The WWI hero who climbed Everest alone: How a Chorlton writer wrote one of the best books of the year
Maurice Wilson aimed to fly to Everest in a Gipsy Moth in 1934 and then climb the rest of the way; becoming the first person to reach its summit alone.
He’d served as a pilot in the navy during the seventies, and upon retirement, he whisked his young family up to Aberdeen so he could continue flying helicopters commercially.
It was during a routine training session that the engine failed and caught fire.
Caesar Snr guided the helicopter to the ground against the odds. But upon impact, the fuel tanks exploded, killing him and the trainee passenger.
The tragedy should have been enough to scare a young Ed away from flying for life.
Yet, here he was, thirty years later, sat at the stick of a hundred-year-old Gipsy Moth aeroplane – three-thousand feet in the air above Dorset.
It was a wonderful and terrifying experience.
The vehicle appeared to be made of canvas, wood, a few bits of metal and little else – powered by the kind of engine you’d expect to find inside a lawnmower.
The reverberations were so intense it felt like pieces of the plane could just flake away at any given moment, disintegrating in the middle of the sky.
After cosying up to clouds for several minutes, Ed touched back down unscathed (which he owed to his “terrific” instructor). But the deafening rattle of the flight stayed with him; the vibrations pulsing through his body for the rest of the day.
On paper, it seems puzzling. Why would any person attempt to fly a century-old aircraft with no experience? Let alone someone who was all-too-familiar with what can go wrong?
But by this point, Ed was in too deep.
The author had fallen head over heels for one of history’s forgotten figures – a WWI veteran named Maurice Wilson who wanted to fly from England to India in a Gipsy Moth and climb Everest; hoping to become the first person to reach its summit alone.
Short of actually going up the mountain himself, Ed was devoted to doing all the detective work necessary to tell Wilson’s story. No matter how dangerous – or personally moving – that might be.
Wilson had a fascinating tale. And Ed wanted to get it right. Even if that included taking flight himself.
Long before he’d bravely clambered into the cabin of the Moth, Ed had deduced that the wider world should know the real Maurice Wilson.
The man was a Rubik’s Cube – courageous, mad, infuriating and admirable all at once.
In his younger days, Wilson had fought with astonishing bravery on the frontline in Flanders during the war; standing strong as his friends fell to their deaths around him.
He made it out alive with the Military Cross for his heroic efforts (as Ed notes, the average lifespan of a second lieutenant in WWI was just six weeks), but he was unfairly denied a pension.
Despite his valour, Wilson also had a callous side.
He married multiple times after the war and treated each wife worse than the last, “leaving behind a trail of broken hearts” as he travelled the world searching for his purpose.
He even managed to fall in love with his close friend’s spouse along the way.
But it wasn’t until Wilson picked up the newspaper in a Freiburg cafe one afternoon that he settled on an ambitious and stupefying idea.
He would crash land a Gipsy Moth on the slopes of Everest and climb to the top himself – disguising himself as a Tibetan priest to get past authority figures who would have recognised his Western features and halted his ascent.
It was frankly mad. Wilson had no experience, no knowhow, no resources. Yet, he was utterly convinced he could do it.
Standing at the base of the mountain looking up, Wilson could already see the newspapers that awaited him on his return.
“In five weeks, the world will be on fire,” he wrote in his diary, anticipating the headlines on the horizon.
Before Everest, Wilson had “hardly climbed anything more challenging than a flight of stairs”. Nor had he scaled any further than the footnotes of history.
But Ed’s new book – The Moth and The Mountain – conclusively changes that.
The Chorlton writer gives Wilson’s chronicle a fresh lease of life (having been at real risk of being buried forever in the annals of history).
It’s equal parts breathtaking and baffling – having already been picked as the NY Times’, Amazon’s, and The Observer’s best-reviewed books of the month.
The official release date for The Moth and The Mountain is November 12. But it’s been in the making for almost a decade.
“I’ve lived with Wilson for a long time,” Ed chuckles.
“At times he’s infuriating. He’d talk too much. He was definitely a bad husband.
“But I am filled with admiration for his courage and I sympathise with his feelings to redeem himself. It’s a human response to trauma and things going wrong.
“He didn’t get what he deserved after WWI. He was a guy from Bradford, and in the people who refused to give him his army pension, he saw the same class of people who were trying to stop him from climbing Everest.
“He wanted to get one over on them.”
Image: Pikrepo
Wilson is by no means the first person to use rejection as a motivational tool. The ‘I’ll show them’ mindset has spurned on many a man to get what he was told he could never have.
But none of these figures ever tried to prove their doubters wrong by flying 4,000 miles and then climbing 8,848 metres into the sky.
The whole thing looked suicidal. Was Wilson crazy? Or brave beyond belief?
Ed thinks he might have been both.
“In all famous explorers, there’s a balance between madness and a refusal to be beaten,” the author explains.
“I think it perhaps tipped towards madness in Wilson’s case. He was just so poorly prepared for what he was about to do.
“Any rational person would look and say he wouldn’t be able to do it. But [Wilson] sees it as something he can do. His mind says ‘just keep on going’.
“He needs Everest for reasons I don’t think he even understands.”
The Moth and The Mountain sees Ed – a journalist by trade – venture into non-fiction writing for the second time in his career.
His first book, Two Hours, was a deep dive into the endurance-pushing, limit-smashing, sweat-soused world of marathon runners and their obsession with defeating records and setting new ones.
Wilson was also one of these people, in his own way.
“I was interested in Wilson for a lot of reasons – but it’s definitely connected to that idea of people trying to achieve the impossible,” Ed says.
Nonetheless, researching The Moth And The Mountain was a very different experience.
Very few people who knew Wilson were still alive, and to get to the truth, Ed had to pore through archives, venture overseas, reach out to long-lost relatives, visit memorials, recover old diaries, and source ancient letters.
And, of course, he arranged to fly in a Gipsy Moth – just like his protagonist.
Ed Caesar
Completing The Moth and The Mountain was an expedition in itself. But if it gives Wilson some deserved spotlight, Ed believes it will have been worth it.
“I hope this has corrected the record but also told a thrilling and fascinating story most people won’t have heard of… and it comes across like the person who wrote it has really done their homework.”
Perhaps the greatest achievement of The Moth and The Mountain is how it saves Maurice Wilson from being doomed to a ‘crank’ reputation he was seemingly destined for.
History had written him off as a disaster.
But after getting to know his subject, Ed feels like he partly understands why Wilson did what he felt he had to do.
“Sometimes, you need a massive gesture and a big adventure to sweep away damage in your life,” Ed tells us.
Perhaps this thought was going through the author’s mind when he clambered into the cockpit of the Gipsy Moth.
In that seat, Ed Caesar was as close to Wilson – and his father – as he’d ever been.
The Moth and The Mountain puts it all on the page. And it’s riveting.
You can purchase a copy of The Moth And The Mountain online here.
You can also find out more about Ed Caesar’s work on his website.
@edcaesar
Feature
Five Manchester artists we’ve been listening to this month | June 2025
Danny Jones
Hello there. That greeting may be giving Obi-Wan Kenobi in Star Wars vibes, and we can’t lie, we have listened to some cantina music while working this month… but not as much as we’ve been immersing ourselves in more new Manchester artists.
You should know the drill by now, and it is very much a what-it-says-on-the-tin scenario, but every few weeks, we round up some of the music – all crucially hailing from the Greater Manchester area – that we’ve been listening to of late.
We don’t discriminate when it comes to genre either. There’s only one simple rule: if it’s good, then we listen to it and then, hopefully, so do you.
Get your playlists at the ready.
Five Manc music artists we’ve been listening to recently
1. Arkayla
First up for June are relative newcomers Arkayla, whose name is inspired by “a terrible Oasis demo” from 1991 (their words, not ours – thought it is…) of the same name, a.k.a. ‘I Will Show You’, in which describe Liam Gallagher’s now legendary as once sounding “like a dodgy Ian Brown impressionist.”
However, there’s nothing dodgy about these lot and, thankfully, they’re in an era when you don’t have to hand out tapes recorded in the Boardwalk basement on the street to be heard. The Manchester band, which only formed in 2020, may be Standing on the Shoulder of Giants, but they’ve already got a sound.
There’s an unmistakable British indie element to them and hints at everything from The Kooks to The Lathums, but most notably, there are ’60s guitar notes and some real maturity already. Standouts include ‘Ella Malone’, the acoustic version of ‘Lost In a Valentine’, where the lead singer, Cal Blakebrough, really shines, and ‘Rita’ is such an addictive track.
They don’t get more unknown, undiscovered, but sure to be up-and-coming than iNNAFIELD, who are a female-fronted psychedelia-forward five-piece with roots in Brighton but building a career in 0161. Having recently shone at The Deaf Institute playing a support slot at Academy 1, they have our interest.
If a glimpse of lead singer Jessie Amy Leask’s curly hair, 70s belts and long, flowing skirts plants Stevie Nicks and Fleetwood Mac in your mind, you’d be right in thinking so; a listen to their other live tracks scattered across their socials confirms there’s plenty of other influences going on too, though.
Now, they’ve only got one proper recording out on Spotify called ‘Tell Me What’s On Your Mind’, but we’ve had it popping up on our algorithms everywhere, and we can see why: there’s soft, twinkly strumming, soft almost sleepy vocals before a nice big breakout at the end. Glorious stuff.
No, not that one, the Princess of Monaco isn’t back from the dead, but ‘r Grace Kelly, who is based right here in Greater Manchester, is playing her part in the ongoing country revival taking place across the music world, offering her soulful voice and faux American-folk vibes to our ears.
She may not be a Mancunian by birth, having moved from New Zealand to our shores back in 2022, and although the weather change might have been a big sea change for her, there’s no culture shock to be found in her style; from the audio to the aesthetic, it still somehow feels pretty authentic.
Uplifting acoustic guitars, drum brush strokes, solos, Southern-twang harmonies – you name it, all the ingredients are there. The thing is, if you spend enough time immersing yourself in a genre, you can still pull off tracks like ‘Carry On’, ‘San Jose’ and the intimate ‘For Us To Change’.
We’re really lane switching when it comes to genre this month; maybe it’s because festival season is in full swing and we’re just being exposed to so much different stuff in a short space of time, all we know is we’re not complaining about it.
And neither should you, especially when you’ve got names like hip-hop, grime, soul and flag-flying Afrobeats rising star, Prido, being platformed. Blending all the above with R’n’B and a sprinkling of not just Northern but easily detectable Manc slant, it makes his music stand out in the ever-thriving space.
‘Free Ur Mind’ was the first track we ever heard, so we’ve struggled to shake that as our favourite, but ‘DND’ is a supremely dancey but chill example of laid-back of the genre that you need in your mixes this summer, and we also have a soft spot for his verse on the sensual ‘Lifeboat’ by Prima.
Last but not least on our list of new Manchester artists for this June, we’ve got local DJ Josh Baker, whose name you might recognise from the headlines surrounding Parklife 2025, as his set was unfortunately cancelled due to problems out of his control.
Festival-goers flocked to The Matinee Stage for a highly anticipated back-to-back bill of Baker followed by Dutch counterpart Chris Stussy, both of whom have thrilled some of the biggest club crowds in the country – sadly, he didn’t get to do so this time. That being said, we thought we’d give him a shout-out.
We’ll confess to only having got around to his discography following this news, but ‘Back It Up’, ‘Something To Me’, and ‘You Don’t Own Me’ with Prospa and RAHH are all bangers. We’re looking forward to listening to more.
And that should just about do you; there are five artists and, at the very least, 15 new tracks for you to give a go – there should be at least of few of them you like.
But, let’s be honest: be it unheard, new, current, old or anything in between, Manchester music very rarely ends up being filed in the skippable category.
Then again, you can always check out last month’s list of Manc artists from last month and see if you get a better hit ratio.
Featured Images — Prido (via Facebook)/Arkayla (via X)/Grace Kelly (via Facebook)
Feature
You can sleep in a luxury train carriage at an old railway station in Greater Manchester
Thomas Melia
There’s an Airbnb listing in Delph where you can stay in a classic converted train carriage, and it’s even situated in an old train station, so someone buy my ticket ASAP.
Get ready to have the best train experience of your life, as the only cancellation you have to worry about is booking the day off work.
The Carriage at The Old Station is a two-person character property in Delph, Saddleworth that offers you the chance to live out your vintage fantasy by stepping back in time on a luxury static train coach.
It may be situated at an old station, but the interior is refreshing and light with mint blue beams, fuchsia cushions and a royal red carpet and curtains.
As well as a majestic interior, this carriage has an equally impressive amount of amenities, including a Bluetooth sound system, board games and its own indoor fireplace.
This Airbnb is fairly new too, with only 44 reviews to its name – the first only dating back to September of last year; don’t say we don’t find you some absolute gems.
Inside the Airbnb that’s an old converted train carriage.The interior of this Airbnb listing is bold and impressive.
One user even stated, “We regularly stay in five-star locations and this surpassed five-star easily! We highly recommend a stay here.”
While another opened her review with three simple adjectives that we also feel perfectly sum up this train carriage property perfectly: “Opulent, indulgent, extravagant”.
It should come as no surprise that this place is beautiful inside and out, as in the description, host of the property Nigel states he’s a retired designer.
The train carriage stay is also close to a proper country pub, The Old Bell Inn, as well as the Diggle canal walk if you fancy a stroll and a pint before tucking into bed in your old train carriage for the night.
Even the bathroom has pops of colour throughout.You could stay in this train carriage at an old train station.
If you’re after boarding The Carriage at The Old Station and having a fabulous overnight stay or mini holiday of your own, you can find the Airbnb listing and everything you need to know HERE.
The Manc -
11th November 2020 
