Our first Manc of the Month instalment of 2022 is dedicated to Figen Murray, a woman who puts peace first despite her own world being shattered by the Manchester Arena attack.
Monday 22 May, 2017, was a day that devastated and changed Manchester forever.
The attack at the Manchester Arena killed 22 innocent people, and sent shockwaves of grief throughout the region.
Those who lost loved ones on that dark day will never forget what was taken from them on that night.
That grief could so easily have turned into anger – but Figen Murray, whose son Martyn Hett was killed at just 29 years old, has chosen to embrace and champion peace instead.
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Figen Murray with son Martyn Hett, who was killed in the Manchester Arena attack
She has recently stated: “One thing I learnt over the past 4.5 years is that there will never be a place in my heart for hate.
“The world is full of wonderful and amazing humans & recognising this has been massively healing. The darkness will never overshadow my life.”
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2022 started in a big way for Figen.
The inspirational campaigner and educator was named on the New Year’s Honours list and appointed OBE, recognised for her services to counter terrorism.
Figen Murray.
Since the tragic death of Martyn, Figen has tirelessly fought to make venues safer.
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Her Martyn’s Law campaign has led to the rapid progression of the Protect Duty, a new piece of legislation that would see certain public places required to be prepared for, and protected against, terrorist attacks.
In a witness statement as part of the Manchester Arena enquiry, Figen said: “The idea for Martyn’s Law came about at the end of 2018.
“My husband had been given two concert tickets for a singer that he likes. The tickets were for 2nd December 2018 in a Manchester theatre. I had not been out and about since Martyn’s death and this was the first time that I ventured into Manchester and into the city life in a long time.
“On attending the venue, I took my smallest handbag with me to enable any bag search to be carried out quickly. When we got to the theatre we walked in and nobody even asked for our entry tickets. We walked past members of staff who were in conversation with each other and took a seat.
We went on Saturday with some of Martyn's friends. It is definitely beautiful. It will be nice when spring adds a touch of colours to it. It is a good place to go and contemplate. I am also sad Manchester needs a memorial. But it is what it is. Nobody can bring them back😔 https://t.co/TTl2GwX9gz
“During the show, I got very tearful as I was astounded by the fact that we had just walked in. Naively, I had until then made the assumption that security checks at public venues were now run of the mill after the Manchester Arena Bombing.”
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She told ITV News: “Absolutely everything I do since Martyn died is purely for the purposes to avoid other families from going through what we as a family have gone through, and are going through and will be going through for the rest of our lives.”
It’s just one example of how this influential woman channels her energies into making the world a safer, more peaceful place.
Before the 2017 terrorist attack, Figen was actually a counsellor and life coach.
Martyn Hett.
She had dedicated her entire career to listening to people, and helping them to build a happier future.
Since making the decision to leave counselling, Figen has embarked on a new challenge, and completed a Master’s degree in Counter Terrorism from the University of Central Lancashire (UCLan).
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She graduated with a distinction (naturally), and said: “This one’s for you, Martyn!”
These are all big, impactful moves – but Figen’s mission for peace trickles down to something much smaller too.
She also knits teddy bears, each one given its own identity and background story, which she sells on Depop.
One of these ‘peace bears’ even made its way into the arms of New Zealand Prime Minister, Jacinda Ardern, shortly after the Christchurch mosque shootings that killed 51 people.
Figen says that ‘every grown up should own a teddy bear, as people often forget to have fun and let their hair down once in a while when they grow up.’
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She left one particularly special bear, known as Jordan Bear, on a train in brown paper bag, with clear instructions that he should see the world.
The little blue creature has now passed through dozens of hands and countries – including a little holiday with Holly Willoughby and Phillip Schofield.
On top of all this, Figen regularly visits schools, colleges and universities to try and instil kindness and tolerance.
She said in a blog post for Educate Against Hate: “I hope to create a positive framework for young people, so they embrace each other’s differences rather than fear them.
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“I want young people to have hope for a kinder future and I want to prevent other families from going through the same pain that we did.”
All of us Mancs have heard the expression ‘Be More Martyn’ by now.
Maybe we should all be a little more Figen too.
About Manc of the Month
We all know that Manchester is home to some special people, some born here and others drawn here, and after a bumpy two years that effectively amounted to one big lockdown, it’s these special people that have inspired and led us through the tough times – so we decided to start a series that shines a light on those who should be celebrated.
Following on from our ‘The Mancs of the Year’ feature towards the end of 2020, Manc of the Month officially kicked off in July 2021, with Marcus Rashford MBE, Manchester’s mural king Akse P-19, the local chef feeding the region’s vulnerable families Mary-Ellen McTague, and Manchester’s groundbreaking new Council leader Bev Craig among previous honourees.
Feature
A masterclass in The Art of Loving: Olivia Dean brings two unforgettable nights to Co-op Live
Emily Johnson
Olivia Dean took over Co-op Live for not one, but two nights this weekend – and what she delivered felt like a full-circle celebration of The Art of Loving, her incredible sophomore album.
From the moment Olivia’s silhouette appeared behind the curtain on night two, opening with the album’s title track, it was clear this evening was going to be special.
With a sea of polka dots on arrival, it’s evident that the 27-year-old already has great influence when it comes to style with her fans, and you could spot anyone who was attending Olivia Dean around Manchester city centre immediately.
Despite performing to a crowd of over 20,000 people, the performance felt incredibly intimate, with interactions with the crowd through the evening, even pointing out a fan’s banner saying they had been a fan of Olivia since 2019, which she was humbly taken aback by.
Her voice carried effortlessly around the arena, somehow still managing to feel soft and personal, like she was singing directly to you.
No Dean show would be complete without her incredible outfits either, and last night we were truly spoilt, with two outfit changes throughout the evening, which split the night into three chapters.
Initially appearing in a black sequin number, before reappearing in the middle of the crowd in an all-white outfit, evocative of an angel – a moment that felt intimate even in a room that size.
Later, with disco balls lowered and the energy lifted, she returned in another glitzy look for the more upbeat tracks, including a crowd-pleasing cover of ‘Move On Up’. With her band behind her, the sound filled the arena beautifully.
Everyone was on their feet having a good time, but no one was having as much fun as the woman herself, Olivia Dean.
And that’s the thing with Miss Dean, no one at her gigs is having half as much fun as she is. She’s always smiling, always glowing.
Put simply, she’s a proper ray of sunshine on stage. Towards the end of the show, Olivia looked up at the crowd and stated, “It’s magic in here tonight, Manchester”, and we all believed her.
Looking around at the crowd, arms around each other, best friends, couples – it was hard not to feel the magic too.
Highlights included ‘UFO’ with a sea of lights, which in the moment gave the whole room goosebumps, and of course, the confetti cannon, which was the grand finale to an incredible evening.
Yungblud channels a bit of magic that’d make Ozzy proud on huge headline night in Manchester
Lonnie Bowes
A darkened arena erupts into life as Yungblud storms the AO Arena main stage for his biggest Manchester show to date.
He flickers across the giant screens, projected against a curtain that stretches the full width of the AO Arena. Then that unmistakable Doncaster drawl cuts through the noise, urging the audience to make some noise (even more of it), and they oblige – gladly.
When the lights come up, a barrage of lights flickers, pyrotechnics explode, and chaos ensues. Manchester crowds are no strangers to Yungblud; he’s a livewire performer with seemingly endless energy, a proclivity for raw emotion, and a fiercely loyal fanbase: the self-proclaimed ‘Black Hearts Club’.
Dressed in a grungy pair of Chrome Hearts leather trousers, a leopard-print waistcoat and sunglasses so thick he could look directly at the sun with no issues, he tears straight into the opening track (Hello Heaven, Hello) with barely a second to breathe.
He then pauses – hands extended to the crowd, a cheeky grin – and bang: confetti fills the room.
If previous Manchester shows hinted at his stamina, this one confirms it. The scale may be bigger, but the intensity hasn’t dipped. The floor quickly becomes a sea of movement, with mosh pits swelling and collapsing in waves, sending bodies ricocheting across the arena.
It’s the kind of gig where you’re never quite safe from getting drenched either – water cups are less for drinking and more for launching, with sprays arcing out over the front rows like some kind of punk rock baptism of fire. So many flames.
The audience was on the ball; at one point, Yungblud’s comb was hurled into the crowd. Showgoers in the area tussled over the item for a minute before returning to the mayhem unfolding around them.
Part conductor, part chaos agent, part mic-wielding cowboy, he commands the room with ease. The mic stand, placed in front of him between each song by the production team, is repeatedly cast to the back of the stage, and he flails the mic above his head on more than one occasion – always catching it again before it can strike anyone else. It’s reckless, but never careless.
Because beneath the sweat and noise, there’s something more deliberate at play. His speeches on identity, equality, belonging and mental health feel less like interludes and more like the backbone of the entire night.
This isn’t just performance: it’s a space he’s actively shaping, one where thousands feel seen. Towards the back end of the set, he invites the whole crowd to look left and right and tell each other how much they f***ing love one another.
Tracks like ‘Loner’, ‘Lowlife’ and ‘Zombie’ land with particular weight, their messages amplified by a crowd that knows every word. At one point, the lights swing out over the audience, and for a moment the focus shifts – not just to the performer, but to the community he’s built.
With a touching tribute to the late, great Ozzy Osbourne, Yungblud is visibly emotional, with tears in his eyes for his dearly departed friend. And if the ringing in my ears is anything to go by, I’m pretty sure Ozzy heard it and was looking down with pride.
If you haven’t guessed by now, Yungblud knows how to command a room, but things definitely took a turn when he invited a member of the crowd on stage.
Holding a poster that read something along the lines of “I can play guitar”, she was brought up and proceeded to absolutely bring the house down, performing alongside him for a song. Daisy, hats off – you absolutely SMASHED it.
Congratulations are in order as well to the happy couple who got engaged at the gig. We really hope your first dance is to a Yungblud track.
Even in a venue of this size, he moves like he’s trying to outpace it; sprinting, leaping, barely standing still long enough to catch a breath. It’s hard not to feel like this is still just a stepping stone. Because if he can command a room like this with such force, it’s not a stretch to imagine Yungblud scaling even bigger stages before long.
Loud, relentless and emotionally charged, this wasn’t just a gig, it was a statement – a place to escape the struggles of day-to-day life and bolster an ever-growing community built on all the right things: acceptance, harmony, and just a little bit of chaos. In short, he’s welcome back anytime.
Daisy Jackson -
28th January 2022 
