Inspiring Manchester women are all around us. They are our mothers, our sisters, our friends.
International Women’s Day helps remind us of this, as well as encouraging us to think more broadly about those who’ve made a big impact on our city, our country, and the wider world.
Of course, Manchester is no stranger to inspirational women. Our history is built on them – as is our present.
From famous campaigners like Lydia Becker, Marie Stopes and Emmeline Pankhurst, to writers like Elizabeth Gaskell and Carol Anne Duffy, whether they were born here or drawn here for centuries women have been shaping the course of history for those to come long before we had the vote.
But today, we’ve taken a little time to focus on those making the city what is today – shouting out ten inspiring Manchester women from all walks of life.
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From actors and musicians to athletes, businesswomen, chefs and even local politicians, Manchester women continue to be at the forefront of history in 2022 – and we’re damn proud of them.
Figen Murray
Image: Supplied
2022 started in a big way for Figen. The inspirational campaigner and educator was named on the New Year’s Honours list and appointed OBE, recognised for her services to counter terrorism.
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The mother of Martyn Hett, who was tragically killed in the Manchester Arena at just 29 years old, Figen has chosen to honour his memory by embracing and championing peace.
Since 2017, she had been fighting tirelessly to make venues safer with her Martyn’s Law campaign whilst also completing a Master’s degree in Counter Terrorism from the University of Central Lancashire (UCLan).
Her efforts have since led to the rapid progression of the Protect Duty, a new piece of legislation that would see certain public places required to be prepared for, and protected against, terrorist attacks.
Mancunian-based marathon runner and personal trainer Amy Hughes made history in 2014 as the first woman to run 53 marathons in as many days – beating not just the women’s record, but the men’s record too.
Not content with bursting into the record books just once, the Shropshire-born athlete did it again in 2020 – raising £12,400 for NHS Charities Together by running for 26 hours straight on a treadmill. She has since founded Sculpt In Haus pilates studio, based on Lloyd street.
Karina Jadhav
Image: Karina Jadhav
The North West’s youngest independent female restaurant operator and owner, Karina Jadhav founded her current concept Menagerie in August 2016 after moving away from venues Neighbourhood, Victors Hale and Southern Eleven.
Hugely successful, over the years her venue Menagerie has become a hotspot for the city’s glitterati crowd and is a great place to visit if you’re in the mood for some celeb spotting.
DJ Paulette
Image: DJ Paulette
As the first female resident to take on the decks at The Hacienda, DJ Paulette is an icon of the city’s dance music scene.
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A familiar face around Manchester’s restaurants and bars and a key fixture at cult queer club night Homoelectric, she also has her own radio show and is currently in the process of writing a book about her experience in the music industry – due to be released next year.
A powerhouse of Manchester’s music and events scene, for years now Sophie Bee has been behind the programming at Bavarian party palace Albert’s Schloss – putting together the house band and live entertainment that has made it such a go-to-spot for anyone and everyone on a night out.
A Creative Producer for the multi-concept operator Mission Mars, she also works on events like La Discotheque, Audio Farm and Homoelectric, oversees similar programming at Escape To Freight Island and has organised stages at Glastonbury in the past.
Mary Ellen McTague
Image: Mary-Ellen McTague
As the chef-owner and The Creameries in Chorlton and co-founder of restaurant-backed charity Eat Well Manchester, Mary-Ellen is a hospitality force to be reckoned with.
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From cheffing in Michelin-starred kitchens to writing columns for The Guardian and, most recently, battling food inequality in Greater Manchester, she’s not just a great chef but a community-minded philanthropist too.
Mobilising quickly at the start of the pandemic to use restaurant food headed for the bin, alongside her partners through Eat Well MCR she’s provided over 50,000 meals to people in need since March 2020.
Julie Hesmondhalgh as Hayley Cropper in her famous red anorak, with on-screen husband David Neilson. / Image: ITV
The Corrie queen who gives back in spades, actor Julie Hesmondhalgh is known for her 15 years on-screen as Hayley Cropper – but her off-screen work makes her even more of a notable figure.
As well as making history with her groundbreaking role as the first transgender character on a British soap, she is the patron of a number of UK charities including Trans Media Watch, which is dedicated to improving media coverage of trans and intersex issues.
As the first new Manchester Council leader in for 25 years, and the first openly-gay woman to hold the position ever, Bev Craig is definitely an inspiration to many.
And whilst she hopes, in time, that these two facts will become the “the least interesting thing” about her, we still think it’s a feat that deserves celebrating.
This year, she will be launching a commission around tackling misogyny and violence against women and girls in Manchester – asking people to input their views and their feelings on the matter in light of an increase in incidents since the start of the pandemic.
An actress and narrator, today Maxine Peake is at the forefront of British acting – putting Manchester on the map with appearances in a host of mainstream TV shows and films such as The Real Anne Williams, Black Mirror, Dinner Ladies and Peterloo.
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After living in London for years, she moved up to Salford in 2009 to give herself freedom to choose more risky roles and take lower-paying jobs in theatre.
In recent years, she’s also become somewhat of an activist – using her fame to speak out at the Peterloo Memorial Peterloo Memorial march and the anti-Tory protest and calling for a coup in the Guardian.
Angela Rayner
Image: Commons Wikimedia
Stockport -born politician Angela Rayner is the current MP for Ashton-under-Lyne, Droylsden and Failsworth and deputy leader of the Labour party. A former care worker, throughout the pandemic she was outspoken when it cam to championing the efforts of key workers.
As a key player in the Shadow Cabinet, she recently said on the record that she is “doing the groundwork now: to make sure that the party’s next leader is a woman.
She recently told Times Radio: “I think the Labour party is ready and I’m doing the groundwork now to make sure it’s ready by supporting other women and saying you can achieve whatever you want to achieve.
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Five Manchester artists we’ve been listening to this month | April 2025
Danny Jones
Fashionably late to the party this month, but we’re sure you’ll forgive us because we’re back with yet another stellar lineup of Manchester bands and artists for you to get your teeth into – some new, others criminally unsung, and all equally brilliant.
Your playlists are about to get a good old refresh.
In case you’re new around here, we here at The Manc and Audio North set aside some time every month to look back on the local musicians we’ve been listening to over the last few weeks.
Whether they are Greater Mancunians born and bred or they’re adoptees who have made Manchester their musical home, anything goes and there’s always something for everyone. Let’s get stuck in.
New Manchester bands and artists we’ve been listening to lately
1. Strawberry Lemonade
First up is the delightfully dubbed Strawberry Lemonade, who sound even sweeter than their name, not in a sugary pop music way, but in the sense that sliding guitar riffs as well as plenty of fast-paced strumming and drumming feel like you’ve just necked a glass of, well…
There’s a classic rock and roll swagger to their music, and while many might argue that a lot of new Manchester bands are trying to nail this kind of sound – already a challenge in a city so oversaturated within this genre – they’ve managed to catch our eye.
Having recently headlined a sold-out show at the iconic Deaf Institute, one thing we know for sure is that they’ll be moving on to even bigger venues sooner rather than later. In terms of standout tracks, we rate ‘Nightime’ and ‘Control’; plus, you’d be a fool not to give their latest single ‘Bother At All’ a go.
Next up is the alliterative Danny Darlington, who seems to have emerged out of nowhere to pique our curiosity with some of the most sprawling and varied songs in less than 12 months. He quietly released his first song back in March 2021 but we’re definitely paying attention to his most recent work.
To call it indie would be a major oversimplification; alt-pop doesn’t quite fit either – all we can tell you is that the solo artist from Bury seems to be more than happy pushing in different directions and experimenting with different sonics, with more effects, pedals and electronics being thrown into the mix.
‘Freya’ is a fantastically chill tune, ‘How To Feel’ ends with a really pleasant and punchy surprise, and we’re big fans and one of his older tunes, ‘Parma Violets’, which has a recognisable contemporary indie vibe with some great production for someone who was still just starting out.
3. Nightbus
Fittingly for number three, we’ve got a trio and a band that feels like one of the Manchester music scene’s best-kept secrets somehow. Seriously, we’re genuinely kind of annoyed that more people don’t know about Nightbus because they’re absolutely brilliant.
The xx, New Order and Cocteau Twins are some of the names that come to mind when making our way through their still limited discography, though there is a very fun collection of remixes of their work so far, which genuinely rival some of the original versions.
Also, it might only be a little thing, but we really like the very uniform aesthetic and visual style too; the album artwork typeface almost hints at limited gig poster prints with that self-contained theme per album cycle, a la The 1975. ‘Way Past Three’, ‘Average Boy’, and the E24 mix of ‘Mirrors’ are our three.
Such a jam.
4. Conor & The GreensKeepers
The penultimate name on our list is a collective that has actually been around for a while now and is steadily starting to earn some of the profile they’ve been long overdue in our opinion, but we’ll never tooting our horns about these lot. They’re also utterly incredible live.
Fronted by lead singer and charismatic performer Conor Michael, The GreensKeepers are some of the most underappreciated artists anywhere in Greater Manchester right now, and no matter how many new bands come along, we firmly believe these 13 unbelievable musicians deserve your attention.
As for picks, recent release ‘Roundabouts’ has that UKG and rap flavour they enjoy; ‘U + I’ is now a go-to lo-fi work soundtrack, and ‘Sip from a Rose’ is their spin on jazz and neo-soul in a nutshell. Put simply, it’s music that makes you feel something from the first note and almost never fails to inject a bit of joy.
Arriving by way of Birmingham, the Manchester-based group will be returning for MJF 2025 as well as Green Island Festival.
5. Slap Rash
Last but not least, we’re finishing the loudest, most raw, raucous and in-your-face artists we’ve probably ever put on one of these lists, and it comes in the form of the ferocious duo known as Slap Rash. Great name, even better ragers.
This absolutely riotous project is the brainchild of locally-based brother-and-sister partnership, Amelia and Huw Lloyd, who might just have knocked the likes of Royal Blood off the top spot for making the most noise that is physically possible for two humans to make.
We honestly love this pair. It’s the epitome of thrashy hardcore with an unhealthy dose of distortion, boasting hints of Drenge, early IDLES, Demob Happy and more. We genuinely don’t know where to best to start, but ‘Holy Smoke’ puts hairs on your chest, ‘Griefcase’ is class, and so is ‘Histrionic’.
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Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.