Jason Baird has become somewhat of a local superhero since the pandemic first hit back in March of last year.
And we mean that both figuratively, and literally.
Alongside his friend Andrew Baldock, Jason has proudly become one half of the now-famous Stockport Spider-Men, and has been donning his spidey suit to weave a web of joy and lift the spirits of the community while out on his daily jogs for the past 11 months.
The dad-of-two and martial arts instructor has backflipped his way through three lockdowns, and has earned himself international recognition and tens of thousands of fans in the process.
Spotting spidey on his travels has become a popular activity for the people of Stockport, with children making special ‘stop here’ signs for their front windows, dressing up in masks and spider suits themselves to join in on the fun, and just generally looking forward to his arrival.
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While putting smiles on faces at a time when it’s needed more than ever has ultimately been Jason’s goal over this past year, the character’s most-famous quote has remained firmly in his mind.
“With great power comes great responsibility”.
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It was these important words that inspired Jason to not just make a positive change through his actions, but to create a lasting legacy with them.
A lasting legacy that has seen him raise over £75,000 and counting for charity.
The organisation most-significantly benefitting from Jason’s achievements is youth suicide prevention charity PAPYRUS – a cause that is very close to his heart, especially after admitting that he has struggled with his own mental health in recent months, and has sadly lost a friend to suicide during the first lockdown.
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The charity says that suicide is the biggest killer of under 35’s in the UK, and it’s believed that around 200 school-aged children take their own lives each year.
Jason Baird
And it was in the name of PAPYRUS that Jason completed his most impressive feat yet this past weekend.
He set himself the challenge of running an ultramarathon – equivalent to 50 miles – by making his way across the entire Greater Manchester borough, and after taking 100,000 steps, burning 6000+ calories, being accompanied on different legs by other socially-distanced comic book characters, including Batman, Wonder Woman, Iron Man and more, and running for a total of 11 hours and 19 minutes, he completed that challenge last Saturday.
Jason raised well over £8,000 for PAPYRUS just from the run alone, but it was as he crossed the finish line of his astounding achievement over one of the town’s major motorway bridges, that he set his eyes on what would become his most important mission yet.
To transform that fateful bridge into a “bridge of hope”.
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While the 40ft bridge over the M60 on B6167 Lancashire Hill currently goes not have a name, it has sadly become known to many in the town as the site where several people have both attempted to, and have taken their own lives in recent years.
“The bridge as a whole has seen far too many people take their own lives,” Jason told us.
“Running across it as I neared the finish line just brought home that something had to be done to try to prevent others doing the same.
“As I crossed [the bridge], the barriers felt so low [and] I knew I had to make some sort of plea to at least try to make them taller [and] at the same time, try to take away the stigma of ‘that bridge’ where people jump, which it has sadly got”.
And so, in an attempt to “make a difference for our future generations”, Jason contacted both Stockport Council and Highways England yesterday to discuss the possibility of not only making the railings higher, but also giving the bridge a makeover.
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He wants to transform the bridge into “a cheerful place”.
“I want to make it a place of remembrance for those who have taken their own lives there and a place to celebrate those who have tried to and survived.” Jason continued.
“I [also] want to try to name the bridge, as I don’t think it has a name, and I personally would like to name it ‘The Bridge of Hope’, as my vision is to have superheroes holding a purple heart with the names of those who lost their lives [and] purple is the PAPYRUS youth suicide prevention colour”.
To help make his vision a reality, Jason enlisted the work of Stockport-based artist Neil Roche to create an impression image of what the bridge could look like if the plans are accepted.
The colourful design sports the words ‘Marvellous Stockport’ in large lettering below the superheroes.
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Neil Roche
Jason’s vision was also further inspired after he was “blessed with company” and cheered-on by two young survivors of the 40ft fall from that bridge as he crossed the finish line.
Jason is keen to shine a light on the importance of Olivia and Luke’s stories within the wider community, and in a message posted to the Stockport Spider-Men Facebook group yesterday evening, he said: “I’m using our platform to get the word out further, but I’m taking a back seat to Olivia and Luke, as I believe they are both meant for this role to impact others.
“These two amazing human beings have bravely told me they are open, willing, and ready to share their stories to hopefully save others via our group [so] I will be posting what is going to be very emotional content from [them] in the coming days,
“Personally, I cannot thank them enough [and] it has deeply touched me more than anyone will know.
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“It’s an honour and privilege to have even met [them], let alone be a person to share their darkest hours, [so] they both have my upmost love and respect.
“And it goes without saying that when we get the go-ahead to transform the bridge, both Olivia and Luke’s portraits will be featured”.
Jason is thrilled to see that his mission to create ‘The Bridge of Hope’ has already received massive encouragement from the Stockport Spider-Men group and the wider community.
He’s even revealed that he’s had two parliamentary cabinet members reach out to him in support as well.
Now, he’s currently in the process of trying to speak directly to a representative at Highways England that can “hear my plea and hopefully work with me on this”, and has admitted that the Stockport Spider-Men group will even work together and raise funds to have the works completed if needs be.
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It’s clear to see that this transformation is something Jason is truly passionate about, and there’s no doubt the public are on his side every step of the way.
We’ll just have to cross our fingers, and wait and see.
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If you’ve been inspired by Jason’s story and his outstanding achievements over this past 11 months, you can show your support for an extremely worthy cause by contributing to the goal of raising £100,000 for PAPYRUS via his JustGiving page.
You can also follow along with the Stockport Spider-Men adventures here.
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And don’t forget to keep your eyes peeled and stay tuned for more Stockport Spider-Men missions coming in 2021 too.
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
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Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
Emily Sergeant -
9th February 2021 
