Caroline Aherne and Victoria Wood had and quantify just what they mean to the people of our proud city.
Their talents will always live on, and Manchester will never forget our comedy heroines.
Featured Image – BBC
Feature
Manchester artists we’ve been listening to this month | November 2024
Danny Jones
Well, hello there; fancy seeing you all here – presume you’re waiting on another batch of new Manchester bands and artists you’ve not come across before?
Stupid question, of course you are. It’s the end of the month after all and that’s how we like to start the next one. Best foot forward and all that.
In case you happen to be new here, right about now is the time (as you’ve probably guessed from the title) that we round up five of the best musicians from in and around Greater Manchester that we’ve been listening to recently.
Let’s not muck about any longer, shall we?
Five Manchester bands and artists you should listen to
1. John Bramwell
His S-heavy voice cuts through so much this album in such a satisfying way.
First up on our list is John Bramwell, best known for his years with noughties alternative and indie band I Am Kloot, but he’s been enjoying his solo journey since 2016, and so have we. With his sophomore album released earlier this year, we finally found time to try it out – in a word: stunning.
Hailing from Hyde, the former frontman and guitarist released his standalone debut in 2017, but even before that he released a passion project under the name ‘Johnny Dangerously’ way back in 1989 entitled, You, Me and the Alarm Clock, once called “the best British album you’ve never heard” by The Guardian.
Suffice it to say, the 60-year-old has been on a long and winding road to becoming a straight-up singer-songwriter for some time now and it’s great to hear where his sound has got to. There’s a real 1960s and ’70s feel to a lot of it; we’d start with the title track, ‘It’s Just You’, and ‘I Am The Sky’, which shows a real range to those vocal tones.
2. Hollows
Second on our list of Manchester bands and artists for November is the alternative trio, Hollows, who after stumbling across a little while back we’ve now rediscovered following their release of their latest EP, Running With Scissors.
While it’s by no means heavy, they’re probably the most guitar-driven name on the list this month. We picked up bits of Placebo and even contemporary Smashing Pumpkins at times but, put most simply, they’re just a good rock band and we still think there’s a lack of those around these days.
Their newest stuff is undoubtedly their best but you’ve still got to start with ‘UV Lights’ in our opinion (simply because we did), but from there we’d encourage you’d move on to ‘History’ and ‘Talon’.
Shifting over to electronic for a spell, our next nod goes to rising DJ and producer Oldboy. Named after the cult-hit film, his sound certainly carries over plenty of inspiration from movies and TV – and not just because he samples Brad Bitt in Seven on one of his tracks.
Born in York before spending his uni days in Sheffield and eventually landing here in Manchester a few years ago, the rising Northern star – real name Max Carter – does garage, dub and house best but there’s lots of variety on show. He also has his own record label, Front Toward Enemy.
With a catalogue dating back to 2021 and a versatility spanning so many sub-genres, not to mention a truly great selection of instant earworm sampled, he can pretty much turn his hand to anything provided there’s bass and some distortion involved. ‘Grab Di Mic’ is his latest, ‘Find Da Cure’ is a great intro and his ‘Got Yo $’ rightly went viral on TikTok a while back. Give him a spin.
Amidst all these new Manchester bands and lesser-known artists, Oldboy’s live sets are a nice change of pace.
4. The Recreation
Penultimately, we’ll quite literally keep effing and blinding until you listen to the fantastic local five-piece that is The Recreation, who have quickly become a bit of an obsession of ours. They released their second LP this past May and the only thing we’ve been listening to the same amount is their first.
To be completely honest, we’ve only really chimed with the stuff from 2020 onwards, but let’s just say we really struggled to pick our favourite tracks from the Oldham lads because we genuinely love all of it so much. That being said, if you had to push for once from each album, we’d go ‘Summertime 35s’ from their debut and ‘Call Me Back Sugar’ from Love In.
A really special shout-out also has to go to the extremely stripped-back spoken word track, ‘remember the future? interlude’, which delivers such matter-of-fact but surprisingly moving Northernisms that we really urge you to find a quiet corner in a dark room and just experience it. Big up The Rec.
couldn’t have done it without the wizardry of @thekaratesuit and a huge thanks to Ramin Bostan for providing the luscious trumpets you hear on track 6 ‘Kharhi’. Both amazing talents in their own right!
Last but not least are the whippersnappers of the bunch, local lads Montello who were recently got onto thanks to the Stanleys lads, who named this little four-piece one of the names helping fly the flag for the mini music hamlet of Wigan.
When we say young by the way, we’re talking no one much older than 17 in this promising little outfit but they’ve already got a style and a sound that gives the impression of a band that has been at this much longer than they have and there’s definitely some similarities to The Lathums, Stanleys and more.
It’s no-nonsense indie rock and you know we love a bit of that. Better production levels and even more confidence will come as they inevitably mature but, at the minute, they’ve got three tracks you have no excuse not to work through them all. The Wigan scene really is growing and we’re here for it.
They also happen to be playing our Audio North stage at Year’s End Festival next month, so we best see your there and listening to live!
And we’re sorry to say it but, once again, that’s all for another month.
We sincerely hope you give these fantastic Manchester-based bands and artists a go over the coming weeks and come back for more recommendations for our final edition of 2024 at the end of December.
Featured Images — Press Images (supplied/via Facebook)
Feature
If this is a cult, we’re into it – Sleep Token hypnotise a sold-out Co-op Live crowd
Danny Jones
Tuesday night saw thousands head towards the Etihad Campus for two massive events: one of them being Man City playing in the Champions League and the other one, arguably the biggest metal gig of the year as Sleep Token made their Co-op Live debut.
The alternative prog metal group have had an unreal 12 months or so and while the mysterious, masked rockers have actually been around since 2016, the past year has been truly seismic for their now global profile – hence why they were able to sell out Manchester’s biggest arena at the first time of asking.
Bands don’t just walk into places like the 23,500-capacity Co-op Live arena; anyone playing gigs of that size needs to have earned a rather massive audience in order to do and, in the case of this particular artist, that following feels a little bit more cult-like and fanatical.
We mean that in the nicest way possible, by the way, and we now well and truly have faith in the musical and slightly macabre church of Sleep Token. It all started with an unforgettable intro.
Actually, first off, we have to give a huge hand to warm-up act Bilmuri. We were admittedly almost just as excited to see these guys for the first time and they pulled an absolute blinder landing the support slot for this modern metal gig as, much like the main event, their music is just a bit different.
In the same way that Sleep Token aren’t just straight-up heavy, thrash, death or any particular kind of metal for that matter, neither are Bilmuri. For one, they’re straight-up hilarious, with frontman Johnny Franck spending lots of time both cracking up and ‘cranking’ up the crowd by ‘the hog’ in between songs, amidst playing a mix of alternative metal, post-hardcore and pop-punk.
The various genres being fused on stage are truly wild. Growling and Kevin James at the Daytona 500 samples (yep) are followed by everything from catchy pop choruses to wonderful jazzy solos from their incredible saxophonist and backing singer Gabi Rose, and that’s just the tip of the iceberg. Point is, us fans in the crowd may have only been few, but it worked because their style is every bit as sprawling.
Bilmuri will be back playing the Ritz here in Manchester in March of next year; we sincerely recommend you give them a listen and grab a ticket because they were just non-stop fun. We can only imagine how good value for money a full headline show in a smaller venue filled their listeners is. Now onto the ‘cult’.
We love these guys so much – give them a try. (Credit: The Manc Group)
Sleep Token took Manchester to mass
Although the London-formed five-piece has fully lent into this whole semi-religious angle – even labelling attendance to one of their gigs and singing along to the often celestial vocals of their once anonymous frontman as ‘worship’ – it’s a theme that’s sadly been used as a stick to beat metalheads with in the past.
There is undoubtedly a gothic and somewhat satanic element to their aesthetic, especially on the face of things with the painted black arms, Japanese-influenced masks covered in ritualistic markings and dripping with blood etc., but when you actually look beyond the surface it’s simply good world-building.
Lead singer ‘Vessel’ (all of the band members go by specific monikers) had his identity figured out not too long ago, but the whole idea of his overall style, purpose and allure is that he’s supposed to be the physical embodiment of something bigger and a conduit within the wider Sleep Token lore.
Oh yeah, this stuff is super detailed.
Most notably, though, it was probably the visuals overall that really struck us the most. It wasn’t just in looking at the various slightly demonic-looking characters on stage and hooded figures that served as the most enchanting backing singers, it was the utterly stunning production levels.
When we say it was possibly the most impressive use of lighting and effects we’ve come across in our many years of gigging, we’re not exaggerating. From that incredible entrance and hanging LEDs dripping with colour throughout slow songs, to the smoke literally creeping along broad beams of light like some kind of ghostly presence, it felt like we were in a trance at several points throughout the gig.
Mesmerising (Credit: The Manc Group)
Metal isn’t just lots of aggressive guitar and drums – at least not any more
It was in moments like this that we were taken aback by just how wholesome the crowd had been all night – again, something that heavier rock gigs never get credit for. In fact, a current trend at metal shows is for people to hold up pictures of their cats and that was exactly what we walked into. Adorable.
The point we’re getting at is that while this particular show had plenty of headbanging of course, especially with how insane some of the bass and drum work is in Sleep Token’s many breakdowns, Co-op Live wasn’t pure moshpits and carnage. Far from it, to be honest.
When those aforementioned lights were tracing around the massive arena, we constantly found ourselves looking around the room and staring up at the sky, before immediately noticing thousands of other people doing the same. There were just as many heart symbols in the air as there were devil horns.
Phone torches were held high during ‘Euclid’ and the room lit up like a night sky. That’s nothing at gigs these days, we know, but it’s worth noting just to put things into perspective for those who may have long misunderstood the metal crowd, ‘moshers’ and ’emos’ – whatever meaningless word gets thrown around most these days.
Who wore it better?He truly was a godly figure up there on that stage at times.Cosplays and a Manc choir? There was nothing ‘devil-worshipping’ about this crowd, they were wholesome AF. (Credit: The Manc Group)
The highlights were as you would expect if you’re a fan: ‘The Offering’ got those grumbly distorted guitars in nice and early, ‘Granite’ had everyone from the goth girls to the middle-aged blokes doing their very best sexy dance; ‘Alkaline’ put literal chills on our spine – as did all of the vocals from start to finish.
It may have just been our ears playing tricks on us but Vessel’s voice and quivering hands were so full of emotion that we swear we could hear him crying through the lyrics on more than one occasion. Whether for the pageantry or not, there were plenty of very real people smiling up at him with teary eyes.
You’ll never hear quite as much genre-bending as you do in ‘The Summoning’ and watching everyone change gears from just pure, no-nonsense heavy metal to grooving out to the sudden shift to funk rock was a real joy. It was probably the standout of the whole night, but it was a triumph all-round.
We’ve been enjoying Sleep Token from afar for a while now and always really appreciated how technically impressive and groundbreaking the music felt, even just on a pure sonic level, but it’s only now we’ve been to one of their shows that we think we ‘get‘ the obsession and why more and more followers are flocking to see them live in the flesh.
Call it unique, strange, disturbing — call it whatever you want, the fans couldn’t care less. It was a pseudo-religious experience for a lot of people in that room and while it may take us a while to fully convert, we’re very open to the concept. Even if just for that magical intro alone, to be honest.
Live music has always been like church to us, so we can always get behind hero-worshipping like this.
Emily Sergeant -
25th February 2022 
