Jason Baird has become somewhat of a local superhero since the pandemic first hit back in March of last year.
And we mean that both figuratively, and literally.
Alongside his friend Andrew Baldock, Jason has proudly become one half of the now-famous Stockport Spider-Men, and has been donning his spidey suit to weave a web of joy and lift the spirits of the community while out on his daily jogs for the past 11 months.
The dad-of-two and martial arts instructor has backflipped his way through three lockdowns, and has earned himself international recognition and tens of thousands of fans in the process.
Spotting spidey on his travels has become a popular activity for the people of Stockport, with children making special ‘stop here’ signs for their front windows, dressing up in masks and spider suits themselves to join in on the fun, and just generally looking forward to his arrival.
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While putting smiles on faces at a time when it’s needed more than ever has ultimately been Jason’s goal over this past year, the character’s most-famous quote has remained firmly in his mind.
“With great power comes great responsibility”.
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It was these important words that inspired Jason to not just make a positive change through his actions, but to create a lasting legacy with them.
A lasting legacy that has seen him raise over £75,000 and counting for charity.
The organisation most-significantly benefitting from Jason’s achievements is youth suicide prevention charity PAPYRUS – a cause that is very close to his heart, especially after admitting that he has struggled with his own mental health in recent months, and has sadly lost a friend to suicide during the first lockdown.
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The charity says that suicide is the biggest killer of under 35’s in the UK, and it’s believed that around 200 school-aged children take their own lives each year.
Jason Baird
And it was in the name of PAPYRUS that Jason completed his most impressive feat yet this past weekend.
He set himself the challenge of running an ultramarathon – equivalent to 50 miles – by making his way across the entire Greater Manchester borough, and after taking 100,000 steps, burning 6000+ calories, being accompanied on different legs by other socially-distanced comic book characters, including Batman, Wonder Woman, Iron Man and more, and running for a total of 11 hours and 19 minutes, he completed that challenge last Saturday.
Jason raised well over £8,000 for PAPYRUS just from the run alone, but it was as he crossed the finish line of his astounding achievement over one of the town’s major motorway bridges, that he set his eyes on what would become his most important mission yet.
To transform that fateful bridge into a “bridge of hope”.
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While the 40ft bridge over the M60 on B6167 Lancashire Hill currently goes not have a name, it has sadly become known to many in the town as the site where several people have both attempted to, and have taken their own lives in recent years.
“The bridge as a whole has seen far too many people take their own lives,” Jason told us.
“Running across it as I neared the finish line just brought home that something had to be done to try to prevent others doing the same.
“As I crossed [the bridge], the barriers felt so low [and] I knew I had to make some sort of plea to at least try to make them taller [and] at the same time, try to take away the stigma of ‘that bridge’ where people jump, which it has sadly got”.
And so, in an attempt to “make a difference for our future generations”, Jason contacted both Stockport Council and Highways England yesterday to discuss the possibility of not only making the railings higher, but also giving the bridge a makeover.
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He wants to transform the bridge into “a cheerful place”.
“I want to make it a place of remembrance for those who have taken their own lives there and a place to celebrate those who have tried to and survived.” Jason continued.
“I [also] want to try to name the bridge, as I don’t think it has a name, and I personally would like to name it ‘The Bridge of Hope’, as my vision is to have superheroes holding a purple heart with the names of those who lost their lives [and] purple is the PAPYRUS youth suicide prevention colour”.
To help make his vision a reality, Jason enlisted the work of Stockport-based artist Neil Roche to create an impression image of what the bridge could look like if the plans are accepted.
The colourful design sports the words ‘Marvellous Stockport’ in large lettering below the superheroes.
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Neil Roche
Jason’s vision was also further inspired after he was “blessed with company” and cheered-on by two young survivors of the 40ft fall from that bridge as he crossed the finish line.
Jason is keen to shine a light on the importance of Olivia and Luke’s stories within the wider community, and in a message posted to the Stockport Spider-Men Facebook group yesterday evening, he said: “I’m using our platform to get the word out further, but I’m taking a back seat to Olivia and Luke, as I believe they are both meant for this role to impact others.
“These two amazing human beings have bravely told me they are open, willing, and ready to share their stories to hopefully save others via our group [so] I will be posting what is going to be very emotional content from [them] in the coming days,
“Personally, I cannot thank them enough [and] it has deeply touched me more than anyone will know.
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“It’s an honour and privilege to have even met [them], let alone be a person to share their darkest hours, [so] they both have my upmost love and respect.
“And it goes without saying that when we get the go-ahead to transform the bridge, both Olivia and Luke’s portraits will be featured”.
Jason is thrilled to see that his mission to create ‘The Bridge of Hope’ has already received massive encouragement from the Stockport Spider-Men group and the wider community.
He’s even revealed that he’s had two parliamentary cabinet members reach out to him in support as well.
Now, he’s currently in the process of trying to speak directly to a representative at Highways England that can “hear my plea and hopefully work with me on this”, and has admitted that the Stockport Spider-Men group will even work together and raise funds to have the works completed if needs be.
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It’s clear to see that this transformation is something Jason is truly passionate about, and there’s no doubt the public are on his side every step of the way.
We’ll just have to cross our fingers, and wait and see.
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If you’ve been inspired by Jason’s story and his outstanding achievements over this past 11 months, you can show your support for an extremely worthy cause by contributing to the goal of raising £100,000 for PAPYRUS via his JustGiving page.
You can also follow along with the Stockport Spider-Men adventures here.
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And don’t forget to keep your eyes peeled and stay tuned for more Stockport Spider-Men missions coming in 2021 too.
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Emily Sergeant -
9th February 2021 
