A new building in Manchester barely raises an eyebrow these days.
The fidgety city centre has spent the past few decades putting high-rises here and corporate HQs there – moulding itself a look suited to its increasing reputation as an international metropolis.
The pace of regeneration has been incredible. Buildings have shot up and tumbled down in equal measure, yet a handful of special structures have stood with a sort of quiet dignity amid the racket of construction.
One such building complex is tucked away behind the skyline, around three miles south of the city centre: the The Toast Rack & Fried Egg
Stephen Richards / Geograph
When the complex was completed in 1960, there was nothing quite like it.
Sixty years down the line, there still isn’t.
Created by Manchester City Council’s then Chief Architect Leonard Cecil Howitt, the Hollings Building (as it was first called) was a noteworthy anomaly in design; triangular shaped with curling concrete arches and a circular block alongside it.
Its structure adopted the appearance of an enormous toast rack (aptly reflecting its purpose as a catering college) with its round neighbour quickly becoming known as the ‘Fried Egg’.
Opening to initial bemusement, the breakfast-themed building eventually became a beloved part of the Fallowfield region – especially in the student community after it was purchased by Manchester Metropolitan University.
The design proved practical, too, – creating different sized learning spaces for various classes.
In April 1998, The Toast Rack was even granted Grade II listed status by English Heritage – who described it as ‘a distinctive and memorable building which demonstrates this architect’s love of structural gymnastics in a dramatic way’.
Wikipedia
The city’s student buildings began to resemble something of a breakfast buffet when University of Manchester launched the big, round silver University Place – referred to on campus as the ‘bean can’.
But in 2013, MMU decided to stop using the Toast Rack – choosing to shift its student campuses further north.
Five years later, The Gym Group moved in – turning part of the site into a state-of-the-art leisure facility.
Generation Ltd is also delivering 210 apartments in the area alongside 20,000 sq ft of commercial space.
Still, after sixty years and numerous redevelopments, the Toast Rack & Fried Egg remains one of Manchester’s curious and intriguing architectural creations.
In true breakfast style, it set Manchester up for a brand new day.
Now, we’re watching structural innovation being dished out right before our very eyes.
Feature
Beat-Herder Festival 2025 – a magical weekend of music, madness, miniature worlds and more
Emily Johnson
Some festivals give you good music. Some give you great crowds. And a very rare few create a world so immersive, you forget you’re even at a festival; the cult favourite Beat-Herder Festival does it all – and then some.
Tucked into the Ribble Valley countryside in the Lancashire town of Clitheroe, The Beat-Herder Festival isn’t your average weekend of tents and tunes.
It’s a handcrafted, mind-bending wonderland built by a small crew of dreamers who clearly love what they do and want you to feel the same.
Whether it’s your first time or your fifteenth, the moment you step through the gates, you know you’re in for something special
Then there’s Hotel California, not just an Eagles reference but a site where you could catch a full-on rave in a wild west saloon, as well as The Parish Church: a gothic fairytale where choirs turn into choons and the altar doubles as a DJ booth.
One of the weekend’s highlights came tucked inside The Beat-Herder Working Men’s Club, where The Clone Roses had the entire crowd bouncing with their uncanny tribute to The Stones.
When ‘I Am the Resurrection’ dropped, it was hands-in-the-air euphoria; a true pinch-me moment. Ian Brown might as we have been on the stage, the way the crowd were going wild.
And it wasn’t just music. The Working Men’s also hosted ‘Beat-Herder’s Got Talent’, which is a chaotic and charming mix of poetry, dragon dancing, comedy sketches and more. Heartfelt, hilarious and very Beat-Herder.
Truly immersive worlds
Venture deeper into the wonderful world of Beat-Herder and you’ll find entire miniature towns within the festival. There’s a literal high street, complete with its own tattoo parlour, barbers, a swap shop and even a secret swimming pool.
We’re not going to disclose its location, but let’s just say if you find a dodgy-looking wooden gate and hear splashing on the other side – knock twice and bring a towel…
Late-night mayhem
As the sun went down, the party really came to life. The Beyond Tunnel was your portal to new dimensions, opening out into a maze of secret stages and psychedelic visuals.
From psytrance at The Sunrise Stage, to bassline chaos at The Laundrette and candy-coloured chaos at Bubba Gumma, it was a rabbit hole of sound you never wanted to leave.
Then there was The Temple – a fire-breathing stage that became a haven for breakbeats, jungle, techno and house. Tim Reaper’s set here was a standout for us – fast, furious, and euphoric.
And just when we thought the night was over, we found ourselves at a secret 3am b2b set with Tim Reaper and Samurai Breaks that blew us away – two talented DJs that had the crowd wanting even more despite the sun quite literally rising on the next day.
Another hidden gem was The Ring, an intimate open-air arena where we caught Jungle pioneer Goldie, alongside Sheffield’s own Silva Bumpa and Soul Mass Transit System for a bass-heavy b2b set that rattled your bones and lit up the crowd.
Then there’s The Factory – a steel-clad rave bunker pumping out electro, acid and heavy techno deep into the night. Dancing inside while the rain pelted the tin roof added a layer of gritty industrial magic – proper spine-tingling stuff if you’re into that sweaty, underground energy.
And just when you think you’ve seen it all, along comes Fowler’s Garage: a chaotic, petrolhead fever dream of a stage where you can literally dance on top of cars. DJs spin sets from inside the vehicles, cooking up a storm from the front seat while the crowd parties on the roof.
It’s unhinged in the best way possible and one of the most unique spaces you’ll ever rave in.
Power and the people
What really makes Beat-Herder feel different is the people. There’s an unspoken code of friendliness here – everyone’s up for a chat, a laugh, or a spontaneous dance. You could spill your pint and end up making a friend for life. That kind of energy is rare, and Beat-Herder wears it like a badge of honour.
The merch stand has that signature hand-crafted feel. All of the merch is hand-printed, with designs that feel like proper collector’s items rather than throwaway souvenirs. We spotted punters proudly repping Beat-Herder tees from as far back as 2012 – testament to how deep the community pride runs here.
Even on the way out, with vans and cars getting stuck in the mud, everyone mucked in to help push – proof that the Beat-Herder spirit sticks with you long after you’ve left the gates. Just a bunch of lovely people all getting together to have a good time and make memories for life.
Credit: Andrew Whitton
Fantastic fancy dress
Saturday brought the iconic fancy dress theme – this year, the letter G. And wow, did people go for it. Giraffes towered above the crowd, Gnomes danced in groups, Gardeners handed out seed packets, and one hero turned up as ‘Garbage’, wearing an actual dustbin with a lid strapped to his head. We laughed for a full five minutes.
Final thoughts from the fields
Even though Beat-Herder was slightly scaled down this year due to budget cuts, it never once felt like anything was missing. If anything, it brought a tighter, even more magic-filled experience. The attention to detail, the creativity, and the atmosphere are still unmatched – a reminder that this isn’t just a festival. It’s a fully fledged world of its own.
If you’re looking for something different – stick this one at the very top of your list. But be warned: once you’ve been, you’ll never stop going back.
Tickets for next year go on sale on Thursday, 31 July, and you can be ready to grab your tickets HERE.
You can guarantee you’ll see us at back-to-back Beat-Herder Festivals again in 2026.
Oasis 25: Heaton Park send off Oasis like only Manchester could – with biblical rain
Clementine Hall
Oasis are well and truly back on top as they performed for the final night at Heaton Park and what could still be the very last time in Manchester.
There are countless moments every night that show how uniting this full-on cultural moment has been.
The guy in the wheelchair being lifted overhead by a group of strangers for a better view. The couple getting engaged before being enveloped in a sea of bucket hats. The thousands of people gathering on ‘Gallagher Hill’ every night just to be close to this historic music event.
Then the celeb-spotting too: Jack Grealish, Shaun Ryder and Andy Whyment off Corrie in the same frame of a video; Orlando Bloom waving at fans. Liam and Noel’s kids all together on a big cousins’ night out. It’s had it all.
For a lot of Mancs, the Oasis reunion has felt like Christmas morning ever since it was announced last year following a number of post-gig teasers like that Blossoms headliner at Wythenshawe Park.
And it certainly felt like that as we braved the soggy ground over at Heaton Park for their fifth and final live show in Manchester.
The atmosphere in the crowd was almost surreal, a mass of Britpop-loving super fans who have been waiting for this exact moment for almost twenty years – and you could tell.
As the brothers strutted on stage, hand in hand, a feeling of euphoric joy surged from the crowd of 80,000.
For two hours, they deliver anthem after anthem, each song transcending generations as the older lot look back to their ‘Live Forever’ days and the youth can’t quite wrap their head around the band in front of them being here and now.
Oasis’ final night at Heaton Park was everything we dreamed it would be. (Credit: Audio North)
Oasis are just as good as ever; Liam’s gritty vocals and Noel‘s ripping guitar slot together perfectly as though they were made for one another.
They’re loud and they’re unapologetic, they are the sound of the people, and we were absolutely lapping it up.
Every song was a hit, from bangers like ‘Cigarettes and Alcohol’ to fan favourite ‘Live Forever’, and of course ‘Wonderwall’, the brothers gave the people exactly what they wanted.
Liam, maracas in hand and parka zipped to the top, not only might be the coolest man to walk the planet, but was undoubtedly born to be a frontman of a band. The head nods, the frowning eyebrows, the fists clenched behind his back – we were fully gripped by his sheer stage presence.
Images: The Manc Group
There was a moment where he put the tambourine in his mouth, closed his eyes and lifted his head to the sky, taking it all in and getting lost in the music – an icon.
And of course, in true Manc fashion, the heavens opened an hour into their set as the grey cloud everyone had an eye on took centre stage.
Did we care? No, we did not. It only made the moment that more special as we united as one unit, singing as loud as we could to combat the elements.
It’s clear to see how much Oasis means to so many; their music is embedded into the national psyche with a presence that simply defines generations.
Who knows when they’ll be performing back in Manchester again, and if this was their last time, then they can rest assured that by returning, they’ve made themselves the biggest band in the world again. And that’s an accolade they truly deserve.
The Manc -
8th October 2021 
