It also brought with it dramatic scenes of a sinkhole opening up – which even “swallowed” a car – on Wednesday evening on a residential street in the Abbey Hey area of Gorton, that even shockingly led to the collapse of the frontage of at least two terraced properties as a result.
But as many will know, this is far from the first time sinkholes have caused drama in the region as of late.
In 2016 alone – the year that will be remembered by Mancunians for Brexit, the electing of Donald Trump, and of course, sinkholes – at least six major sinkholes opened up across Greater Manchester.
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The Mancunian Way sinkhole – which was caused by a collapsed water culvert destroying a main sewer, and quickly became a tourist attraction until it was finally fixed and reopened on 16th June – grabbed most of the headlines, but there was also a 10ft deep, 2ft wide sinkhole that appeared on Tib Street in the Northern Quarter in April, the collapse of an old brick sewer that opened one in Whitefield on 12th September, a super storm caused traffic chaos in Cheetham Hill as a crater closed Waterloo Road two days later, and several other notable instances that can all be referenced from that same year.
But now that we’ve actually highlighted the sheer scale of the problem, what actually is a sinkhole? What makes them occur? And just why do we seem to be so plagued with them here in Greater Manchester?
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We had a dig around to get to the bottom of this – and this is what we found.
Amanda Webster
What are sinkholes?
If we’re going to get technical with it, the Oxford English Dictionary defines a sinkhole as: “a cavity in the ground, especially in a limestone formation, caused by water erosion and providing a route for surface water to disappear underground”, but in a nutshell, a sinkhole is essentially any hole in the ground created by erosion and the drainage of water.
Sinkholes can either be just a few feet across, or in the case of the aforementioned instances in Gorton earlier this week, large enough to swallow whole vehicles and whole buildings.
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Although they’re more often than not the result of natural processes, they can also be triggered by human activity too.
Are there different types of sinkhole?
The short answer is yes – there are two basic types of sinkhole.
There’s those that are created slowly over time, which are known as cover-subsidence sinkholes, and those that appear suddenly, which are known as a cover-collapse sinkhole, and as you’d expect, it’s the latter type that creates the sort of headlines we’ve seen this week and in recent years, but both varieties are formed by the same basic mechanism.
Why do they occur?
Now, this is where the real geological explanations have to come into it.
Sinkholes mainly occur in what is known as ‘karst terrain’ – areas of land where soluble bedrock, such as limestone or gypsum, can be dissolved by water.
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With cover-subsidence sinkholes, the bedrock becomes exposed and is gradually worn down over time, with the holes often becoming ponds as the water fills them in, but with a cover-collapse sinkhole, this same process occurs out of our sight.
With cover-collapse sinkholes, naturally-occurring cracks and small voids underneath the surface are hollowed out by water erosion, with a cover of soil or sediment remaining over the top, and eventually, as the hole expands over time, this cover can no longer support its own weight and suddenly collapses to reveal the cavern that’s been hiding underneath.
BBC
Pothole vs Sinkhole
There are a number of differences between a pothole and a sinkhole, that aren’t just the size of the hole and the drama that goes along with it.
It was revealed earlier this month, thanks to a recent study by Manchester-based personal injury lawyers JMW Solicitors and data from fixmystreet.com, that as of January 2021, there were 7,114 reported open pothole cases reported across Greater Manchester – a whopping 2,356 of those being in the City of Manchester itself – with the situation only predicted to get worse, so it would seem that sinkholes aren’t the only recurring issue we have in the region.
But what is the difference between the two?
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To keep it brief, and without repeating too much of what has already been explained, a sinkhole is a closed natural depression in the ground surface caused by removal of material below the ground, whereas a pothole is usually a fairly small feature caused by a failure of paving materials.
Potholes are known to become more abundant in late winter and spring due to freeze-thaw damage.
Why do we get so many sinkholes in Greater Manchester?
And now we’ve come down to the crux of it.
What is it about the region of Greater Manchester that seems to be revealing so many dangerous and damaging sinkholes in comparison to others? Well, according to Dr Domenico Lombardi – a lecturer in Geotechnical Engineering at the University of Manchester, who gave his two cents on the topic after the year of sinkhole mayhem that was 2016 – our sinkholes are not a natural phenomenon as much as they are man made.
It’s all about the number of old mines, sewers, a growing population and ongoing building works that we have going on in the region – and of course, increasing rainfall.
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We know by now that sinkholes occur when underground cavities collapse, causing the failure of the ground above, but in Greater Manchester, our geology is mainly sand and sandstone – which are hardly soluble – so Dr Lombardi says we need to look to old mines and collieries, which are eroded during heavy rainfall or when there is a leaking water main or sewer pipe.
In these cases an underground cavity can form super quick, and the collapse can happen in a matter of hours – as was reported by United Utilities to the case in Abbey Hey yesterday.
Dr Lombardi said: “In recent years, an increasing number of sinkholes have been observed in Greater Manchester and in other regions of the United Kingdom. Arguably, this can be attributed to the increasing number of extreme rainfall events… flooding and an ageing utility infrastructure.”
The solution?
Dr Lombardi recommends timely repairs and maintenance of piping, and a more sustainable drainage system, with more urban green areas too.
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Greater Manchester Fire & Rescue Service
It’s hard to decipher for sure at this point whether the necessary action is being undertaken to prevent more dangerous and damaging sinkholes from opening up across the region – especially as the number of freak weather occurrences are becoming harder to predict – but with work now officially being underway on Manchester’s first city centre park in 100 years, and the City of Trees initiative – which will see three million trees planted across Greater Manchester as part of The Northern Forest – starting to take shape, there’s no denying that positive ground is being made.
Time will surely tell.
Feature
Review | The Lion, The Witch and The Beaver* – sorry, Wardrobe
The Manc
What an enchanting evening at The Lowry as we were transported to Narnia to review the live stage adaptation of The Lion, The Witch and The Wardrobe in Media City as the production began its festive run in Greater Manchester.
As we entered the playing space, the atmosphere was set with a pianist on stage, slowly drowning out the noise of the outside world and settling the audience in for a night of magic.
Launching ‘Act One’ with a touching rendition of the British wartime classic, ‘We’ll Meet Again’ by Vera Lynne, we meet the large ensemble, multi-instrumentalist cast.
This talented ensemble pivots around multiple roles throughout the performance, creating a shape-shifting atmosphere with some impressive seamless transitions, allowing us to “open our minds” and be absorbed into the mythical world of Narnia alongside The Pevensies.
Sweetly played by Joanna Adaran, Jesse Dunbar, Kudzai Mangombe and Bunmi Osadolor, they excel in exploring sibling dynamics such as rivalry, trust, but most of all, loyalty and love.
The most mind-blowing element of this performance, however, was the production; it truly is the unsung hero of the entire show, so we’ll so the singing on their behalf.
Set and costume (designed by Tom Paris), lighting (done by Jack Knowles), puppetry design and direction (by Max Humphries and Toby Olie), sound design (credit to Tom Marshall) and hair, make-up and wig designer (Susanna Perez).
All this carefully curated talent helped create a world where we had no choice but to believe in magic.
For us as an audience, it made things so much easier to immerse and delight in the world of C.S. Lewis’ imagination, as it is so wonderfully presented in front of us.
This was elevated once again by levitation and disappearing acts – the scene was set on the boards and in the air.
Huge credit goes to Gwen Hales (aerial director) and Chris Fisher (magic and illusions); it felt as if anything was possible, and we needed no convincing that we were in the presence of pure enchantment.
However, arguably the most magnificent moment of the show was the reveal of Aslan himself. As this grand puppet prowled onto the stage, you could hear gasps echo throughout the theatre.
Manoeuvred by three puppeteers, this skilful spectacle was a credit to bringing the story to life in live theatre. The seamless, lifelike movements of breath and king-like presence were both majestic and a credit to the production.
Accompanied by Stanton Wright, we had no doubt that this was the true hero of Narnia.
If you want us to sum up our review of The Lion, The Witch and The Wardrobe at The Lowry, quite simply, this show is nothing short of a marvel.
Make sure to take home a cuddly lion toy, of course. (Credit: The Manc)
With constant playfulness and wit throughout – mainly brought to you from the broad Northern and oh-so lovable Mr Beaver (Ed Thorpe), and fellow believer in magic, ‘The Professor’ (Kraig Thornber).
It’s the lattermost that left us with a lasting thought, as he warmly reminds the audience that even when times feel dark, “the sun is always up there, we just have to look.”
The Lion, The Witch and The Wardrobe is running from The Lowry in Salford Quays all the way up until Sunday, 11 January 2026. Don’t miss the magic and grab your tickets HERE.
If you’re interested in finding out what else we’ve enjoyed at the theatre in Manchester recently, then look no further…
Featured Images — The Manc Group/Press shots (Brinkhoff/Moegenburg supplied via The Lowry)
Feature
Hazlett at Manchester Academy 3 – some of the best ‘sad and depressing songs’ you could ever ask for
Danny Jones
On Thursday evening, we finally got to see Hazlett in a small, tightly-packed room here in Manchester and have maybe never heard so many people sing so expertly quietly so as not to even remotely dullen the stunning voice of this rising solo artist.
For anyone who isn’t aware of Hazlett, he’s an Australian singer-songwriter who has been gradually growing in popularity over the last couple of years, but his journey to where he is dates back much further than that.
Noticing a few familiar faces in the crowd from his last visit to the city for a performance at The Deaf Institute just over a year ago – one we sadly missed and have been kicking ourselves ever since – he acknowledged that many may already know his story, but it’s nevertheless worth sharing with the class.
After self-deprecating (how oh-so British) about gigging in pubs when he was younger, and being told to stick to covers rather than try any of his own material, he moved to Sweden in 2019 and fell in love with not only a much more seasonal European but winter, specifically. No wonder he looked at home here.
Here’s our review of Hazlett at Manchester Academy 3, 4/12/2025. (Credit: Audio North)
Kicking off with one of his best-known tracks, ‘Please Don’t Be’, it immediately struck us how full and mournful it all felt in the flesh – arguably even more so than the studio version we’ve been playing in our headphones since 2023.
The atmospheric but not over-produced engineering is an aspect we’ve always admired about Hazlett‘s discography, and we were so relieved it came across on the night, with the Brisbane-born ex-pat crediting his talented live band with helping bring that same sound to life on stage.
It’s a regular trapping, we’ve found, when it comes to acoustic-led music; that instinct, perhaps, for an artist and/or a producer to use seemingly as many of the tools at their disposal as possible just because they’re available to them.
Sadly, this easy pitfall often ends up taking away from what makes those tunes so beautiful to begin with – but not in this case.
The rising solo star seemed to have an expert command not only of his vocals, but the second mic that added those subtle and yet stirring layers, and built those moving, almost ethereal effects on top of the words themselves.
Honestly, we were literally in awe of him just whistling…
Admittedly, it’s hard to put a finger on what exactly made this such a special show, but we think it is THAT same appreciation and embrace of colder months and how it’s inspired his music.
Just bear with us for a minute, it’ll make sense soon.
He actually said it was one of the things he loves the most about people in this country, and this specific part of the world, as well as other parts of Europe, such as his now beloved Sweden, where he says he found his creative spark.
It’s that feeling of the weather and the mood it brings so intensely that he says it helped him write ‘Bones Shake’, which was fittingly chilling as he played it to the spellbound, would-be choir, and could hear the soft sibilance of people gently repeating those S-sounds back to him.
There’s a genuine sense of being able to chart the slight sorrow in the passing of time through the seasons, and while some may not be afforded that same feeling from the sun-soaked shores of his homeland, it’s a concept he’s really run with – especially on his most recent LP.
Simply titled, last night you said you missed me, it’s almost something he kind of tried to resist, confessing that he wrote and finished the album in the space of about a month, fearing that it couldn’t be good enough/ready purely because it came together so quickly.
Given that two specific tracks from this record made a lady standing with us well up and eventually shed several tears (you know who you are), we’d say he absolutely nailed it.
Our only minor gripe was not getting to hear ‘Tell Me What You Dream About’. (Credit: The Manc)
He did joke that his set is filled with nothing but “a bunch of sad and depressing songs” and had a laugh at the idea of people being “dragged along” without any real idea of who he is or the kind of stuff he makes, but having now witnessed him play live, we can assure you it’s much more than that.
Bloom Mountain was an emotional, magical debut that found us in a particular place and time in our lives that we’ll always appreciate, but hearing him knit it together with his newest material confirmed to us that his music has to be more than listened to – it has to be felt.
Like the changing of the seasons. Like the winter. Like the cold.
We unfortunately didn’t manage to make it in time to watch the support act, Hans Williams, but judging by the reaction from the audience who did get in there early enough, the authentic but inventive stylings of the Americana, folk and soul-infused indie-pop artist, he definitely won over plenty of new fans.
As Mitchell Hazlett Lewis, to use his full name, he’s had our hearts since the very start and will continue to do so for however long he keeps bringing his relatable lyricism, delicate but impressive guitar-picking and gentle charm to Manchester.
Please check out his tour dates and see him the next time he’s in town. You can guarantee you’ll find
Please enjoy the song from his latest album that he says his mum likes best.
Emily Sergeant -
22nd January 2021 
