The WWI hero who climbed Everest alone: How a Chorlton writer wrote one of the best books of the year
Maurice Wilson aimed to fly to Everest in a Gipsy Moth in 1934 and then climb the rest of the way; becoming the first person to reach its summit alone.
He’d served as a pilot in the navy during the seventies, and upon retirement, he whisked his young family up to Aberdeen so he could continue flying helicopters commercially.
It was during a routine training session that the engine failed and caught fire.
Caesar Snr guided the helicopter to the ground against the odds. But upon impact, the fuel tanks exploded, killing him and the trainee passenger.
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The tragedy should have been enough to scare a young Ed away from flying for life.
Yet, here he was, thirty years later, sat at the stick of a hundred-year-old Gipsy Moth aeroplane – three-thousand feet in the air above Dorset.
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It was a wonderful and terrifying experience.
The vehicle appeared to be made of canvas, wood, a few bits of metal and little else – powered by the kind of engine you’d expect to find inside a lawnmower.
The reverberations were so intense it felt like pieces of the plane could just flake away at any given moment, disintegrating in the middle of the sky.
After cosying up to clouds for several minutes, Ed touched back down unscathed (which he owed to his “terrific” instructor). But the deafening rattle of the flight stayed with him; the vibrations pulsing through his body for the rest of the day.
On paper, it seems puzzling. Why would any person attempt to fly a century-old aircraft with no experience? Let alone someone who was all-too-familiar with what can go wrong?
But by this point, Ed was in too deep.
The author had fallen head over heels for one of history’s forgotten figures – a WWI veteran named Maurice Wilson who wanted to fly from England to India in a Gipsy Moth and climb Everest; hoping to become the first person to reach its summit alone.
Short of actually going up the mountain himself, Ed was devoted to doing all the detective work necessary to tell Wilson’s story. No matter how dangerous – or personally moving – that might be.
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Wilson had a fascinating tale. And Ed wanted to get it right. Even if that included taking flight himself.
Long before he’d bravely clambered into the cabin of the Moth, Ed had deduced that the wider world should know the real Maurice Wilson.
The man was a Rubik’s Cube – courageous, mad, infuriating and admirable all at once.
In his younger days, Wilson had fought with astonishing bravery on the frontline in Flanders during the war; standing strong as his friends fell to their deaths around him.
He made it out alive with the Military Cross for his heroic efforts (as Ed notes, the average lifespan of a second lieutenant in WWI was just six weeks), but he was unfairly denied a pension.
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Despite his valour, Wilson also had a callous side.
He married multiple times after the war and treated each wife worse than the last, “leaving behind a trail of broken hearts” as he travelled the world searching for his purpose.
He even managed to fall in love with his close friend’s spouse along the way.
But it wasn’t until Wilson picked up the newspaper in a Freiburg cafe one afternoon that he settled on an ambitious and stupefying idea.
He would crash land a Gipsy Moth on the slopes of Everest and climb to the top himself – disguising himself as a Tibetan priest to get past authority figures who would have recognised his Western features and halted his ascent.
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It was frankly mad. Wilson had no experience, no knowhow, no resources. Yet, he was utterly convinced he could do it.
Standing at the base of the mountain looking up, Wilson could already see the newspapers that awaited him on his return.
“In five weeks, the world will be on fire,” he wrote in his diary, anticipating the headlines on the horizon.
Before Everest, Wilson had “hardly climbed anything more challenging than a flight of stairs”. Nor had he scaled any further than the footnotes of history.
But Ed’s new book – The Moth and The Mountain – conclusively changes that.
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The Chorlton writer gives Wilson’s chronicle a fresh lease of life (having been at real risk of being buried forever in the annals of history).
It’s equal parts breathtaking and baffling – having already been picked as the NY Times’, Amazon’s, and The Observer’s best-reviewed books of the month.
The official release date for The Moth and The Mountain is November 12. But it’s been in the making for almost a decade.
“I’ve lived with Wilson for a long time,” Ed chuckles.
“At times he’s infuriating. He’d talk too much. He was definitely a bad husband.
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“But I am filled with admiration for his courage and I sympathise with his feelings to redeem himself. It’s a human response to trauma and things going wrong.
“He didn’t get what he deserved after WWI. He was a guy from Bradford, and in the people who refused to give him his army pension, he saw the same class of people who were trying to stop him from climbing Everest.
“He wanted to get one over on them.”
Image: Pikrepo
Wilson is by no means the first person to use rejection as a motivational tool. The ‘I’ll show them’ mindset has spurned on many a man to get what he was told he could never have.
But none of these figures ever tried to prove their doubters wrong by flying 4,000 miles and then climbing 8,848 metres into the sky.
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The whole thing looked suicidal. Was Wilson crazy? Or brave beyond belief?
Ed thinks he might have been both.
“In all famous explorers, there’s a balance between madness and a refusal to be beaten,” the author explains.
“I think it perhaps tipped towards madness in Wilson’s case. He was just so poorly prepared for what he was about to do.
“Any rational person would look and say he wouldn’t be able to do it. But [Wilson] sees it as something he can do. His mind says ‘just keep on going’.
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“He needs Everest for reasons I don’t think he even understands.”
The Moth and The Mountain sees Ed – a journalist by trade – venture into non-fiction writing for the second time in his career.
His first book, Two Hours, was a deep dive into the endurance-pushing, limit-smashing, sweat-soused world of marathon runners and their obsession with defeating records and setting new ones.
Wilson was also one of these people, in his own way.
“I was interested in Wilson for a lot of reasons – but it’s definitely connected to that idea of people trying to achieve the impossible,” Ed says.
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Nonetheless, researching The Moth And The Mountain was a very different experience.
Very few people who knew Wilson were still alive, and to get to the truth, Ed had to pore through archives, venture overseas, reach out to long-lost relatives, visit memorials, recover old diaries, and source ancient letters.
And, of course, he arranged to fly in a Gipsy Moth – just like his protagonist.
Ed Caesar
Completing The Moth and The Mountain was an expedition in itself. But if it gives Wilson some deserved spotlight, Ed believes it will have been worth it.
“I hope this has corrected the record but also told a thrilling and fascinating story most people won’t have heard of… and it comes across like the person who wrote it has really done their homework.”
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Perhaps the greatest achievement of The Moth and The Mountain is how it saves Maurice Wilson from being doomed to a ‘crank’ reputation he was seemingly destined for.
History had written him off as a disaster.
But after getting to know his subject, Ed feels like he partly understands why Wilson did what he felt he had to do.
“Sometimes, you need a massive gesture and a big adventure to sweep away damage in your life,” Ed tells us.
Perhaps this thought was going through the author’s mind when he clambered into the cockpit of the Gipsy Moth.
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In that seat, Ed Caesar was as close to Wilson – and his father – as he’d ever been.
The Moth and The Mountain puts it all on the page. And it’s riveting.
You can purchase a copy of The Moth And The Mountain online here.
You can also find out more about Ed Caesar’s work on his website.
@edcaesar
Feature
Meet Larishka – the DJ making her mark on Manchester’s Garage scene
Emily Johnson
It’s time to meet Larishka – Audio North’s Artist of the Month for October.
For Larishka, music has always been around her in some form. Growing up surrounded by classical and rock music, she never expected her route into electronic music to begin with a Parklife set from Carl Cox, before eventually becoming a DJ, promoter, and co-owner of Manchester’s Ghosts of Garage.
Today, she runs events, DJs across House, Garage and Bass, and is helping build a community around one of Manchester’s most exciting electronic music brands.
From promoter to DJ
Larishka actually started out as a promoter while doing an apprenticeship at a music booking agency. She always knew she wanted to work on the events side rather than bookings, but felt like she wasn’t going to make many connections within the industry while living in Oldham.
Her plan was to go to university to study music, with the hope of learning to produce while also moving into Manchester and making connections within the city’s music scene.
Quite quickly into her studies, she joined Ghosts of Garage. After about a year, she had something of a lightbulb moment.
Meet Larishka, the DJ making her mark on Manchester’s Garage scene / Credit: Supplied
“I was studying music, I run my own nights, and I was always on the aux at house parties, so why have I not learned to DJ yet?” she explained.
That realisation came while she was sitting on MATTIK’s living room sofa, where she asked if he would teach her. Before long, she was calling him every day asking if they could go to the studio and practise mixing.
“I owe it to him really, he was a brilliant teacher.”
“I get it” – the Parklife moment that changed everything
Larishka’s introduction to electronic music wasn’t exactly the traditional one.
“I grew up on classical and rock music – my dad was a sound engineer in the 70s so that was his thing really, and my mum played the piano every single day so that’s what I was constantly around.”
She first heard house music when she was around 15 or 16, after a friend sent her a track they had found on SoundCloud.
“I listened to it out of my phone and didn’t really get it, it was too repetitive.”
A few years later, everything changed. After hearing Parklife from her window every year growing up, Larishka eventually went to the festival for the first time and watched Carl Cox close The Valley. He played ‘Finder’ by Ninetoes, and it was the first time she had experienced electronic music on a huge sound system.
“I remember being in absolute awe and turning to my friend and saying ‘I get it’ and from then, I was just absolutely hooked.”
It became a genuine turning point.
“I had my A Level exams that following week and when I was revising all I was listening to was house music and I remember my Dad coming in and saying ‘Is this you forever now?’ and I said ‘Yeah I think it is'”.
Larishka is Audio North’s Artist of the Month for October / Credit: Supplied
Why Manchester means so much
“I mean it’s home, and always has been.”
Having become part of the city’s music scene, she says she feels incredibly lucky to have found a community around her.
“There’s a certain camaraderie that exists here that I don’t know that you’d find anywhere else.”
For her, that sense of community is what makes Manchester’s music scene so special.
“Seeing people you know everywhere you go, you kinda feel like you’re never alone and that you’re actually part of something.”
That spirit extends beyond electronic music, too.
“And it’s not just in electronic music either, that spirit exists across all genres – Manchester music history is so rooted across such a broad spectrum of genres, and to see that still prevailing today is something we should all be proud of.”
Building Ghosts of Garage
It’s impossible to talk about Larishka’s journey without talking about Ghosts of Garage.
She’s a co-owner of the brand, having joined in 2021, and works across its marketing, bookings and creative direction alongside Rich Reason. For her, one of the biggest things that makes a Ghosts of Garage night stand out is its commitment to the music.
“The music and lineups truly never miss, which is a credit to Rich. The guy knows how to program a lineup.”
The team makes a conscious effort to champion new talent, often including at least one Manchester or UK debut on a lineup.
“A big part of each event is making them unique while keeping the brand consistent – each event has to have its own USP or else the nights get boring and people think they can just skip this one and go to the next and it’ll be the same.”
For Larishka, music has always been around her in some form / Credit: Supplied
Community is a huge part of the brand.
“We’re also big advocates of community and want to create the gap between audience and DJ as little as possible, so try to get the crowd involved as much as possible through things like our WhatsApp community.”
The aim is to make people feel like buying a ticket means becoming part of something bigger.
“We want people to feel like if you buy a ticket for our event, then you’ve unlocked a key to be part of something.”
Larishka’s advice for getting into Manchester’s music scene
For anyone hoping to break into Manchester’s music scene, Larishka’s advice is simple – go out.
“I’m way more likely to book you if we’ve met and we’ve had a good chat because it means I can put a face to a name and I know what you’re like.”
For her, being part of the community is about more than simply sending messages and asking for opportunities.
“Being an active member of the community means you’re already part of the night, so booking you to DJ just makes you even more part of it than you already are, rather than someone I’ve never met before who’s in my DMs.”
Ultimately, it comes back to the same thing that has shaped so much of Larishka’s own journey – showing up, meeting people, and becoming part of something.
Featured Image – Supplied
Feature
Manchester’s first banana pudding bar has opened in the city centre
Clementine Hall
Make sure to save room for pudding…because one of the city’s most-talked about dessert brands has found a new home.
Buttercup launched last summer, creating little pots of the hit US dessert made famous by the iconic Magnolia Bakery.
Each dessert features vanilla custard whipped with cream, soft sponge, and fresh banana, which you can then customise with rotating flavours and toppings.
And after a brief disappearance from the Manchester foodie scene, Buttercup is back with a bang with their beautiful new home on Deansgate.
Images: The Manc Group
And when we say beautiful, we really mean it.
Glossy burgundy tiles, butter yellow walls and sleek chrome furniture make up the space beneath the huge arched window, and there’s even a few seats for you to enjoy your pud and watch the world go by.
Open daily from 10am til 10pm, the menu includes three puddings on rotation ready to scoop.
Images: The Manc Group
Choose from the classic banana, indulgent tiramisu and an ever-changing seasonal special, alongside a wall of toppings for you to customise your own pud.
Each recipe has been perfected in-house and the proof really is in the banana pudding…because it tastes just as good as it looks.
Since launching, Buttercup has served around 50,000 puddings, hosted sell-out pop-ups across the city, collaborated with some huge brands, and built a loyal following around its signature build-your-own pudding bar.
Image: The Manc Group
With this new standalone space, you’ll of course be able to indulge in its signature banana pudding, as well as breakfast yoghurt bowls, coffee and matcha.
Officially opening tomorrow Saturday 26 September, the first 50 customers will get a free topping and sauce with the purchase of any pudding, plus a free lip gloss from Manchester-born beauty brand REFY.