Our first Manc of the Month instalment of 2022 is dedicated to Figen Murray, a woman who puts peace first despite her own world being shattered by the Manchester Arena attack.
Monday 22 May, 2017, was a day that devastated and changed Manchester forever.
The attack at the Manchester Arena killed 22 innocent people, and sent shockwaves of grief throughout the region.
Those who lost loved ones on that dark day will never forget what was taken from them on that night.
That grief could so easily have turned into anger – but Figen Murray, whose son Martyn Hett was killed at just 29 years old, has chosen to embrace and champion peace instead.
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Figen Murray with son Martyn Hett, who was killed in the Manchester Arena attack
She has recently stated: “One thing I learnt over the past 4.5 years is that there will never be a place in my heart for hate.
“The world is full of wonderful and amazing humans & recognising this has been massively healing. The darkness will never overshadow my life.”
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2022 started in a big way for Figen.
The inspirational campaigner and educator was named on the New Year’s Honours list and appointed OBE, recognised for her services to counter terrorism.
Figen Murray.
Since the tragic death of Martyn, Figen has tirelessly fought to make venues safer.
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Her Martyn’s Law campaign has led to the rapid progression of the Protect Duty, a new piece of legislation that would see certain public places required to be prepared for, and protected against, terrorist attacks.
In a witness statement as part of the Manchester Arena enquiry, Figen said: “The idea for Martyn’s Law came about at the end of 2018.
“My husband had been given two concert tickets for a singer that he likes. The tickets were for 2nd December 2018 in a Manchester theatre. I had not been out and about since Martyn’s death and this was the first time that I ventured into Manchester and into the city life in a long time.
“On attending the venue, I took my smallest handbag with me to enable any bag search to be carried out quickly. When we got to the theatre we walked in and nobody even asked for our entry tickets. We walked past members of staff who were in conversation with each other and took a seat.
We went on Saturday with some of Martyn's friends. It is definitely beautiful. It will be nice when spring adds a touch of colours to it. It is a good place to go and contemplate. I am also sad Manchester needs a memorial. But it is what it is. Nobody can bring them back😔 https://t.co/TTl2GwX9gz
“During the show, I got very tearful as I was astounded by the fact that we had just walked in. Naively, I had until then made the assumption that security checks at public venues were now run of the mill after the Manchester Arena Bombing.”
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She told ITV News: “Absolutely everything I do since Martyn died is purely for the purposes to avoid other families from going through what we as a family have gone through, and are going through and will be going through for the rest of our lives.”
It’s just one example of how this influential woman channels her energies into making the world a safer, more peaceful place.
Before the 2017 terrorist attack, Figen was actually a counsellor and life coach.
Martyn Hett.
She had dedicated her entire career to listening to people, and helping them to build a happier future.
Since making the decision to leave counselling, Figen has embarked on a new challenge, and completed a Master’s degree in Counter Terrorism from the University of Central Lancashire (UCLan).
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She graduated with a distinction (naturally), and said: “This one’s for you, Martyn!”
These are all big, impactful moves – but Figen’s mission for peace trickles down to something much smaller too.
She also knits teddy bears, each one given its own identity and background story, which she sells on Depop.
One of these ‘peace bears’ even made its way into the arms of New Zealand Prime Minister, Jacinda Ardern, shortly after the Christchurch mosque shootings that killed 51 people.
Figen says that ‘every grown up should own a teddy bear, as people often forget to have fun and let their hair down once in a while when they grow up.’
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She left one particularly special bear, known as Jordan Bear, on a train in brown paper bag, with clear instructions that he should see the world.
The little blue creature has now passed through dozens of hands and countries – including a little holiday with Holly Willoughby and Phillip Schofield.
On top of all this, Figen regularly visits schools, colleges and universities to try and instil kindness and tolerance.
She said in a blog post for Educate Against Hate: “I hope to create a positive framework for young people, so they embrace each other’s differences rather than fear them.
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“I want young people to have hope for a kinder future and I want to prevent other families from going through the same pain that we did.”
All of us Mancs have heard the expression ‘Be More Martyn’ by now.
Maybe we should all be a little more Figen too.
About Manc of the Month
We all know that Manchester is home to some special people, some born here and others drawn here, and after a bumpy two years that effectively amounted to one big lockdown, it’s these special people that have inspired and led us through the tough times – so we decided to start a series that shines a light on those who should be celebrated.
Following on from our ‘The Mancs of the Year’ feature towards the end of 2020, Manc of the Month officially kicked off in July 2021, with Marcus Rashford MBE, Manchester’s mural king Akse P-19, the local chef feeding the region’s vulnerable families Mary-Ellen McTague, and Manchester’s groundbreaking new Council leader Bev Craig among previous honourees.
Feature
Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Our new tune, brought to life by Samuel Jones at Low Four Studios + Norman Nitzsche at Calyx Mastering
Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Daisy Jackson -
28th January 2022 
