Our first Manc of the Month instalment of 2022 is dedicated to Figen Murray, a woman who puts peace first despite her own world being shattered by the Manchester Arena attack.
Monday 22 May, 2017, was a day that devastated and changed Manchester forever.
The attack at the Manchester Arena killed 22 innocent people, and sent shockwaves of grief throughout the region.
Those who lost loved ones on that dark day will never forget what was taken from them on that night.
That grief could so easily have turned into anger – but Figen Murray, whose son Martyn Hett was killed at just 29 years old, has chosen to embrace and champion peace instead.
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Figen Murray with son Martyn Hett, who was killed in the Manchester Arena attack
She has recently stated: “One thing I learnt over the past 4.5 years is that there will never be a place in my heart for hate.
“The world is full of wonderful and amazing humans & recognising this has been massively healing. The darkness will never overshadow my life.”
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2022 started in a big way for Figen.
The inspirational campaigner and educator was named on the New Year’s Honours list and appointed OBE, recognised for her services to counter terrorism.
Figen Murray.
Since the tragic death of Martyn, Figen has tirelessly fought to make venues safer.
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Her Martyn’s Law campaign has led to the rapid progression of the Protect Duty, a new piece of legislation that would see certain public places required to be prepared for, and protected against, terrorist attacks.
In a witness statement as part of the Manchester Arena enquiry, Figen said: “The idea for Martyn’s Law came about at the end of 2018.
“My husband had been given two concert tickets for a singer that he likes. The tickets were for 2nd December 2018 in a Manchester theatre. I had not been out and about since Martyn’s death and this was the first time that I ventured into Manchester and into the city life in a long time.
“On attending the venue, I took my smallest handbag with me to enable any bag search to be carried out quickly. When we got to the theatre we walked in and nobody even asked for our entry tickets. We walked past members of staff who were in conversation with each other and took a seat.
We went on Saturday with some of Martyn's friends. It is definitely beautiful. It will be nice when spring adds a touch of colours to it. It is a good place to go and contemplate. I am also sad Manchester needs a memorial. But it is what it is. Nobody can bring them back😔 https://t.co/TTl2GwX9gz
“During the show, I got very tearful as I was astounded by the fact that we had just walked in. Naively, I had until then made the assumption that security checks at public venues were now run of the mill after the Manchester Arena Bombing.”
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She told ITV News: “Absolutely everything I do since Martyn died is purely for the purposes to avoid other families from going through what we as a family have gone through, and are going through and will be going through for the rest of our lives.”
It’s just one example of how this influential woman channels her energies into making the world a safer, more peaceful place.
Before the 2017 terrorist attack, Figen was actually a counsellor and life coach.
Martyn Hett.
She had dedicated her entire career to listening to people, and helping them to build a happier future.
Since making the decision to leave counselling, Figen has embarked on a new challenge, and completed a Master’s degree in Counter Terrorism from the University of Central Lancashire (UCLan).
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She graduated with a distinction (naturally), and said: “This one’s for you, Martyn!”
These are all big, impactful moves – but Figen’s mission for peace trickles down to something much smaller too.
She also knits teddy bears, each one given its own identity and background story, which she sells on Depop.
One of these ‘peace bears’ even made its way into the arms of New Zealand Prime Minister, Jacinda Ardern, shortly after the Christchurch mosque shootings that killed 51 people.
Figen says that ‘every grown up should own a teddy bear, as people often forget to have fun and let their hair down once in a while when they grow up.’
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She left one particularly special bear, known as Jordan Bear, on a train in brown paper bag, with clear instructions that he should see the world.
The little blue creature has now passed through dozens of hands and countries – including a little holiday with Holly Willoughby and Phillip Schofield.
On top of all this, Figen regularly visits schools, colleges and universities to try and instil kindness and tolerance.
She said in a blog post for Educate Against Hate: “I hope to create a positive framework for young people, so they embrace each other’s differences rather than fear them.
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“I want young people to have hope for a kinder future and I want to prevent other families from going through the same pain that we did.”
All of us Mancs have heard the expression ‘Be More Martyn’ by now.
Maybe we should all be a little more Figen too.
About Manc of the Month
We all know that Manchester is home to some special people, some born here and others drawn here, and after a bumpy two years that effectively amounted to one big lockdown, it’s these special people that have inspired and led us through the tough times – so we decided to start a series that shines a light on those who should be celebrated.
Following on from our ‘The Mancs of the Year’ feature towards the end of 2020, Manc of the Month officially kicked off in July 2021, with Marcus Rashford MBE, Manchester’s mural king Akse P-19, the local chef feeding the region’s vulnerable families Mary-Ellen McTague, and Manchester’s groundbreaking new Council leader Bev Craig among previous honourees.
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Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
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Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
Daisy Jackson -
28th January 2022 
