There’s no shortage of shopping centres in Greater Manchester.
Each of the town centres in the 10 boroughs has at least one to their name, most likely more, and multiple still remain in the city centre itself, with Manchester Arndale being the third largest city centre shopping mall in Europe and attracting around 41 million visitors annually, and then of course the Trafford Centre – the UK’s third largest shopping mall – is known to welcome visitors through its doors from all over the world, not just the region.
When you grow up with or become accustomed to the scale of retail facilities, such as the latter two named, on your doorstep, it can be easy to forget what came before.
But these powerhouse shopping centres could still be considered relatively new in the grand scheme of things.
The Trafford Centre may have changed the face of 21st century retail in the region, but it only opened to the public in 1998, and although the Arndale has been around for a little longer, it’s still only 46 years old, with its doors having flung open in 1975, so where did the city’s shoppers head to before the mid-70s?
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Shopping arcades.
And one of those shopping arcades was the popular Lancaster Avenue Arcade.
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Manchester Libraries
While shopping at a huge complex, or the rows of high street names dotted around and the high-end stores at New Cathedral Street leading to Selfridges, is now the norm, people in the city centre once got their retail therapy fix under glass-ceiled passageways.
These glass-ceiled passageways were built in the Victorian era, and were known as arcades.
They housed small and mostly independent shops in tiers, with balconies looking over the main shop floor and walk-through, and at the time of construction and in the height of their popularity, they were seen as symbols of modernity, with their innovative architectural design ushering in a new age of retail.
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At one point, in just Manchester city centre alone, there were five shopping arcades for visitors to choose from, but as you have probably predicted, they were lost to the urban developments that followed.
Lancaster Avenue Arcade was one of the centres to eventually meet its fate.
The arcade was situated across the way from Manchester Victoria Railway Station, between Todd Street and Fennel Street.
The classically-structured arcade was once a hidden gem, comprising of three tiered rows of shops, which included Olwen’s Stamp and Coin Centre, B.&M. Baker raincoat and casual wear manufacturers, Jim Murray trouser makers, along with Irwin Bros manufacturing jewellers and bullion dealers, to name just a few.
And while it served its purpose for the people of the city at the time, it eventually began to see customer numbers and footfall drop, leading to its permanent closure and demolition in the mid-70s.
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Nowadays, the National Football Museum in the Urbis Building stands in its place.
If the name Lancaster Avenue isn’t particularly ringing any bells for you though, that might be because you’re more familiar with its nickname.
While the arcade has now long been demolished and is considered to be a thing of the past by many, the abandoned cellars and tunnels that run underneath the city still remain, and have become a particular point of interest for so-called urban explorers. In this case, Beneath New Cathedral Street – which is now home to the Harvey Nichols department store – are cellars and passages that date back centuries, including one that served as a skittles gallery and shooting range, which then later became a cheese store.
This is why Lancaster Avenue was dubbed ‘Cheese Alley’ by locals.
If you make your way through Manchester city centre today though, only one of these Victorian-era shopping arcades still stands – Barton Arcade, which is tucked away adjoining St Ann’s Square and Deansgate.
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It houses a number of independent retailers and food outlets on the ground floor level, with the upper tiers being the base for several offices and businesses, but most-importantly though, it serves the purpose of representing the shopping arcade culture that once was.
Gone, but never forgotten.
Feature
Giuseppe’s – the tiny Italian bistro that proves Stalybridge is fast becoming a dining destination
Daisy Jackson
Giuseppe’s in Stalybridge is a restaurant that’s putting in an enormous amount of effort to please just a very small group of people – this teeny tiny bistro has just 18 seats.
With such a small capacity no one would blame them for sitting back and scaling back to a concise little menu of pizza – but Giuseppe’s really said ‘no grazie’ to such an idea and committed itself to a full bistro menu.
It’s yet another exciting addition to the rapidly-booming restaurant scene here in Tameside, where neighbours include Cafe Continental, Gladstone Barber & Bistro, and SK15 Bar & Bistro.
Giuseppe’s arrival on the Stalybridge high street has created a cosy corner for locals, one which could quickly follow in the footsteps of Ornella’s to become a fully-booked-for-months-in-advance destination.
Inside its welcoming navy blue walls you’re welcomed by a room filled with trailing plants, ceramic lemons and a huge doodle map of Sicily.
The menu also hails from Sicily, specialising in wood-fired pizzas but also dipping a toe into pasta and small plates too.
Pizza at Giuseppe’s Italian bistro in StalybridgeA spread of dishes at Pizza at Giuseppe’s Italian bistro in Stalybridge
Giuseppe’s pizza dough is meticulously made fresh with Italian 00 flour, left to ferment for at least 48 hours, before being stretched and topped and cooked in the wood-fired pizza oven until it’s all puffed-up and charred around the edges.
At lunch times, those delicious pizza doughs are folded in half to make Italian panozzi sandwiches, the charred dough encasing fillings like Sicilian fennel sausage and friarelli, and mortadella with stracciatella.
These are strong contenders for the best pizzas this side of Greater Manchester, with a soft and chewy crust that stands up against much bigger names in the pizza game.
Rum baba at Giuseppe’sThe team at Giuseppe’s in Stalybridge
Giuseppe’s pasta bowls include a hearty paccheri with Sicilian sausage AND guanciale, all salty and rich and creamy.
And once you’ve eaten your fill in this tiny little spot, where the windows go all steamed up in winter and you’re nudging up against neighbours chatting over pizzas, you can polish off with Italian desserts too.
There’s a very respectable slab of tiramisu on offer, plus a rum baba soaked in syrup and packed with fresh cream.
Giuseppe’s in Stalybridge may be small in capacity but it’s huge on spirit.
Kinky Boots’ message transcends the music at the Palace Theatre in Manchester | Review
Oli Lowe
Kinky Boots strutted into Manchester last night (bet I’m the only reviewer witty enough to come up with an opening line that original) and in doing so encapsulated an audience with its inspiring message.
I want to preface this review by stating that up until last night, I knew next to nothing about Kinky Boots.
Admittedly, even as a born and raised theatre kid, there will always be the odd musical that manages to slip through the cracks and elude me, much like a cinephile who’s never seen Jaws and, shamefully, Kinky Boots is my Jaws. Until now.
This actually gave me a huge sense of excitement going into the press night for the all-new production of Kinky Boots.
It’s very rare that I review a show that I’m not comparing to some form of source material, a different production that I’d already seen, the movie adaptation, the original cast recording, etc.
So, to sit down last night at 7:29 absolutely clueless about what was set to unfold in front of me, was a genuine breath of fresh air.
Kinky Boots is set between the towns of Northampton, London and climatically, Milan. The story follows two lead characters Charlie Price, a Northampton boy who begins the show having just inherited his late father’s shoe manufacturing business.
It’s a fate he’s been trying to run from since his childhood and Lola/Simon, a fierce and powerful drag queen who uses their dress sense and divaesque attitude as a shield from the outside world that wishes to, ironically, drag her down
The two collide when Charlie is inspired to save his late father’s failing business by exchanging the manufacturing of boring brogues for fabulous ‘kinky boots’ that can be fabulous, whilst fully supporting the weight of any drag queen.
His energy has dropped one iota from rehearsals to the tour. (Credit: Press Images)
Johannes Radebe – best known for being one of the professionals on Strictly Come Dancing – was nothing short of absolutely breathtaking as Lola.
I’ll be honest, celebrity castings generally put me off shows more than attract me to them; in some cases, they can feel like desperate pleas to get bums in seats (which given the current state of arts within the UK, production companies can hardly be blamed for).
However, Johannes genuinely seems born to play this role. I was expecting his dancing to be well… professional but I was intrigued to see how his vocals and acting would compare and boy, oh boy, did they compare. He didn’t miss a beat.
His acting was fierce and powerful, just as his character demanded whilst also showing real vulnerability and humility. In terms of individual performances, it’s one of the best I’ve seen at Manchester’s Palace Theatre for a long while.
The supporting cast was just as fabulous, with special shoutouts to Courtney Bowman who played the adorably loveable Lauren, whilst delivering serious powerhouse vocals and to Scott Paige who played George.
You could see through Scott’s performance a real sense of pride and shared experience with the story plus his comedic timing was absolutely impeccable, I hope to see more of him in the future.
Kinky Boots boasts a strong supporting cast all-round (Credit: Supplied via Palace Theatre Manchester).
With a book by Harvey Fierstein and music and lyrics by the legendary Cyndi Lauper, I must admit it’s Harvey who carries the weight in this production.
Whilst catchy enough to tap your feet to, I didn’t leave the theatre with so much as an earworm from Cyndi’s musical offering, however, the heart and passion of the story is something I think everyone should look to experience.
Kinky Boots is about accepting people for who they are instead of seeking to change them and this show does a fantastic job of encapsulating that message, not only from the standpoint of the LGBTQ+ community but for everyone.
The show implores people to accept everyone from the fiercest drag queen to the most bullish, typical ‘blokes’ out there and the way each of those groups manages to come together by the end of the production is a testament to what can happen if we all embrace each other with open arms.
Kinky Boots is only in Manchester until Saturday (8 February), so please, get tickets if you can and go and see this fabulous show. You can grab yours HERE. Who knows? Maybe you’ll get to see a living legend in the flesh like we did…
Emily Sergeant -
18th February 2021 
