The Japanese Anime cafe with real maids hidden inside Afflecks
Inside you'll find rare anime dolls, imported Japanese snacks, milkshakes named after famous characters and stacks of comics which you can read for free
Hidden inside Afflecks is a magical Japanese anime-inspired maid cafe where you can watch films by Studio Ghibli and buy drinks inspired by famous anime characters.
First opened in 2019, the cafe is the only one in the UK of it has kind and has had various different iterations over the years – first starting life off as a shop downstairs before moving onto the second floor.
Based inside its current unit for two years now, in the past few months, its owners have expanded the space to add on a proper Japanese-style sakura cafe behind the shop – complete with upside-down umbrellas hanging from the ceiling and its very own sakura tree.
Neon lights and anime murals cover the walls, there’s a stage covered in plants, ring lights that customers are welcome to use for filming, and, in one corner, a bookshelf filled with anime books that the maids have found in charity shops.
Customers, the maids tell us, are welcome to pick any of these up for a read whilst visiting. The cafe also offers a service to customers to come in and resell their old anime comics to the cafe for a much better price than they might get elsewhere.
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On our visit, we meet two of the cafe’s seven resident maids – Ria and Gia. Both are dressed in cosplay Japanese maid outfits, Maid Gia also has furry black and brown cat ears on her head, whilst Maid Ria is sporting black and red dragon wings.
They are keen to stress that, whilst the cafe does draw its inspiration from Japan’s maid cafe culture, unlike in Japan in no way are they wanting to be fetishised.
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Over there, customers commonly call the maid’s “Princess” and vice versa are called “master”. Here at Affleck’s, the focus is more on having fun – not on sexualising the intimacy between customer and maid.
“In their cafes, […] master and princess is like kind of like fetishist names […] we don’t want any aspect of fetishising anything, we don’t want any Asian fishing or anything like that because it’s just disgusting.”
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“We just want to have fun and dress like maids and sell Japanese merch without hurting anyone,” adds Gia sweetly.
Both maids’ enthusiasm for Japanese anime and manga culture is infectious – and as they start to explain more about the fantastical worlds that are created within it, where people are born with pink hair and devil horns, where someone might be half-cat, or have superpowers that see them shoot stars out of their hands – it’s easy to see how you could become immersed.
It’s pure fantasy at its very best. They tell us about Death Note, where you write someone’s name in a magical notebook and it kills them, and about another character who has the power of being trans – where they can inject themselves and change gender.
It’s all brilliantly weird, “the weirdest stuff you can think of” says Gia.
As well as selling food and drink inspired by their favourite anime characters, which includes a list of milkshake specials loaded with the likes of chocolate, raspberry, fruit pearls, tapioca and cream, the cafe also sells authentic figures that are collector’s items in their own right.
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“All of our stuff is straight from Japan which we feel like gives more of an immersive experience, so if you could never travel to Japan you’ve literally got it right here,” says maid Ria.
The shelves are packed with boxes of different figures from the comic worlds, as well as Japanese snacks from the likes of Hello Panda. There’s also a fridge filled with different flavoured drinks that pay tribute to some iconic characters, including a blue-haired Sonic.
For now, the food offering is limited to snacks that you can buy to eat in the neighbouring cafe – but the maids tell us they’ve got plans to introduce hot food as soon as possible and hope to start selling bowls of ramen and cookie dough, adding an immersive element into the service.
Ria tells us, “In Japan, they serve little omelettes and then the maids come over and like draw in your omelettes like smiley faces, that’s the kind of stuff we really want to do in the future.”
“We’re getting this kitted out as a proper kitchen, we’re going to do cookie dough as well yes omg we have a red velvet flavour, a death by chocolate flavour, birthday cake flavour – I’m really excited for that – bubblegum. It’s like a cookie dough ice cream and that will be the first kind of food that we serve instead of just like a snack you buy off the shelf.
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“We’re just looking to put it somewhere.”
“In this cafe it’s just always like gradually growing. A lot of places open and it’s like BAM! But yeah we’re always growing and that’s what’s nice, taking new ideas and that’s what’s fun about it,” adds Gia.
The maids also tell us about their plans to have a proper maid cafe in the future out on the street, where they can stand outside and welcome customers in “with like the windows all pink and frilly, like a little castle.”
Designed for like-minded people with a shared interest in anime, the cafe has been set up to be suitable for all ages where fans can socialise and initiate new friendships,
All of its maids are anime fanatics and experts too, and with their help owner Rio has created a safe space for anime fans where guests can watch anime, play video games, and transport themselves to cosplaying heaven.
Over the Halloween weekend, the cafe will be hosting a special event to tie in with the annual Manchester Anime and Gaming Con.
Feature
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Review | Some of the most fun you can have at a theatre – Jeff Goldblum and The Mildred Snitzer Orchestra
Danny Jones
On Wednesday night, we did something we hadn’t done in a long time: we went to a concert almost completely blind and walked in without having heard a single second – because how many times in life are you going to get the chance to say you’ve seen Jeff Goldblum music live in Manchester?
We can comfortably say it wasn’t just one of our favourite shows of the year so far, but it might be one of the best decisions we’ve made, maybe ever…
Honestly, there’s not even a whiff of exaggeration in that statement; within minutes of the headline date starting, a long, hard day suddenly melted away in the smooth, sultry, stylish and unapologetically silly atmosphere created by Jeff Goldblum and the truly wonderful Mildred Snitzer Orchestra.
For starters, we were pleasantly surprised to see ‘Bonnie Scotland’s very own Liverpool-based singer-songwriter, Brooke Combe, opening up for the man himself, whose soulful, 1960s, 70s and Motown influences made for a perfect fit to warm up the crowd.
With the North West favourite – who we recently caught once again at NBHD Weekender late last month – even getting a perhaps initially hesitant and very possibly more Theatre-leaning audience inside the Palace to relax with some fun vocal exercises and Scottish banter, we were off to the races.
But in truth, this show turned out to be so much more than we were expecting – and by that we don’t mean when Brooke joined him on stage for a spell and had him try his first Irn-Bru…
In our heads, we were kind of expecting to see Goldblum, 73, playing his beloved piano as other members of the jazz band got to enjoy a few moments centre-stage as those who sat watching admired their sheer technical ability.
Where we actually landed was somewhere between a live and just the right amount of chaotic stream-of-consciousness stand-up show, interlaced with a series of effortlessly charming and loose bits of crowdwork as if he were compèring, and, of course, the incredibly cool musical arrangements.
It may not have been entirely free-form (it’s clear that a lot of time, effort and tireless rehearsal go into this shindig), but it did have the feeling that things were unfolding organically as the night went on, the perfect example being specifically for Manchester, with each local reference getting a rousing reception.
His latest LP is going down a treat with the critics in the early reviews, too, and having now heard a few samples, we’re not surprised.
As Jeff said at the top of the show, the best bit about this music is watching these marvellous musicians effectively jamming and playing call and response, not only with each other but you down below – not to mention with the man himself vamping over the top and enjoying plenty of solos on the keys.
Aside from crowd-pleasing arrangements of contemporary and well-known tracks like ‘Lover’ by Taylor Swift and even his own bittersweet and oh-so-gentle take on ‘Over The Rainbow’, it felt not just like an intro to some cult favourites from within the genre, but a serviceable broad-strokes education at times.
Personally, we’ve always liked to think of ourselves as open to anything, sonically, albeit fairly limited when it comes to jazz, but we left feeling like we knew more about the mechanics and flow of a jazz gig than ever; we’re now eager to learn more and dive deeper into the syllabus curated by this superfan.
One very special mention also has to go to session singer Khailah Johnson, who recently shone in the & Juliet production on Broadway and is now currently on tour with Jeff on his Night Blooms run.
Believe us, she’s not merely performing ‘beside’ anyone; when you have a voice and presence that’s so big and has such range that you generate enough star-power for people to genuinely forget that a Hollywood actor is there right next to you, you KNOW you’re beyond talented. Simply spellbinding.
The whole crew had a lovely, laid-back quality that was just infectious. (Credit: Lucy Elson-Whittaker)
And then we have the A-lister himself, who clearly doesn’t only have the gift of the jab and a natural penchant for pageantry, but looks so at home up there that we would happily trade ever seeing him in a film again if it meant we could have the next few decades watching him be the live showman that he is.
For anyone who feared Jeff Goldblum’s music career might just be a famous bloke indulging himself in a side project and cashing in on fandom simply because he can, fret not: this man has as much passion, love and aptitude for jazz and this particular side of showbiz as any role we’ve seen him play, if not more.
Whether it be playing movie trivia games with those in the stalls, thanking fans he bumped into at his hotel, or inviting people there for a special occasion backstage, he ticked almost every box you could have asked for, from the cabaret vibes and Jurassic Park puns to simply playing his socks off.
The new album that gives its name to this current slate of live shows is much more than a play on words. Be it the soft and warm hues of the coloured spotlights, the off-the-cuff comedy interludes, or even the pure giggle-fits in the audience, the Palace Theatre was bursting with joy, life and vibrancy.
We sincerely hope Jeff Goldblum has grown as fond of the city as he claims, and that we get to watch him play a Manchester venue every year.