Our Manc of the Month series is back, but this time round, we wanted to do something a little bit different.
We all know that Manchester is home to plenty of special people, some born here and others drawn here, who have inspired and led us through tough times, so we decided to start a series that shines a light on those who should be celebrated.
Following on from our ‘The Mancs of the Year’ feature towards the end of 2020, Manc of the Month officially kicked off in July 2021 – with Marcus Rashford MBE, Manchester’s mural king Akse P-19, the local chef feeding the region’s vulnerable families Mary-Ellen McTague, and Manchester’s groundbreaking new Council leader Bev Craig among previous honourees.
In earlier editions, we had chosen to feature people who had an impact on our region in the recent weeks prior, but for this month, we want to cast our minds back and pay worthy tribute to an inspirational pair who are sadly no longer with us.
With International Women’s Day – a global holiday marked annually to commemorate the cultural, political, and socioeconomic achievements of women – coming up on Tuesday 8 March, and Manchester getting ready to celebrate the females who have made our city what it is today, we cannot think of a better time to remember the careers of a duo who not only changed the comedy landscape for women, but changed the game entirely.
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Victoria Wood and Caroline Aherne truly left their mark.
Victoria Wood: As Seen on TV and The Mrs Merton Show / Credit: BBC
Although born in London to Irish parents, BAFTA award-winning actress, comedian, and writer Caroline Aherne moved to Manchester at the age of two, was raised in Wythenshawe, went to school in West Didsbury, and kick-started her illustrious career on the city’s comedy circuit by performing as a collection of characters, before developing the iconic ‘Mrs Merton’.
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Aherne developed her Mrs Merton character with Frank Sidebottom for his show on Piccadilly Radio, where she worked as a receptionist.
She made a number of television appearances as the hilarious character, before rising to prominence in 1994 with the mock chat show The Mrs Merton Show, where she was known for asking celebrity guests a series of outrageous fake questions – the most-memorable example being to the wife of magician Paul Daniels, Debbie McGee, asking: “So, what first attracted you to the millionaire Paul Daniels?”.
Aside from the Mrs Merton character, Aherne was known for appearing on BBC comedy sketch programme, The Fast Show, and then cemented her place in the heart of us Mancunians when she co-wrote and starred as Denise in beloved Manchester-based sitcom, The Royle Family – which ran for three series from 1998 to 2000, and was a largely stereotypical portrayal of working-class family life at the turn of the millennium, with almost all of the episodes taking place in the Royles’ telly-centric living room and showing the hilarious conversations they’d have.
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The Royle Family could not be a more perfect lasting legacy for Aherne, as it’s often included in the conversation when it comes to Britain’s best sitcoms, and was named in BFI’s 100 greatest British television programmes of all time.
The Royle Family was co-written and starring Caroline Aherne / Credit: BBC
Known for having an instantly-recognisable voice, Aherne narrated the Channel 4 reality television series Gogglebox from its inception in 2013 up until her death in 2016.
She passed away from cancer on 2 July 2016 at her home in Timperley at the age of 52.
2016 was also the year that the world tragically lost the multi-talented Victoria Wood, who, just like Aherne, had a wealth of strings to her bow as a comedian, actress, lyricist, singer, composer, pianist, screenwriter, producer, and director.
Born in Prestwich, and raised and educated in the Greater Manchester borough of Bury, Victoria Wood was struggling with self-confidence, identity, and her place in the world when she discovered a love for performing after her father gifted her a piano for her 15th birthday and she joined the Rochdale Youth Theatre Workshop later that same year.
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Wood began her career in show business while she was undergraduate studying drama at The University of Birmingham in the 1970s.
Throughout her decorated and multi award-winning career that spanned over four decades, Wood wrote and starred in countless sketches, plays, musicals, films, and sitcoms, and she was particularly known for humour grounded in everyday life that included references to activities, attitudes, and products that are considered to be typically British, with eclectic live stand-up shows that were often interspersed with her own musical compositions that she performed at the piano.
Her very-own comedy variety sketch show, Victoria Wood: As Seen on TV, aired on the BBC from 1985 to 1987, undoubtedly making her a household name and paving the way for her to become a mainstay on our screens.
But if you ask Mancs what Wood’s career highlight is, most would point to the cult-classic sitcom, dinnerladies – which ran for two series from 1998 to 2000.
BBC sitcom dinnerladies ran for two series from 1998 to 2000 / Credit: BBC
Created, co-written, produced by, and starring Wood herself as Brenda “Bren” Furlong, dinnerladies is set entirely in the canteen of the fictional Manchester-based factory of HWD Components, features the caterers and regular customers as the show’s main characters, and was beloved for the fact that it depicted the lives, and social and romantic interactions of all of the staff.
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Victoria Wood also sadly died of cancer on 20 April 2016 at her London home, surrounded by her children and former husband.
Although we’ve done our best to take you through the lives of these two late local legends and give a worthy nod to everything they went onto achieve throughout their careers from humble beginnings, it’s almost impossible to truly sum-up the impact that Caroline Aherne and Victoria Wood had and quantify just what they mean to the people of our proud city.
Their talents will always live on, and Manchester will never forget our comedy heroines.
Featured Image – BBC
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Lantern Pike – the countryside walk with amazing views, an old railway line, and a great pub at the end
Daisy Jackson
If you’re looking for a country walk that’s got a bit of everything – we’re talking views, lakes, history, picturesque villages and, crucially, pints – this is the one.
Step across the Greater Manchester border into High Peak, and you can take on a circular walk that’s got it all.
The walk takes in all the best bits of the English countryside, from rolling hills to proper pubs.
Park in the village of Hayfield, with an optional stop at Marmalade Coffee Shop for a bacon sandwich and some caffeine.
Then head out west to join the Sett Valley Trail, which joins Hayfield and New Mills.
The trail itself is 2.5 miles and follows a former railway line – but now it’s a tree-lined trail that’s perfect for a gentle stroll, cycle or even horse ride.
Lantern Pike in the Peak District. Credit: The Manc GroupLantern Pike in the Peak District. Credit: The Manc Group
You’ll pass the Birch Vale reservoir, but won’t be following the trail all the way to New Mills.
Instead, turn off to the right to cross the River Sett and walk towards Sitch Lane.
The road will take you to the very edge of the Peak District ready for an uphill climb to the peak of Lantern Pike.
It’s not a giant by Peak District standards (373m compared to Kinder Scout’s 636m) but the views are 360 degrees – fields on all sides and the incredible Manchester skyline in the distance.
Walk straight over the summit and back down the other side, passing the Lantern Pike pub (we won’t judge if you pause for a pint here), cross the road, and join Snake Path.
This will take you past Twenty Trees, which is literally a group of trees standing on its own, and back into Hayfield.
Here you’ll find The Pack Horse, a country pub that’s gained some serious accolades in the last year.
Despite a top-notch menu, the pub is more than happy to welcome in customers (and dogs) who are covered in mud – as all good countryside boozers should.
You can see a map of the circular walking route at alltrails.com.
Featured image: The Manc Group
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Hairspray lands at the Palace Theatre, proving to audience members that you really can’t stop the beat
Oli Lowe
Energetic ensemble numbers, lavish costumes and stand-out performances: Hairspray welcomes everyone to the 60s in its latest tour production.
If you’re anything like me, you’ll hold very fond memories of the 2007 movie-musical version of Hairspray, a cinematic masterpiece that breathed new life into the already iconic musical. I bring this version of the show up because until last night it was my only experience of the story.
Yes, much to my shame, I had never seen a live production of the show but after coming out of the Palace Theatre last night, I can now say that Hairspray‘s latest tour production is just as fun-loving – and as free wheeling.
From start to finish, Hairspray is a vibrant, colourful, high-energy show which takes you on the journey of teenage misfit Tracey Turnblad as she deals with the struggles of pursuing her dreams, in the face of adversity and a 1960s America that seems determined to halt progression.
The entire cast gave stellar performances from leading lady Alexander Emmerson-Kirby in the role of Tracy, all the way through to the ensemble who constantly wooed me with brilliantly executed dance routines, filled to the brim with swinging-sixties dance moves.
I’d like to take a second to highlight some standout performances, which in my opinion elevated the show to new heights. Starting with Neil Hurst in the role of Edna Turnblad, Tracy’s ‘larger-than-life’ mum.
Neil was a constant comic relief throughout a show that whilst generally lighthearted does tackle some serious issues such as unrealistic female beauty standards and racial segregation.
Neil, alongside his comedic partner Dermot Canavan, gave a standout, belly-laugh performance of their duet ‘You’re Timeless To Me’. It truly had the audience in fits of laughter and lauded huge applause from the entire theatre.
On to Gina Murray as Velma Von Tussle and Michelle Ndegwa as ‘Motormouth’ Maybelle. Both gave superb renditions of their solo numbers and showcased their experience in every scene they were in.
Murray’s rendition of Miss Baltimore Crabs (still always caught off-guard by that name) was impressive, to say the least, with the performer delivering big and bold vocals, all whilst being held upside down by a group of the male cast.
Meanwhile, Michelle Ndegwa’s version of ‘I Know Where I’ve Been’ was spellbindingly beautiful. It carried with it the weight and severity of the number, all whilst delivering knock-out vocals that were filled to the brim with pain and suffering.
Hairspray Production Photos taken on 16th July 2024 in ManchesterStunning vocals all around.
Finally, a small shoutout to Reece Richards as Seaweed. Growing up (and occasionally to this day) I tried many times to stumble my way through Seaweed’s big number, ‘Run And Tell That’, and let me tell you from experience, that’s one damn hard song to sing…
Reece delivered the number expertly, all whilst dancing in a routine that even just watching, made me feel slightly exhausted. Props to Reece… One day I will nail that opening high note (I won’t).
All in all, Hairspray delights, delivering laughter, splendor, and high fuelled entertainment from start to finish – we’d consider a must-see if you’re a fan of the film, especially.
The show runs through till 27th July and with limited tickets still available, there’s no reason to not get yourself down and enjoy an evening of mesmerising, musical fun. You can grab yours HERE.
Hairspray Production Photos taken on 16 July 2024 at the Palace Theatre in ManchesterSeriously, give it a go.