The time has finally come for Courteeners to take to the stage for their massive summer homecoming gig, back in the fields of Heaton Park.
The Middleton rockers will be taking up the Friday night slot before Parklife kicks off, performing on the festival’s main stage.
The concert will celebrate the 15th anniversary of the band’s seminal debut album St Jude, back in the city where it all began.
Courteeners will be playing through that iconic debut in full, alongside all their biggest hits from their six studio albums.
It’s not the first time Courteeners – fronted by Liam Fray – have performed in Heaton Park. In fact, this is the third time they’ve gigged on this patch of home turf.
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St Jude was produced by Stephen Street and spawned anthems including Not Nineteen Forever, What Took You So Long?, and No You Didn’t, No You Don’t.
It recently broke records by reaching number one upon its release, becoming the album with the longest time between release and charting at number one in history – hitting the top spot a staggering 14 years, 9 months and 14 days later.
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Speaking about the special St Jude Heaton Park show, Liam Fray said: “They grow up so fast. Can’t believe our darling St. Jude is 15 next year.
Courteeners celebrating their number one album in Mr Thomas’s Chop House. Credit: Instagram @what_liam_saw
“Think it’s time for a celebration and we all know that great things come in threes….The Star Wars Trilogy, Sooty, Sweep & Soo and now, here we are, with the third instalment of ‘Courteeners at Heaton Park’. June 2015. June 2019 and now June 2023 …
“This time, to celebrate the 15th anniversary of its release we’ll be playing ST. JUDE (in full) PLUS (of course) THE HITS.
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“I can’t think of any better way to celebrate than to make the pilgrimage to Heaton Park with like-minded souls and lose ourselves like it’s 2008. And, because we’re good like that, we’ve remastered the original album.
“GOD BLESS THE BAND. GOD BLESS THE FANS. OMNE TRIUM PERFECTUM.”
Here’s everything you need to know if you’re heading to see Courteeners at Heaton Park.
Who’s supporting Courteeners at Heaton Park?
DMA’s. Credit: Publicity picture
This is massive – there are FOUR acts taking to the Parklife main stage at Heaton Park before Courteeners pop up, creating what’s essentially a mini Manc festival.
First up will be a DJ set from Katie Owen, who’ll get the vibes going from the second the doors open.
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Then you can sink your teeth into this lot…
Brooke Combe
Scottish singer-songwriter Brooke Combe will be the first live singer to hit the stage this Friday.
She’s a multi-instrumentalist with a seriously powerful voice, and is tipped for very big things indeed.
The Snuts
Indie rockers and festival favourites The Snuts are next up, showcasing songs from their two studio albums, including their debut W.L. which shot straight to the top of the UK Albums Chart.
They’ve supported huge names over the years, including Kings of Leon, The Kooks, and Louis Tomlinson.
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DMA’s
This Aussie three-piece will be back in town this week, showing off music from their latest album How Many Dreams? as well as their three previous records.
Their gigs in Manchester always have an air of a homecoming show about them. It doesn’t really make sense – they’re half-a-globe away from their actual home – but this bunch of Aussies have adopted that very distinctive Manc swagger, down to the waterproof parkas they all wear on stage.
It’s not looking good if you’ve not managed to get tickets so far – Courteeners looks to be completely sold out.
There are a few tickets floating around on resale sites, but make sure you’re buying from a reputable site and not about to get ripped off.
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What are the stage times for Courteeners and support acts?
Stage times are always subject to change, but this should be the rough times that you can stick to on Friday night.
Doors open 4pm
DJ Katie Owen – 4pm – 5.30pm
Brooke Combe – 5.30pm – 6pm
The Snuts – 6.20pm – 7pm
DMA’s – 7.30pm – 8.20pm
Courteeners – 9pm – 10.45pm
How do I get to Heaton Park?
Courteeners. Credit: Michael Clement
The area around Heaton Park is expected to be extremely busy for Courteeners, with around 40,000 people descending on the park for the gig.
This is TfGM’s advice if you’re one of them.
Metrolink
A six-minute service will operate pre and post-event to stops near the venue on the Bury line.
Please use Heaton Park for travel to the gig and Bowker Vale for travel post-event.
The last tram to the city centre from Bowker Vale will depart at 1.07am. While, the last tram to Bury from Bowker Vale will depart at 00.21am.
For the safe management of crowds exiting the concert, Heaton Park will close at 9pm on the Friday.
Buses and bus diversions
Due to the road closures and traffic around the site, a number of bus services will be diverted on Friday. Services 66, 90 and 94 will be on diversion all day on Friday, whilst diversions for services 41, 59, 135 and 156 will be implemented from 6pm until 2am.
If you plan on taking the bus, don’t forget that you can search your service and plan your journey on our bus webpage.
For more information about fares on buses in Greater Manchester, visit our Get On Board webpage.
Driving
There is a strictly-enforced residents parking only zone around the Heaton Park area.
All drop-offs and pick-ups will be directed to the Sainsburys car park on Heaton Park Road (postcode for sat navs M9 0QS).
If you have no alternative but to drive to the event, use one of 24 Park and Ride sites on the network and complete your journey by tram to Heaton Park or Bowker Vale.
What’s the expected setlist?
Courteeners have done a couple of warm-up shows before their Heaton Park gig, so we’ve got a bit of an idea of what to expect.
And yes, as mentioned already, you’ll get to hear all of that brilliant St Jude…
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Aftershow Kimberley Cavorting Acrylic Kings of the New Road Please Don’t No You Didn’t, No You Don’t Bide Your Time Fallowfield Hillbilly That Kiss Yesterday, Today & Probably Tomorrow How Come Smiths Disco It Must Be Love Are You in Love With a Notion? The 17th Hanging Off Your Cloud Modern Love Not Nineteen Forever What Took You So Long?
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Daisy Jackson -
8th June 2023 
