Chris Moyles has come out with arguably one of the worst takes we’ve heard in a long time after he said he doesn’t play new music because he believes “most unsigned musicians are crap”.
Oh dear, Chris…
Speaking on his self-titled morning show on Radio X last week, the former BBC Radio 1 DJ and industry veteran was trying to defend criticism that he doesn’t play enough new music.
Despite insisting that “that’s not what [his] show is about”, which may have been reason enough to stop the conversation there, Moyles decided to double down and share his opinion on the wider music scene.
Shocking from @ChrisMoyles . ‘Most unsigned bands are crap’. Don’t call yourself a DJ when you’re not interested in discovering new music. Outed yourself once again as a completely insipid half-wit. Video @thereyton69pic.twitter.com/SRqdZkBd0b
Responding to his listeners, he said: “the real reason is, and this will blow their tiny minds and they’ll hate this, the reason why we won’t play unsigned bands is because — and there are exceptions to the rule — but the main reason is that most unsigned bands are crap. I’m sorry, but that’s the truth.”
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To absolutely no surprise whatsoever, the 48-year-old is being absolutely rinsed, with his claim being labelled everything from “shocking” and “ridiculous” to “an embarrassment”, not to mention several declaring him a “self-indulgent pr*ck” and insisting that he should “hang [his] head in shame”.
Moyles has always been somewhat of a divisive figure, even hinting at his Marmite-esque reputation whilst appearing on I’m A Celeb at the end of 2022, but most people seem to be in agreement on this one: it’s a pretty ignorant and callous take.
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Artists and music lovers across social media have come out to rubbish the ill-thought-out judgement. Even station colleague John Kennedy had to make sure people knew these were solely the opinions of Moyles and not necessarily that of Radio X.
Chris Moyles claims most unsigned bands are crap. I’d say most signed music is generic and crap these days and they have the leverage to be put out there that unsigned bands don’t. Every band/artist starts out unsigned and has to graft to even be noticed. Don’t piss on their fire pic.twitter.com/S4JZfsIOss
The first, most obvious thing to state is that every band or solo act was once an unsigned musician and, as countless pointed out, without exposure from the likes of radio DJs some of the world’s greatest ever artists may have never come to be.
Scottish four-piece The Lutras were one of countless to state their disappointment, issuing the following statement on their Twitter:
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“Very disappointing to hear. No wonder up-and-coming bands struggle to get any airplay at all when the people who are supposed to be scouting them are saying they’re mostly crap and complaining about it. Rotten attitude. Chris Moyles, sort it out or f*** off”
Beyond his knowledge and opinions on music, many have also come out to suggest that the Leeds-born disc jockey has said plenty more upsetting things than this in the past, highlighting numerous controversies that many may not be readily aware of. Warning: it makes for rather unpleasant reading.
He spoke publicly about having sex with Charlotte Church when she was barely 16. He called women dirty whores on air and had been obsessed with Nicola Roberts of Girls Aloud for years. pic.twitter.com/GVZjiBxXf8
— Malicia Dabrowicz (Vanadian Avenue) (@cocamidemea) February 20, 2023
Fuck Chris Moyles. unsigned artists tag yoselves and post your music below, big up eachother n check out ma tunes while you're at it, love 🤟🏾 Indie & DIY til I die ⚡
Fortunately, back here in Manchester, our music-loving city is still doing its best to spotlight up-and-coming talent as it should.
Mayor Andy Burnham recently handed out the inaugural ‘Artist of the Month’ award to The KTNA in January, crucially giving them that very same air-time on BBC Radio Manchester that Moyles seems so quick to overlook.
Furthermore, music legend Johnny Marr and The Salford Foundation Trust recently gave local lad John Denton and his band, The Height, a huge boost in their fledgling music career too.
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Don’t look down on people trying to make it, be more like these legends.
Featured Image — Chris Moyles (via Instagram)/Radio X (via YouTube)
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Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Danny Jones -
20th February 2023 
