Stockport’s finest, Blossoms, have started their own record label ahead of their fifth studio album and have already released the first single, as well as a truly nostalgic music video that we can’t get enough of.
The SK lads are now bigger than ever, topping the bill at Reading and Leeds, Glastonbury, and Castlefield Bowl — they even earned their hometown a shout-out from Andy Burnham before headlining Kendal Calling — and with that in mind, they’ve decided to go it alone and establish their own record company.
Naming the label ODD SK (a nod not only to the town’s postcode but a convenient combination of all the bandmates’ surnames), the five-piece has now departed Virgin EMI, who released their first four albums and are now the founders of one of the first new Stockport-based record labels in years.
If there’s one thing we know these boys love it’s bigging up their home, and as for the first song to be released off the label, their latest track ‘To Do List (After The Breakup)’ is as instant a hit as you’d expect — as the new music video that accompanies it is cosy, warm, painful and beautiful in equal measure.
Filmed in a very familiar feeling little terrace presumably somewhere in Greater Manchester’s ‘Town of Culture for 2023‘ and using a single shot of a hallway that seems you spent a dozen house parties standing in, the video tells the story of how a young couple comes together and ultimately drifts apart.
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I mean, the title does give it away but we weren’t expecting how stylised and emotional the video would be — props to the boys who helped direct it on vintage 16mm film alongside frontman Tom Odgen’s brother Ewan.
The song also features one of the band’s first-ever feature artists, with another Stockport native Findlay combining on the track to add a wonderful female vocal to balance out the two sides of the relationship being played out in the song.
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Her verses and harmonies on the chorus are just as good as Tom’s and it makes for a different approach to their usual tracks whilst still possessing that unmistakable Blossoms sound. You can hear the track in full here and believe us when we say the video really does pull on the heartstrings.
The new single is the first to be released from Blossoms’ new record label, ODD SK.
The singer-songwriter is yet to join the boys on their fledgling label, but we expect the alternative and indie specialists to start gradually snapping up local talent wherever they find it in the coming years, just as they did in signing fellow Stopfordians Fuzzy Sun to their first label attempt, Very Clever Records.
Set up with the help of distributors The Orchard and taking inspiration for the new song from Canadian poet Kaur, Tom told Rolling Stone that it’s now “full-steam ahead” on the new album after having been preoccupied with setting up his new bar for a large chunk of 2023.
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We can’t wait to hear what comes next.
If you missed our recent short stuff on how Blossoms got their name, take a look down below:
Featured Image — Supplied/Blossoms (via YouTube)/Press Image
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Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
13th October 2023 
